25 The Novel and Television: 2
6.50 Ideas for the Future
7.15 Pure Maths: the Examination
7.40 Co-operating Computers at Gallaher's
8.5 The Turbine Blade
8.30 The Early Music-Hall
8.55 The Welsh Speak Back
9.20 Artists' Films
9.45 IATA: Tel Aviv Negotiations
10.10 Colliding Continents
10.35 Montleoffrey: Life In a Château
11.0Mano;ModebyGeorgeEtheridge
11.50 Discussion: Alan Plater 's Reunion
12.40 Graphs, Networks and Design
1.5 The Promised Land: a Postscript
1.55 History of Mathematics
2.20 Preparing to Study with the OU
2.45 Continental Can at the EEC

starring
Bette Davis Glenn Ford Dane Clark
Identical twin sisters, one good, one bad, fall in love with the same man and, as always, the gentle Kate loses to the vivacious and more worldly Pat.
The dual roles provided Bette Davis with the chance to display the full range of her acting technique in a film which was also her first venture as a producer.
Kate Bosworth/Patricia Bosworth
BETTE DAVIS
Screenplay by CATHERINE TURNEY
Based on a novel by KAREL j. BENES Directed by CURTIS BERNHARDT

The Wreck of the Mary Rose
In the week when The Mary Rose Trust attempts to salvage what remains of the hull of this extraordinary ship, Chronicle repeats the second of its major films on the project as an introduction to new viewers and as a reminder for many others.
Henry VIII 's battleship, launched in 1510 and named after his sister. foundered under the gaze of the King in July 1545. Many men died. It was an inexplicable and mystifying disaster, which occurred during a battle with French ships attempting to invade and subdue
The Solent and the great harbour of Portsmouth where the Mary Rosewas built.
The divers on site and the committee members behind the scenes tell the story of the search for the Mary Rose in its final phases.
(Another Chronicle film, bringing you up to date, can be seen this evening at 9.55)

A series of monthly films exploring the English hedgerow. October
Autumn cloaks the hedgerow in red and gold, and birds and mammals gorge themselves on nuts and berries in readiness for winter.
David Streeter and Rosamond Richardson discover the habits of some of the smaller, secretive ani. mals of the hedgerow, visit a hedge-laying competition, and plan some Christmas treats with the last of the hedgerow fruits.
Film cameraman NIGEL MEAKIN Producer ERICA GRIFFITHS

David Hepworth and Mark Ellen with studio guests
Bauhaus and Orange Juice plus news, views, clues and reviews

with Jan Leeming ; Weather

A Place for God on Earth
King Philip II of Spain conceived the idea of the gigantic building that still dominates the landscape of the Guadarrama mountains near Madrid. He supervised its construction down to the smallest detail. It was his obsession. It was to be a palace, a monastery, a burial place for kings and queens, a treasure-house of paintings, sculptures, manuscripts and books, and in its very centre it was to have a mighty basilica church.
In 1582 the basilica church of this vast complex was completed and the great cross installed on the dome. A grand Te Deum was sung to celebrate the completion of the church and the installation of the last of the art treasures that Philip had commissioned or collected from all over Europe. Few buildings in the world can tell us more about their founder than this one.
Nicholas Baum takes us round the building and tells its story.
Hugh Casson talks about how the building was constructed.
Hugh Trevor-Roper tells us how Philip II came to collect some of the great masterpieces in the Escorial.
Directed by ANNE JAMES

by JANACEK with Elisabeth Soderstrom
This Welsh National Opera production was recorded in the New Theatre, Cardiff.
The opera, set in a small village on the banks of the Volga, tells the story of a love affair between Katya, a married woman, and Boris, a young man come from Moscow. The reactions of her family and neighbours make a compelling and tragic study of human frailty.
Libretto by CERVINKA, based on OSTROVSKY'S play The Storm English translation by NORMAN TUCKER conducted by Richard Armstrong
Cast in order of singing:
ORCHESTRA OF
WELSH NATIONAL OPERA leader JOHN STEIN
CHORUS OF WELSH NATIONAL OPERA chorus-master JULIAN SMITH
Introduced by Sir Geraint Evans
For Welsh National Opera: Producer DAVID POUTNEY
Designer MARIA BJORNSON Lighting JOHN WATERHOUSE For the BBC:
Sound FRANK MCCARTHY Lighting LEN STEPHENS
Producer VINCENT DOWDALL Director PETER BUTLER

The Wreck of the Mary Rose
Since the spring of 1982, The
Mary Rose Trust has worked flat out, under the sea and in the office, to plan, to raise the money for, and to achieve an almost impossible object - the recovery from the silt at the bottom of The Solent of what remains of the hull of one of King Henry VIII 's favourite battleships.
Chronicle has followed the project since 1971, when only a line of eroded timber frames, uncovered by a freak storm, denoted the site of one of the richest archaeological sites ever found in Great Britain. Tonight's film brings viewers up to date with the project and sets the scene for the live outside broadcast coverage tomorrow morning when the Mary Rose will be seen again above the surface.
Underwater photography TIM JOHNSON Film editor ROY DEVERELL Written and produced by JOHN SELWYN GILBERT
Series editor BRUCE NORMAN
(Raising the Rose, tomorrow at 9.20 am)

with Jan Leeming ; Weather

concludes the season of films directed by the cinema's legendary master of suspense. starring Paul Newman
Julie Andrews
Attending a nuclear conference, American scientist Michael Arm strong suddenly leaves Stockholm and flies to East Berlin. Refusing to believe that he has defected to the Communists, his fiancee and colleague Sarah Sherman follows him across the Iron Curtain. She does not realise that her actions will endanger Armstrong, who is in fact an American agent.
Hitchcock assembled a strong international cast to give credibility to his tense, fast-paced thriller.
Screenplay by BRIAN MOORE Produced and directed by ALFRED HITCHCOCK