Live coverage of the third day in Blackpool.

Story: "Daniel's Different Day" by Ivy Gallagher

(Repeated on BBC1 at 4.10 pm)
(Colour)

Further coverage from Blackpool

The series which examines our working lives

Many Indian and Pakistani workers in Britain speak no English, and their different customs make it all the harder for Asians and whites to adjust to one another in the workplace. Could training courses for shop stewards, foremen and Asian workers lead to better race relations inside and outside the factory?

(Repeated next Sunday afternoon)
(Colour)

with Richard Whitmore
and at ten-to-eight
Conference Report
David Holmes reporting from the Labour Party Conference at Blackpool
Weather

Handel Sonata for violin and keyboard, Op 1 No 13
Chopin Ballade No 1, in C minor, Op 23
Beethoven Spring Sonata (No 5) for violin and piano, Op 24

When Radu Lupu won the Leeds Piano Competition in 1969 Szymon Goldberg was a member of the jury. Since then they have teamed up as a violin and piano duo, and tonight make their first television appearance together.

Sir John concludes his view of Australia by looking at some of the grandest buildings and vistas in the sub-continent, from Brisbane's cathedral to Sydney's super State Cinema and opera house - 'a regatta in full flight, arrested at the water's edge.'

A BBC/Australian Broadcasting Commission co production

by Arden Winch
with Clive Swift as Inspector Waugh

Reporters Jeremy James, Jeanne La Chard, John Pitman, Desmond Wilcox, Harold Williamson

Dole queues in Britain's depressed areas are getting younger as thousands of teenagers released from school join the unemployed. In Sunderland, where unemployment is more than twice the national average, Jim Douglas Henry found 2,000 school-leavers chasing 100 jobs.
From Sunderland Desmond Wilcox invites the young unemployed and their parents to talk about a way out for the future with industrialists, union leaders, councillors and education experts.

A second chance to see the highly praised series in which writer and critic John Berger talks about the ways in which we see paintings.

"The first of a stunning series" (Sunday Times)

and Weather