Programme Index

Discover 11,128,835 listings and 282,816 playable programmes from the BBC

With Tommy Pearson.
Walton Overture: Portsmouth Point
LPO, conducted by the Composer
6.20 Rossini Cantata: The Lament of Harmony on the Death of Orpheus Paul Austin Kelly (tenor), La Scala
Philharmonic Chorus and Orchestra, conductor Riccardo Chailly
7.00 Erlebach Cantata: Gelobet Sei der
HerrSoloists, Michaelstein Telemann Orchestra, conductor Ludger Remy
7.35 Kraus Sinfonia Buffa in F
Swedish Chamber Orchestra, director Petter Sundkvist
8.10 Schumann Marchenbilder , Op 113 Philip Dukes (viola),
Sophie Rahmen (piano)
8.45 Enescu Romanian Rhapsody No 2 LSO, conductor Antal Dorati

Contributors

Unknown:
Tommy Pearson.
Conductor:
Riccardo Chailly
Conductor:
Ludger Remy
Conductor:
Kraus Sinfonia Buffa
Director:
Petter Sundkvist
Director:
Schumann Marchenbilder
Viola:
Philip Dukes
Piano:
Sophie Rahmen
Conductor:
Antal Dorati

With Donald Macleod.
In 1920 William Walton made his first visit to Italy to stay with the Sitwells in Amalfi, south of Naples, and later visited Florence, Venice, Naples and Sicily. Walton's musical imagination found stimulus through travelling and he frequently stayed with friends abroad while working on his music.
Donald Macleod looks at some of the works which were inspired by these European trips.

Siesta - London Philharmonic Orchestra, conducted by the Composer

Viola Concerto (3rd mvt) - William Primrose Philharmonia, conducted by the Composer

Prelude and Venetian Idyll (Escape Me Never) (arr Christopher Palmer) - Academy of St Martin in the Fields, conductor Neville Marriner

Symphony No 1 (3rd and 4th mvts) - BBC Symphony Orchestra, conductor Adrian Boult

Overture: Scapino - LPO, conductor Bryden Thomson

Contributors

Presenter:
Donald Macleod

With Jonathan Swain.

Britten Alia Marcia Maggini String Quartet

10.09 Mahler Liedereines Fahrenden Gesellen - Dietrich Fischer-Dieskau (baritone), Vienna Philharmonic Orchestra, conductor Wilhelm Furtwangler

10.27 Stravinsky Scenes de Ballet Berlin - Philharmonic Orchestra, conductor Bernard Haitink

10.45 Liszt Totentanz - Arnaldo Cohen (piano)

11.02 Britten Libera Me (War Requiem) - Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Fischer-Dieskau (baritone), Melos Ensemble, Highgate School Choir, Bach Choir, London Symphony Chorus and Orchestra, conducted by Benjamin Britten

Contributors

Presenter:
Jonathan Swain

Artist In Focus: Mstislav Rostropovich
Today the Russian cellist talks to Humphrey Burton about his close friends and musical collaborators, including his wife, the Russian soprano Galina Vishnevskaya.

Janacek Pohadka
With Benjamin Britten (piano)
Shostakovich Piano Trio No 2
With Leonid Kogan (violin), Emil Gilels (piano)
Britten Poet's Echo - Galina Vishnevskaya (soprano), Mstislav Rostropovich (piano)

Britten The Young Person's Guide to the Orchestra - National Youth Orchestra, conductor Mstislav Rostropovich

Tchaikovsky At the Ball - Galina Vishnevskaya (soprano), Mstislav Rostropovich (piano)

Contributors

Presenter:
Humphrey Burton
Guest:
Mstislav Rostropovich

Another concert in the Easter series from the Temple Church in London, presented by Chris de Souza.
James Vivian (organ), Choir of Temple Church, director Stephen Layton Byrd Civitas Sancti Tui
Tallis Ex More Docti Mistico ;
Lamentations of Jeremiah, Part Lotti Crucifixus
Dupre Crucifixion Howells Requiem

Contributors

Presented By:
Chris de Souza.
Presented By:
James Vivian
Director:
Stephen Layton
Unknown:
Docti Mistico

BBC Scottish Symphony Orchestra Conductor Ion Marin
Presented by Sarah Walker.
Mozart Overture: Die Zauberflote Wagner Wesendonck Lieder Ann Murray (mezzo)
Bruckner Symphony No 4 in E flat (Romantic)

Contributors

Presented By:
Sarah Walker.
Unknown:
Wagner Wesendonck Lieder
Unknown:
Ann Murray

From St Thomas's Church, Fifth Avenue, New York.

Lenten Sentences (Hancock). Responses (Hancock). Psalm 88 (Flintoft). First Lesson: Isaiah 63, vv 1-9. Office Hymn: Were You There When They Crucified My Lord? (Afro-American Spiritual). Canticles: Horatio Parker in E. Second Lesson: Revelation 14, vv 18-end; 15, vv 1-4. Anthem: Go to Dark Gethsemane (Tertius Noble). Homily: The Rev Andrew C Mead. Hymn: The Day Thou Gavest, Lord, Is Ended (St Clement). Organ Voluntary: Choral Prelude on Eventide (Tertius Noble).

Contributors

Organist and master of the choristers:
Gerre Hancock
Associate Organist:
Judith Hancock
Assistant Organist:
Thomas Bara.

Piano music from Maria Joao Pires , Phil Alexander , Bheki Mseleku and Graham Fitkin , and two early masterpieces by Spanish guitarist Paco de Lucia. Presented by Verity Sharp.

Contributors

Unknown:
Maria Joao Pires
Unknown:
Phil Alexander
Unknown:
Bheki Mseleku
Unknown:
Graham Fitkin
Presented By:
Verity Sharp.

With Jonathan Swain.

Mozart Overture: La Clemenza di Tito, K621

12.10 Albeniz Iberia, Book 1

12.30 Telemann Cantata: Alles Redet Jetzt und Singet

1.00 A concert of Iberian organ music, including works by Antonio Carreira, Heliodoro de Paiva, Juan Bermudo, Antonio de Cabezon, and Manuel Rodrigues Coelho.

1.25 CPE Bach Oratorio: Die Israeliten in der Wuste, Wq238

2.45 Liszt Fantasies on Szozdat and the Hungarian National Anthem

2.55 Schoeck, arr Delfs Suite: Penthesilea

3.20 Scriabin Symphony No 1

4.10 D Scarlatti Sonatas: in D minor, Kk213; in D, Kk214

4.20 Oskar Lindberg Midsummer Night; Morning: One Ought Not to Sleep: Starlight

4..25 Vivaldi Concerto in G minor for two cellos, RV531

4.45 Purcell The Duke of Gloucester's Trumpet Suite

5.00 Nielsen Overture: Masquerade

5.05 WF Bach Flute Duet No 6 in G

5.15 Guerrero Dexo la Venda el Arco

5.25 Debussy Images, Book 2

5.40 Faure Suite: Pelleas et Melisande

Contributors

Presenter:
Jonathan Swain

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More