With Fiona Talkington.
Palestrina Stabat Mater a 8 6.30 Brahms Trio in A minor, Op 114
7.00 Prokofiev Overture on Hebrew
Themes, Op 34
7.20 Handel Suite No 5 in E, HWV430
8.08 Monteverdi Gloria a 7 8.20 Poulenc Violin Sonata (rev 1949)

Stephanie Hughes presents the best of music-making from around Europe with concerts from Helsinki, Schwarzenberg, Prague and Salzburg. And at around
10.00 today's guest is the artist Martin Maloney. Music includes:
Schumann Three Romances
Albrecht Mayer (oboe), Alexander Lonquich (piano)
9.35 Martinu Cello Concerto No 1
Michal Kanka , RLPO, conductor LiborPesek
10.40 Beethoven Quintet for piano and winds, Op 16 Albrecht Mayer (oboe),
Sabine Meyer (clarinet), Bruno Schneider (horn), DagJensen (bassoon), Alexander Longquich (piano)
11.15 WF Bach Flute Concerto in D
Christian Gurtner , Wiener Akademie , conductor Martin Haselbock
11.35 Britten Les Illuminations
Dawn Upshaw , Finnish Radio Symphony
Orchestra, conductor Juka-Pekka Saraste Email your comments to: sunday.live@bbc.co.uk

Joshua Rifkin visits the palace at Cothen, where Bach composed much of his instrumental music. Here John Holloway performs some of Bach's music for solo violin, and Lars Ulrich Mortensen discusses and plays Bach's harpsichord music of the period.

Another chance to hear Monday's concert from the Wigmore Hall, London. Introduced by Fiona Talkington.
Paul Watkins (cello), HuwWatkins (piano) Britten Suite No 3 for solo cello, Op 86 Shostakovich Cello Sonata, Op 40

Vlado Perlemuter
The Russian/Lithuanian-born pianist
Vlado Perlemuter died on 4 September this year, aged 98. For the next two weeks Piers Lane looks back on the career of this great musician.

Rptd from yesterday 12 noon

The Scarborough Spa Orchestra makes a welcome return in the Emperor Waltz by Johann Strauss. There's also music by Gilbert Vinter , Eric Coates and Glenn Miller , and Richard Tauber sings of the life and love of Pedro the Fisherman.

The latest developments in digital music technology are forcing a revolutionary redistribution of roles between composer, performer and audience. New people and ideas are taking over, and major established institutions have been gearing up to decide how they can meet the challenge - or whether indeed they can at all. Composer Peter-Paul Nash tries to decide whether we should feel excited, threatened -or both ... Producer David Gallagher

By William Shakespeare.

Set in France, Shakespeare's play tells of the questionable course of action a young woman will take to win the hand of the man she loves. An extraordinary ensemble of actors teases out the moral riddle at the heart of this intriguing play.

Talking books: page 153

Shakespeare's challenging comedy about the dubious lengths to which a woman will go in order to get her man

All's Well That Ends Well 6.30pm R3
Before settling down to listen to this production, I asked its director, Peter Kavanagh, what people would be missing by hearing it rather than seeing it. "Nothing," he said. "The writing's so wonderful and it's all in the words." Over two hours later, I have to admit he was wholly right. The casting has helped, however: Sian Phillips brings a beautiful warmth to the Countess in a drama where everybody else is behaving very badly, particularly the women. And Richard Griffiths is perfect as the flawed ruler (his unpleasant-sounding abscess being a metaphor for the corruption and decay of his kingdom), with his voice truly sounding like the rot has set in. Funnily enough, without the distractions of set and costume, you're obliged to make an investment in following the story. And it's an effort worth making: I thought I knew this play but was taken aback by Shakespeare's perception of what it must have been like to be a woman in a world designed to ensure that men do well. It is all in the words.

Celebrating
Stanford Paul Guinery introduces a concert given in St Paul's Church, Knightsbridge, to mark the 150th anniversary of the birth of Charles Villiers Stanford.
David Goode (organ), BBC Singers, conductor Stephen Cleobury
Stanford Magnificat for double chorus, Op 164
A Song of Wisdom, Op 113 No 6; Hymn (after A Songof Wisdom) With Robert Johnston (tenor)
Three motets, Op 38: Justorum Animae; Beati Quorum Via; Coelos Ascendit ; For All the Saints ("Engelberg");
Fantasia In Festo Omnium Sanctorum", Op 121 (organ solo);
ForLo, I Raise Up, Op 145
With Margaret Feaviour (soprano), Andrew Murgatroyd (tenor)
A Song of Freedom, Op 113 No 1 With Judith Harris (mezzo)
Hymn (after A Song of Freedom);
The Train, Op 119 No 4; The Blue Bird,
Op 119 No 3; Quick, We Have But a Second; The Lord Is My Shepherd; Te Deum in B flat. Op 10
With Jennifer Adams-Barbaro (soprano), Lynette Alcantara (mezzo), David Roy
(tenor), Stephen Charlesworth (baritone)

Conductor James MacMillan
MacMillan Britannia

Soundings. American sound artist Gregory Whitehead scoops up gems of acoustic imagination from broadcasters around the world. 3: Dark Sounds for Dark Nights Producer Simon Elmes

Robert Sandall and Mark Russell introduce a session by Berlin-based duo Tarwater, who create a dark blend of vocals, electronics and guitar.

With Jonathan Swain. Schumann
Overture: Manfred 12.15 Soler Fandango in D minor 12.30 Schoenberg Verlklarte
Nachtl.00 Prokofiev Cantata:
Alexander Nevsky , Op 78 1.35 Brahms Eight Piano Pieces, Op 76 2.05 Goldberg Sonata in C minor for two violins, viola and bass continuo 2.15 Mendelssohn Octet in E flat, Op 20 2. 50 Mahler Symphony No
4.05 Sigismondo d'india Lagrimat'occhi Miei 4.20 Telemann Sonata in F minor
(DerGetreue Music-Meister) 4.30 Grieg Letzter Fruhling 4.40 Johann Heinrich Schmelzer Lamento sopra la
Morte Ferdinandi /// 4.50 Goldmark Night Piece (The Queen ofSheba) 5.00 Pez Overture in D minor 5.15 Donizetti Trio in B flat
5.25 Grainger Rustic Dance 5.35 Spohr Das Heimliche Lied, Op 103 No 5 5.45 Wagner Prelude: Die Meistersingervon Nurnberg 5.55 Prokofiev, arr Heifetz March (The Love for Three Oranges)