Programme Index

Discover 11,128,835 listings and 280,378 playable programmes from the BBC

7.40 Teaching and Control

8.5 Mechanics: Volume Integrals

8.30 Contrast in Musical Language

8.55 The Newcomer

9.20 Sharing a House

9.45 Navigation

10.35 Maths: Complex Integration

11.0 Dial-a-Bus

11.25 Gibbon and the Ruins of Rome

11.50 Einstein's Belief

12.15 The Mitochondrion

12.40 Genetics: the rll System

1.5 Neurochemistry

1.30 Ocean Crust

starring
Ricardo Montalban Pier Angeli
The first of this afternoon's romances has a Mexican setting. Three bachelors and their adventures in love intertwine with the rivalry between the neighbouring towns of Columba and San Juan.
Screenplay by JOSEFINA NIGGLI and NORMAN FOSTER
Produced by JACK cummings Directed by NORMAN FOSTER
(First showing on British television) Films: page 17

Contributors

Unknown:
Ricardo Montalban
Unknown:
Pier Angeli
Unknown:
San Juan.
Play By:
Josefina Niggli
Unknown:
Norman Foster
Produced By:
Jack Cummings
Directed By:
Norman Foster
Pepe Gonzales:
Ricardo Montalban
Eufemia Calderon:
Pier Angeli
Alenjandro Castillo:
Vittorio Gassman
Lola de Torrano:
Cyd Charisse
Ruben:
Rick Jason
Elena Cantu:
Nina Foch

starring
Moira Shearer , John Justin
In this lighthearted romantic comedy by Rattigan, set firmly in upper-class London, Mark St Neots, a young peer, vows eternal love to Sylvia, a 16-year-old redhead. Although they never meet again, Mark is forever attracted to redheads with a similar face. Dancer Moira Shearer plays the enchanting Sylvia in a variety of guises and very different characters.
Screenplay by TERENCE RATTIGAN from his play Who is Sylviaf Produced by JOSEF SOMLO
Directed by HAROLD FRENCH . Films: page 17 (First showing on British television)
(Rattigan's Cause Célèbre tonight R4, 8.0)

Contributors

Unknown:
Moira Shearer
Unknown:
John Justin
Unknown:
Moira Shearer
Unknown:
Terence Rattigan
Produced By:
Josef Somlo
Directed By:
Harold French
SYLVIA/DAPHNE/OLGA/COLETTE:
Moira Shearer
Mark St Neots:
John Justin
Oscar:
Roland Culver
Caroline:
Gladys Cooper
Dennis:
Denholm Elliott
Williams:
Harry Andrews
Bubbles:
Patricia Cutts
Ethel:
Moyra Fraser
Sergei:
John Hart
Young Mark:
Jeremy Spenser
Sydney:
Melvyn Hayes

In Ulster the term ' road racing' means exactly that - racing on ordinary country roads at speeds of up to 180mph on home-built motorbikes for precious little reward. Tonight's film traces the fortunes, failures and fractured bones of three young men in an Ulster village during the course of a single season.
Photography RIK STRATTON
Sound recordist NORMAN JOHNSTONE Director DAVID WALLACE

Contributors

Unknown:
Norman Johnstone
Director:
David Wallace

The John Player Cup Final Leicester v Gosforth from Twickenham
These two clubs have dominated this competition for the last six years. Leicester, in a record fourth consecutive final, are determined to end their centenary season with a hat-trick of cup wins. Despite the presence in the Leicester side of six England internationals, led by Peter Wheeler , they will be hard-pressed by Gosforth who have also won the cup twice.
With the guiding hand of evergreen Malcolm Young and fly-half David Johnson behind a powerful pack, including Steve Bainbridge and captain Colin White , Gosforth will provide the sternest opposition of the season to Leicester.
Commentator NIGEL STARMER-SMITH
Series producer buw JONES

Contributors

Unknown:
Peter Wheeler
Unknown:
Malcolm Young
Unknown:
David Johnson
Unknown:
Steve Bainbridge
Unknown:
Captain Colin White
Commentator:
Nigel Starmer-Smith

The first of eight programmes. Tonight Bernard Levin talks to John Osborne
It is 25 years since JOHN OSBORNE 'S Look Back in Anger was acclaimed as a ' minor miracle', full of ' qualities one had despaired of ever seeing on the stage '.
(KENNETH TYNAN )
From this beginning as the ' angry young man', Osborne's contribution to the theatre has spanned a quarter of a century and over two dozen plays. Tonight he looks back with BERNARD LEVIN , who on separate occasions has said of his work: original, symbolic, subtle, dignified, profound ', ' ... a ramshackle, top-heavy and profoundly unsatisfying play'.
Assistant producer TAMASIN DAY-LEWIS Director CHRISTOPHER LEWIS
Producer JOHN SHEARER. BBC Bristol

Contributors

Talks:
Bernard Levin
Unknown:
John Osborne
Unknown:
John Osborne
Unknown:
Kenneth Tynan
Unknown:
Bernard Levin
Producer:
Tamasin Day-Lewis
Director:
Christopher Lewis
Producer:
John Shearer.

' Rene Clair is the French cinema,' one critic wrote in the 40s, and few people would have disagreed. It seems a surprising judgment now since Clair's reputation suffered a steep decline while other veteran film-makers, such as Renoir and Came, grew in esteem and the New Wave stole the limelight.
Clair died earlier this year at the age of 82, still the only man of the cinema to have been elected to the Académie Frangaise. Gavin Millar introduces two of his most famous films and offers a reminder of just why he was, for a whole generation, the epitome of Gallic wit, elegance and charm,

Contributors

Unknown:
Rene Clair

starring
Raymond Cordy , Henri Marchand Rene Clair was one of the outstanding figures of the cinema. Richly inventive and with a genius for comedy, he was the first director to make talking pictures an art form. A nous la liberty, made in 1931, for all its slapstick and burlesque, presents a chilling picture of man reduced to an automaton by the products of his own invention. A major influence on Chaplin's Modern Times, it is still relevant after 50 years.
Written and directed by RENt CLAIR . Films: page 17
(A French film with English sub-titles)

Contributors

Unknown:
Raymond Cordy
Unknown:
Henri Marchand
Unknown:
Rene Clair
Directed By:
Rent Clair
Louis:
Raymond Cordy
Emile:
Henri Marchand
Jeanne, the girl:
Rolla France
Maud, Louis's mistress:
Germaine Aussey
Uncle:
Paul Olivier
Paul, Jeanne's suitor:
Jacques Shelly
Foreman:
André Michaut
Gigolo:
Alexandre D'Arcy
Old man:
Léon Lorin
Orator:
Vincent Hyspa

Clair thought of himself as a screenwriter as well as a director. He put his stamp on French screen comedy in the 20s and 30s with such classics as The Italian Straw Hat , Sous les toits de Paris, Le Million and Le quatorze juillet, all of which he wrote or adapted himself. When the war came he went to Hollywood, but, like so many other Europeans used to a personal cinema, found their methods strange. He returned to France after the war, and Le silence est d'or, Les Belles de nuit and Porte des Lilas - about his beloved Paris -showed all his old command of sentimental irony.
Gavin Millar talks to colleagues and stars who worked with him: Leslie Caron , Gina Lollobrigida , Jean-Pierre Cassel , directors Claude Autant-Lara and Michel Boisrond.
With extracts from 40 years of his films.
Written and produced by GAVIN MILLAR Studio director CHARLES CHABOT
Film editor CHRISTOPHER SWAYNE Arena editor ALAN YENTOB

Contributors

Unknown:
Straw Hat
Talks:
Gavin Millar
Unknown:
Leslie Caron
Unknown:
Gina Lollobrigida
Unknown:
Jean-Pierre Cassel
Directors:
Claude Autant-Lara
Directors:
Michel Boisrond.
Produced By:
Gavin Millar
Director:
Charles Chabot
Editor:
Christopher Swayne
Editor:
Alan Yentob

Starring Fredric March, Veronica Lake

This whimsical comedy features Veronica Lake as an ethereal witch haunting a descendant of the puritan who had her burned in Salem 270 years before. Wallace Wooley is a man who has planned his life. Engaged to the daughter of a powerful newspaper owner, he is also likely to be the next county governor. Then, the night before his marriage and election day, something impels him to rush into a burning hotel...
Films: page 17

Contributors

Screenplay:
Robert Pirosh
Screenplay:
Marc Connelly
Based on the novel by:
Thorne Smith
Director:
Rene Clair
Wallace Wooley:
Fredric March
Jennifer:
Veronica Lake
Dr Dudley White:
Robert Benchley
Estelle Masterson:
Susan Hayward
Daniel:
Cecil Kellaway
Margaret:
Elizabeth Patterson
J.B. Masterson:
Robert Warwick
Tabitha:
Eily Malyon

BBC Two England

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About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More