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12 : All in a day's work (i)
The Integrated Day can mean a number of things in theory; what does it mean in practice? The first of two programmes in which LYNNE EYNON 's day with her class of infants is observed in detail.
Producer DAVID ALLEN
Book 70p: see page 31

Contributors

Unknown:
Lynne Eynon
Producer:
David Allen

with Maggie Smith, Joyce Redman, Frank Finlay
'...the only completely successful performance of that almost impossibly difficult part which this age has seen...' is what the Sunday Times wrote about Laurence Olivier's Othello in the National Theatre production of 1964.
PHILIP JENKINSON writes: 'One certainly cannot quarrel with either the textual adaptation or visualisation of the Bard's Passion; whether or not one entirely accepts Olivier's interpretation would depend, I shouldn't wonder, on the colour of your skin and degree of ethnic commitment.'
A BHE production from the National Theatre of Great Britain
Producers ANTHONY HAVELOCK-ALLAN and JOHN BRABOURNE
Director STUART BURGE
Based on the stage production by JOHN DEXTER
Interlude at 8.45*

Contributors

Unknown:
Maggie Smith
Unknown:
Joyce Redman
Unknown:
Frank Finlay
Producers:
Anthony Havelock-Allan
Producers:
John Brabourne
Director:
Stuart Burge
Production By:
John Dexter
Desdemona:
Maggie Smith
Emilia:
Joyce Redman
Iago:
Frank Finlay
CaSSlO:
Derek Jacobi
Roderigo:
Robert Lang
LodOviCO:
Kenneth MacKintosh
Brabantio:
Anthony Nicholls
Bianca:
Sheiia Reid
Gratiano:
Michael Turner
Montano:
Edward Hardwicke
Duke of Venice:
Harry Lomax

BBC Two England

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About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More