Presented by Brian Widlake
(Shown last Friday)
(Colour)
(Colour) [Repeat]
plus a visual commentary for those who cannot hear
with Michael De Morgan
(Colour)
(Colour)
A.S. Neill, for 50 years Head-master of Summerhill talking to Oliver Hunkin.
[Repeat]
(Colour)
A Personal History of the United States in 13 parts written and narrated by Alistair Cooke.
From a cave in Kentucky once occupied by Daniel Boone to the California of the Gold Rush, Alistair Cooke follows the route of the early pioneers across prairie, mountain and desert.
Thomas Jefferson bought all the vast territory west of the Mississippi from Napoleon in 1805, but it was not until the discovery of gold in the 1840s that the great wagon migrations westward began rolling across the prairies.
(Rptd: Monday, 10.10 pm. This series is currently printed in The Listener)
(Colour)
Royal Philharmonic Orchestra conducted by John Barry
Introduced by Michael Parkinson with special guest appearances of Michael Crawford and Fiona Fullerton.
A programme of music and film featuring a variety of John Barry film scores including Born Free, The Lion in Winter, Zulu, the James Bond themes, Midnight Cowboy and Alice's Adventures in Wonderland.
(Colour)
with Peter Jones
All other voices by Tony Brandon
Variations on a theme in the form of poetry, comedy sketches, songs and discussion.
(Colour)
by John Bowen
The last in a series of seven ghost stories
Jane and Frank Pullar have recently moved to a house in Sussex so that the children can grow up away from the dirt and rush of London. Soon Jane starts hearing sounds at night from the attic. But there is no one there and only she can hear them.
(Colour)
James Cameron, Kenny Everett, William Rushton and John Wells - to name but a few - look at the way some of us were last week.
(Colour)
Starring John Wayne
with Thomas Mitchell and Ian Hunter
Aboard the tramp steamer Glencairn at the start of World War II officers and crew arrive from the Caribbean at Baltimore to find that their next cargo is munitions to go to England. Bad conditions on board add to the general tension and there is widespread discontent and distrust among the crew.
(Christmas Films: pages 17-19)
(Colour)