Prokofiev Overture on Hebrew themes
CABRIELI STRING QUARTET KEITH PUDDY (clarinet)
VLADIMIR ASHKENAZY (piano)
7.14* Copland Ballet: Appalachian Spring COLUMBIA CHAMBER orchestra, conducted by THE COMPOSER
7.47* Johann Strauss , arr Schoenberg Waltz: Roses from the South
BOSTON SYMPHONY CHAMBER PLAYERS: records

Janacek Overture: Jealousy: BRNO STATE PHILHARMONIC ORCHESTRA, conducted by JIRI WALDHANS
8.10* Richter Flute Concerto in D
VLADISLAV BRUNNER , SLOVAK CHAMBER ORCHESTRA. COnducted by BOHDAN WARCHAL
8.35* Dvorak Symphonic Poem: The Wild Dove
CZECH PHILHARMONIC
ORCHESTRA, conducted by ZDENEK CHALABALA : records

Chopin Andante spianato and Polonaise in E flat, for piano and orchestra KRYSTIAN ZIMERMAN
LOS ANGELES PHILHARMONIC orchestra, conducted by CARLO MARIA GIULINI
Variations brillantes on a song from Herold's Ludovic DANIEL BARENBOIM (piano)
Sonata in G minor, for cello and piano JACQUELINE DU PRÉ
DANIEL BARENBOIM : records

Hindemith Quartet No 3, Op. 22
Beethoven Quartet in D, Op. 18 No 3

Song-Cycle:
Harawi JANE MANNING (soprano) HOWARD SHELLEY (piano)
BBC Manchester

led by JAMES COLES conductor PAAVO BERGLUND JOHN LILL (piano)
Mozart Symphony No 29, in A (K 201)
Beethoven Piano Concerto No 3, in c minor

Part 2 Vaughan Williams Symphony No 4, in r minor. BBC Bristol

Concertos without Soloists Christopher Hogwood examines the techniques of the Concerto for Orchestra in the 18th and 20th centuries as displayed by Kodaly, Roberto Gerhard and Bach (Third Brandenburg Concerto)
Gramophone records

Sonatas Nos 1 and 3 Stephen Savage (piano)

Octet in E flat, Op 20
ALBERNI STRING QUARTET with CARMEL KAINE (violin)
MARCIA CRAYFORD (violin) PATRICK IRELAND (Viola) MORAY WELSH (cello)
(A Manchester Chamber Concerts Society concert) BBC Manchester

HONG KONG YOUTH SYMPHONY
ORCHESTRA conducted by DAVID STONE and Thomas WANG
Walton Suite: Henry V Pachelbel Canon (conducted by THOMAS WANG )
Milhaud Concerto for percussion and chamber orchestra
(Given in August 1979 at St John's, Smith Square)

Fritz Spiegl
BBC Manchester

Gordon Stewart talks about the music he will present tomorrow at 2.0.

Suite: Belshazzar's Feast, Op 51
LENINGRAD PHILHARMONIC ORCHESTRA, conducted by GENNADI ROZHDESTVENSKY gramophone record

Lionel Salter reviews the week's music broadcasts. BBC Manchester

Kenneth Sillito (violin)
Brendan O'Reilly (violin) Ian Jewel (viola)
Keith Harvey (cello) with Thea King (clarinet) direct from the Broadcasting Centre, Birmingham
Haydn Quartet in E flat, Op 76 No 6
Maconchy Clarinet Quintet

During a solemn public ceremony in Dublin, the Archbishop. Richard Chevenix Trench , is observed reading a copy of George Eliot 's recently-published Middlemarch carefully concealed in his hat.
This unlikely incident begins Canon John Drury 's consideration of the unorthodox private piety of the novelist outside the official Church and its dogmatism. BBC Manchester
(A dramatisation of Middlemarch starts tomorrow
2.30 Radio 4)

Part 2 Brahms Quartet in c minor, Op 51 No 1
(One of a series of fortnightly concerts given before an invited audience) BBC Birmingham

One of the last of this year's major music festivals is that in Barcelona, which continues until 31 October. Bernard Levin reports not only on the musical performances but also on the other artistic pleasures of Spain's second city.
(Wexford: 5 November)

From Belfast: works by three Ulster composers
David Byers As in their time: 12 choral episodes
CHAMBER CHOIR OF BELGIAN radio, conducted by HAVELOCK NELSON
Adrian Thomas Busonku (first uk broadcast) QUB Ensemble conducted by THE COMPOSER
Philip Hammond Thanatos: music for chorus, electronic tape and two reciters
NEVIN HARRIS, BRENDAN HAYTHORNTHWAITE, CHOIR OF ST ANNE'S CATHEDRAL, BELFAST conductor JONATHAN GREGORY
CAMPBELL COLLEGE CHOIR conducted by THE COMPOSER

Compiled from the correspondence of Richard Strauss and Stefan Zweig by Margaret Hogan
With Cyril Shaps as Strauss, Emrys James as Zweig

After the death of Hugo von Hofmannsthal in 1929, Strauss needed another librettist. In 1931 he met Zweig, who wrote The Silent Woman for him. Strauss was delighted with the libretto. But before the opera was produced, the Nazis were in power, and this opera by a Jewish author had its premiere only by special dispensation from Goebbels and Hitler. Strauss pressed Zweig to write another opera for him - anonymously if necessary - and they planned Friedenstag. But it was not to be.
(Friedenstag can be heard next Sunday)

Dance Rhapsody No 2 ROYAL PHILHARMONIC
ORCHESTRA, conducted by SIR THOMAS BEECHAM gramophone record