Dittersdorf Harpsichord Concerto in A
JANOS SEBESTYEN (harpsichord) HUNGARIAN CHAMBER ORCHESTRA conducted by VILMOS TATRAI
7.24* Mozart Aria: Ruhe sanft (Zaide): LUCIA popp (soprano) VIENNA HAYDN ORCHESTRA conducted by ISTVAN KERTESZ
7.31* Vanhal Cantabile
ALEXANDRE LAGOYA (guitar)
7.37* Haydn Symphony No 26, in D minor (Lamentatione) ENGLISH CHAMBER ORCHESTRA directed by RAYMOND LEPPARD gramophone records

conducted by CLAUDIO ABBADO
Rossini Overture: II Signor Bruschino LONDON SYMPHONY ORCHESTRA
8.9* Mendelssohn Violin Concerto in E minor
NATHAN MILSTEIN (violin)
VIENNA PHILHARMONIC ORCHESTRA
8.35* Tchaikovsky Fantasy-overture: Romeo and Juliet
BOSTON SYMPHONY ORCHESTRA gramophone records

Berkeley Six Preludes, Op 23 COLIN HORSLEY (piano)
S.15* Trio, Op 44
MANOUG PARIKIAN (violin) DENNIS BRAIN (horn) colin HORSLEY (piano): records

Devised and introduced by Basil Lam
English Church Music
The programme ranges In time from Fayrfax and Cornyshe, who were both represented in the Eton Choirbook, to Tye. an important pioneer of Anglican church music, and White, who. but for his early death, might have played a similar role In the development of the English madrigal. In their midst comes Sheppard, whose Libera Nos is surely one of the gems of the English Renaissance.
CLERKES OF OXENFORD director DAVID WULSTAN

Frederic Duvernoy Trio No 1
John McCabe Dance movements for horn. violin and piano

Unsolved Musical Mysteries
The second of two Liszt talks by Everett Helm , entitled Liszt and the Princess.

Part 2 Mendelssohn Konzertstiick No 2, in D minor, Op 114 Brahms trio in E flat, Op 40 BBC Scotland

led by Barry Haskey
conducted by Erich Bergel

Haydn Symphony No 101, in 9 (The Clock)
Alun Hoddinott Landscapes

(Stereo)

A weekly news bulletin.
(Repeated: tomorrow 11.25 pm)

Part 2
Franck Symphony In D minor
(Public concert given in Worcester Cathedral on 7 October) BBC Wales

ROBLES TRIO
CHRISTOPHER UNDERWOOD (bar) MICHAEL HANCOCK (piano)
Faure Group of Songs inspired by the sea
Debussy Sonata for flute, viola and harp
Duparc Settings of poems by Baudelaire and Labor
(A series of concerts recorded on Wednesdays at 1.0 pm from St George's, Brandon Hill. Bristol) BBC Bristol

Pablo Casals (1876-1973) arr Casals Song of the Birds PRADES FESTIVAL ORCHESTRA
Dvorak Cello Concerto In B minor: CZECH PHILHARMONIC ORCHESTRA, conducted by GEORGE SZELL : records

First of three programmes in which the Soviet pianist, Lazar Berman , is heard playing Liszt's complete Annees de Pèlerinage. The music is interspersed with passages taken from the literary background that inspired many of these pieces, read by Piers Burton -Page. 1: First Year - Switzerland gramophone records

Introduced by Charles Fox

from 6.25

Presented by Jack Brymer
In this edition he welcomes John Steane , who gives a personal view of Puccini's opera Madame Butterfly
Excerpts from the opera include the voices (on record) Of MIRELLA FRENI, VICTORIA DE LOS ANGELES, CARUSO and GIGLI. BBC Bristol.

Records tracing the career of this remarkable Scottish operatic singer, introduced by Neville Garden.

James Galway plays a new flute concerto by Rodrigo as the centrepiece of this evening's concert.
Philharmonia Orchestra, led by PETER THOMAS , is under the direction of the Mexican conductor Eduardo Mata
Copland El Salon Mexico Rodrigo Concierto Pastoral
(first performance)

The changing character of Irish nationalism is examined by Professor F. S. L. Lyons , provost of Trinity College, (Dublin, and biographer of Parnell, in the light of several recently published works on Irish history.

Part 2 Brahms
Symphony No 4, in E minor

Ronald Pickup reads extracts from Wordsworth's great auto-biographical poem, selected and introduced by Patric Dickinson.
1: Introduction - Childhood and School-time
Fair seed-time had my soul and I grew up
Foster'd alike by beauty and by fear ...

' It's curious that the Trio-Sonata, the most popular example of baroque sonata form and the one that was clearly the most profitable to produce, should nowadays be so neglected,whileitsclassicalcounterpart - the essentially Germanic string quartet - flourishes as the epitome of the chamber music idiom of its period.'
Christopher Hogwood begins his weekly series of 15 programmes about the Trio-Sonata by surveying the way in which Its' ' principles of thought ' extended to parallel vocal works throughout the 17th and 18th centuries. The programme includes vocal music, sacred and secular, by Monteverdi, Frescobaldi, Handel, Couperin and J. C. Bach. Handel's Trio-Sonata in B minor. Op 2 No 1, is also included to represent the instrumental Trio-Sonata at the height of its development and popularity.
All of the music In these programmes has been specially recorded for the series, and all of it is played on instruments of the period or modern copies. The performers this week are the ACADEMY OF ANCIENT MUSIC Judith Nelson (soprano) Emma Kirkby (soprano) Stephen Preston (flute)
Christopher Hirons (violin) Monica Huggett (violin) Anthony Pleeth (cello) director CHRISTOPHER HOGWOOD (harpsichord and organ)

conducted by GYORGT LEBEL ATTILA BOZAY (Zither)
Attlla Bozay Pezzo Concertato (Hungarian Radio recording)

Am Feierabend (Die schone Mlillerin)
JULIUS PATZAK (tenor)
MICHAEL RAUCHEISEN (piano) gramophone record! 1843