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Vivaldi Concerto in c major for violin and two string orchestras
LOLA BOBESCO
I SOLISTI DI MILANO and LES SOLISTES DE BRUXELLES conducted by ANGELO EPHRIKIAN
7.18* Boccherini Symphony in B flat, Op 12 No 5
NEW PHILHARMONIA ORCHESTRA
Conducted bv RAYMOND LEPPARD
7.38* Wolf-Ferrari Suite: The Jewels of the Madonna
PARIS CONSERVATOIRE ORCHESTRA conducted by NELLO SANTI gramophone records

Liszt Symphonic Poem: Prometheus
LONDON PHILHARMONIC ORCHESTRA conducted by BERNARD HAITINK
X.18* Dvorak Piano Quintet in A. Op 81
RUDOLF FIRKUSNY
JUILLIARD QUARTET gramophone records

Ravel
Trois poèmes de Stlphane Mallarmé
SUZANNE DANCO (soprano) SUISSE ROMANDE ORCHESTRA conducted by ERNEST ANSERMET
9.16* Sonata for violin and cello
JEAN-JACQUES KANTOROW (Violin) PHILIPPE MULLER (cello) gramophone records

Ars Nova in France and Italy
Tenth in a series of 28 programmes showing the pervasive influence of Plainsong on the development of European music
Devised and introduced by Basil Lam
The 'New Art ' which began early in the 14th century was marked by a fresh refinement of melody and rhythm facilitated by advances in notation. It was the beginning of the centuries-long division between the French and Italian styles represented by the two major figures, Guillaume de Machaul and Francesco Landini.
EARLY MUSIC CONSORT OF LONDON director DAVID MUNROW

GABRIELI SIRING QUARTET KEITH PUDDY (clarinet)
Haydn String Quartet in D. Op 50 No 6 (The Frog)
Beethoven String Quartet, in E. flat, Op 74

A series of short talks with long thoughts behind them. Music Education: Two Cindercllas
A talk by John Lambert , the distinguished composer and teacher of composition.

Part 2 Brahms
Clarinet Quintet
(Recording from a concert given at the St Edmund's Arts Centre. Salisbury, in Septemher 1977) BB(' Bristol

A series of concerts direct from the City Hall. Glasgow. Riven by the BBC Scottish Symphony Orchestra, leader RAYMOND OVENS conductor
Karl Anton Rickenbarher
Part 1 Mozart Symphony No 29, in A major (K 2011
Koechlin Sonatina No 4

A weekly news bulletin
(Repeated: Wednesday 8.35 pm)

Part 2 Brahms
Symphony No 3. in F major BBC Scotland

at Dartington Hall
YVONNE KENNY (soprano) GEOFFREY PARSONS (piano)
Part 1: songs by Schubert. Liszt and Strauss
2.45* Interval Reading
2.50* Summer School of Music Part 2: songs by llahn. Poulene and Walton
(Part of a recital given last August at Dartington Hall)

by Keler. Khachaturyan. Kodaly, Mascagni and Massenet

Trop plus est bele; Doll mal qui m'a longuement; Felix virgo - Inviolata genetrix: En mon cuer a un descort; Je sui aussi; Plange, regni respublica; De tout sui si confortee: Bone Pastor, Guillerme; Ma fin est mon commencement; Ploures, dames
LONDON MEDIEVAL CROUP
Kevin Smith (counter-tenor) Martyn Hill (tenor)
Duncan Robertson (tenon Mary Remnant
(fiddle, alto crumhorn) Marylin Wailes
(psaltery, recorder)
Robert Spencer (lute) Paul Nieman
(tenor cornett, sackhut)
Anthony Moore (sackbut) directed by GILBERT REANEY (Organ)

Introduced by Charles Fox

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Work and Training
6.30 Industrial Democracy
Presented by GEOFFREY STUTTARD 2: Foundations
Government, industry and trades unions are currently debating new approaches to industrial democracy. But no scheme is likely to work if it alienates that key figure in British industrial relations, the shop steward - who is. sustained by a strong sense of history and a well-tried system of bargaining.
7.0 Teaching Music
2: Many teachers consider group lessons a second best; YVONNE ENOCH and SHEILA NELSON believe they have positive advantages. JOHN HOSIER discusses these advantages with them and introduces extracts from lessons with their young piano and violin pupils.

Antony Hopkins puts questions about music to FIONA HIBBERD , PROFESSOR BASIL SMALLMAN and LIONEL SAI.TER.
Questions devised by BRIAN GEAR Producer ROY HAYWARD
BBC Bristol

Pascal Rogé (piano)
London Philharmonic Orchestra leader DAVID NOLAN conducted by Jesús López-Cobos Part 1 Rimsky-Korsakov Spanish Caprice
Saint-Saens Piano Concerto No 2. in G minor

Six talks in which novelists, playwrights and poets analyse their approach to their craft. 'Ivy Compton-Burnett said: " I would write for a dozen people, but I would not write for no one. That is what I feel; it is those dozen people who spur me on. even when it seems I'm writing for myself alone.'
In the early 60s, Barbara Pym had her seventh novel rejected by her regular publisher. It wasn't till 1977. when Philip Larkin and Lord David Cecil wrote articles praising her work, that it came back into fashion, and last year her latest book. Quartet in Autumn, was short-listed for the Booker Prize.

Part 2 Beethoven
Symphony No G, in F (Pastoral)

by ROBERT BROWNING abridged in nine episodes by JOE BURROUGHS and TERENCK TILLER 8: Guido
Reader Robert Rietty
Producer TERENCE TILLER

Twenty-sixth of 27 programmes of their piano sonatas
Andre Tchaikowsky
Haydn Sonata in D (H xvi 51)
Beethoven Sonata in A flat major, Op 110

JANET BAKER (mezzo-soprano) PAUL HAMBURGER (piano) Der Unglückliche
Blumenlied with at
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