Programme Index

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In the nth programme music from 1781-6, his first years as a freelance musician in Vienna.
Violin Sonata in E flat major (k 380: 1781)
SZYMON GOLDBERG (violin) LILI KRAUS (piano)
(gramophone record: 1937)
Da schlagt die Abschiedsstunde (The Impresario: sung by Aloysia Lange on 3 February 1786): MIMI COERTSE (soprano) VIENNA SYMPHONY ORCHESTRA conducted by ANDRÉ RIEU (gramophone record)
String Quintet in c minor (K 406: his own transcription, made in 1787, of the Wind Serenade, K 388, composed five years before)
AI.LEGRI STRING QUARTET Eli Goren (violin)
Peter Thomas (violin) Patrick Ireland (viola) William Pleeth (cello) with CECIL ARONOWITZ (viola) (BBC 1966 recording)

Contributors

Violin:
Szymon Goldberg
Piano:
Lili Kraus
Sung By:
Aloysia Lange
Violin:
Eli Goren
Violin:
Peter Thomas
Viola:
Patrick Ireland
Cello:
William Pleeth
Viola:
Cecil Aronowitz

Listeners' record requests
Arriaga Overture: Los esclavol felices
ENGLISH CHAMBER ORCHESTRA conducted by jesus LÓPEZ-COBOS S.14* Mahler Lieder und Gesange aus der Jugendzeit (Book 1): ROLAND HERMANN (baritone) GEOFFREY PARSONS (pianO)
9.28* Roussel Three Pieces, Op 49: GRANT JOHANNESEN (piano)
9.36* Shostakovich Piano Quin tet in G minor, Op 57 LYUBOV YEDLINA (piano) BORODIN STRING QUARTET
19.10* Walton Ballet Suite: The Quest: LONDON SYMPHONY ORCHESTRA, conducted by the COMPOSER: records

Contributors

Baritone:
Roland Hermann
Piano:
Geoffrey Parsons
Piano:
Shostakovich Piano Quin

Introduced by Michael Oliver
At the sign of the Red Crayfish: a portrait of the surroundings of Schubert's childhood.
Pietro Francesco Cavalli : ROBERT DONINGTON considers the work of the Italian composer in the light of a new book by Jane Glover.
Producer CHRISTINE HARDWICK

Contributors

Introduced By:
Michael Oliver
Unknown:
Pietro Francesco Cavalli
Book By:
Jane Glover.
Producer:
Christine Hardwick

The last in a series of four programmes compiled from recorded concerts in which ARTURO TOSCANINI conducted the NBC SYMPHONY ORCHESTRA
Berlioz Overture: Roman Carnival
Tchaikovsky Manfred Sym phony, Op 58
(From a concert given in Carnegie Hall, New York, in January 1953)

Contributors

Unknown:
Arturo Toscanini
Unknown:
Tchaikovsky Manfred Sym

Opera in three acts by Handel Libretto adapted from the Alcestis of EURIPIDES (sung in Italian)
Cast in order of singing:
IL COMPLESSO BAROCCO Continuo:
WOUTER MOELLER (Cello) MICHAEL EAGAN (lute)
ALAN CURTIS (harpsichord)
BOB VAN ASPEREN (harpsichord) conducted by ALAN CURTIS
(Recording made available by courtesy of Netherlands Radio) Act 1
3.5* Interval Reading
3.10* Admeto, Act 2
4.15* Interval Reading
4.20* Admeto, Act 3

Contributors

Cello:
Wouter Moeller
Cello:
Michael Eagan
Harpsichord:
Alan Curtis
Harpsichord:
Bob van Asperen
Conducted By:
Alan Curtis

The Songs of Francis Poulene
The final chapter of this 13-part biographical series, named after the song-writing diary Poulenc kept for many years.
Written by the accompanist Graham Johnson , produced by Elaine Padmore and presented by both. with Philip Monnet reading Poulenc's own words. 13: Epitaphe - the Last Years The ' Journal' is concluded. Bernac retires, and Poulenc writes his last set of songs for a new partner, Denise Duval. Sonata for two pianos (extract); Jouer du bugle; La souris; Nuage; Le travail du peintre (cycle); Chanson de porcelaine; La courte paille (cycle); Sonata for clarinet and piano; Timor et tremor performed by FELICITY LOTT (soprano) and RICHARD JACKSON (baritone) with GRAHAM JOHNSON (piano) ANTONY PAY (clarinet) and CLIFFORD BENSON (piano) and on records:
FEVRIER AND TACCHINO (two pianos) pierre BERNAC (baritone) FRANCIS POULENC (piano)
Poetry translations throughout the series came from WINIFRED RADFORD 'S translation of the book Francis Poulenc , The Man and his Songs, published by Gollancz.

Contributors

Unknown:
Francis Poulene
Accompanist:
Graham Johnson
Produced By:
Elaine Padmore
Unknown:
Philip Monnet
Unknown:
Denise Duval.
Baritone:
Richard Jackson
Piano:
Graham Johnson
Piano:
Clifford Benson
Piano:
Francis Poulenc
Unknown:
Winifred Radford
Unknown:
Francis Poulenc

Written by MR GAY
With the original music newly realised and conducted by David Cain for this production to celebrate the 250th anniversary of the first production at the Theatre Royal in Lincoln's Inn Fields on Monday 29 January 1728.
Directed by IAN COTTERELL PRAETORIUS CONSORT director CHRISTOPHER BALL (recorders)
Paul Arden Tavlor
(recorders and oboe) Simon Standage (baroque violin) Rachael Isserlis (baroque violin)
Christopher Wilson
(lute and baroque guitar) Alan Wilson (harpsichord) Fiances Kelly (harp)
Anthony Pleeth (baroque cello) Michael Laird (trumpet) Roger Brenner (sackbut) Anne Collis (percussion)
(Patrick Stewart is a member of the RSC)

Contributors

Written By:
Mr Gay
Conducted By:
David Cain
Directed By:
Ian Cotterell
Unknown:
Paul Arden Tavlor
Oboe:
Simon Standage
Violin:
Rachael Isserlis
Violin:
Christopher Wilson
Harpsichord:
Alan Wilson
Harp:
Fiances Kelly
Harp:
Anthony Pleeth
Cello:
Michael Laird
Unknown:
Roger Brenner
Unknown:
Anne Collis
Unknown:
Patrick Stewart
Capt Macheath:
Gary Bond
Polly Peachum:
Jan Waters
Lucy Locket:
Sarah Badel
Mr Peachum:
Patrick Stewart
Mrs Peachum:
Patricia Routledge
Mr Locket:
Harold Kasket
Filch:
Kenneth Shanley
Jenny Diver:
Elizabeth Proud
The Beggar/Harry Paddington:
Timothy Bateson
The Player/Nimming Ned:
Brian Sanders
Mat of the Mint:
Michael Harbour
Drawer/Crook-fingered Jack:
Alaric Cotter
Jemmy Twitcher/Robin of Bag shot:
Michael Tudor Barnes
Wat Dreary:
Leslie Fyson
Ben Budge:
Henry Knowles
Mrs Coaxer:
Elizabeth Bell
Dolly Trull:
Rachel Cook
Mrs Vixen:
Anne Rosenfeld
Bettv Doxy:
Jan Waters
Mrs Slammekin:
Sarah Badel
Sukv Tawdry:
Jane Knowles
Molly Brazen:
Heather Bell
Mrs Diana Trapes:
Patricia Routledge

Change in British Society
3: The Reconstitution of Status Dr A. H. Halsey. Professor of Social and Administrative Studies, University of Oxford, argues that the Marxist emphasis on class interest trivialises status. At the same time the liberal emphasis on status constitutes the trivialisation of class. The ultimate implication is that both theories lead to false doctrines of historical progress and neither deals adequately with the problem of social order.

Contributors

Unknown:
Dr A. H. Halsey.

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More