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Mendelssohn Overture: RuyBlas LONDON SYMPHONY ORCHESTRA conducted by ANDRÉ PREVIN
7.13* Schumann Andante and Variations, in b flat
VLADIMIR ASHKENAZY (piano) MALCOLM FRAGER (piano) BARRY TUCKWELL (horn)
AMARYLLIS FLEMING (CellO) TERENCE WEIL (cello)
7.29* Schubert Symphony No 3 VIENNA PHILHARMONIC ORCHESTRA conducted by ISTVAN KERTESZ gramophone records
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Smetana Scherzo (Festive Symphony)
CZECH PHILHARMONIC ORCHESTRA conducted by KAREL SEJNA
8.15* Carl Stamitz Sinfonia Concertante in D
ULRICH GREHLING (violin) ULRICH KOCH (viola) COLLEGIUM AUREUM conducted by ROLF REINHARDT
8.26* Janacek Rhapsody: Taras Bulba: BAVARIAN RADIO SYMPHONY ORCHESTRA, conducted by RAFAEL KUBELIK : gramophone records
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Haydn
Symphony No 101, In D (The Clock)
PHILHARMONIA ORCHESTRA conducted by OTTO KLEMPERER gramophone record
conductor PHILIP MOORE with DAVID PETTIT (organ)
Bach Chorale Preludes on 0 Lamm Gottes , unschuldig: Nun freut euch, lieben Christen Bach Motet: Furchte dich nicht
Brahms Chorale Preludes on Mein Jesu , der du mich; Es ist ein Ros' entsprungen; Schmucke dich, 0 liebe Seele; Herzlich tut mich verlangen
Brahms Motets , Op 110: Ich aber bin elend; Ach, arme Welt; Wenn wir in hochsten Noten sein
by the Israeli pianist ILANA VERED
Beethoven 32 Variations In c minor
Schumann Papillons , Op 2
Haydn Sonata in c (a xvi 48)
from 5.45 pm
Test Match Special England v Australia at Lord's
(First day)
Ball-by-ball commentary by JOHN ARLOTT , BRIAN JOHNSTON
ALAN MCGILVRAY , HENRY BLOFELD Comments and summaries by TREVOR BAILEY and FRED TRUEMAN Scorer BILL FRINDALL
11.15-1.35* inc lunch summary
1.35*-1.40* News; weather
1.40*-2.0* Lunchtime with Swanton: The 1948 Australians were arguably the greatest team ever to tour England. E. W. SWANTON looks at this, Bradman's last tour.
2.0*-2.10* Lunchtime Scoreboard
2.10*-4.20*, 4.35*-6.40 Comment. ary with teatime and close-of-play summaries
Armchair Cricket 1975, £1.25, from bookshops
6.40 Voci dall'Italia
Cinque programmi basatl su interviste con personaggi italiani 1: FIORENZA cossotto, oantante lirica, parla della sua vita e della sua carriera.
Presentato da SILVIA STEWART Regia di ANN GODDARD
7.0 Workface Europe
A 12-part dramatised case study in industrial relations Written by JON ROLLASON and KEITH WILLIAMS
5: A Horse or a Camel?
Tennent tables a scheme for .increased worker participation at the Birkenhead Plant ... but there are mixed feelings about such an irreversible experiment.
Second of three programmes of major works
Ballet:
Harnasle ANDRZEJ BACHLEDA (tenor) CHORUS AND ORCHESTRA OF WARSAW STATE OPERA conducted by BOHDAN WODICZKO gramophone records
9 August
direct from Westminster Cathedral
JILL GOMEZ (soprano)
JENNIFER SMITH (soprano) JOHN-ANGELO MESSANA (counter-tenor)
PHILIP LANGRIDGE (tenor) MARTYN HILL (tenor)
WYNFORD EVANS (tenor)
MICHAEL RIPPON (bass-baritone) MONTEVERDI CHOIR
EQUALE BRASS ENSEMBLE MONTEVERDI ORCHESTRA leader NONA LIDDELL conductor John Eliot Gardiner SIR LENNOX BERKELEY says:
G. Gabrieli Canzona a 8: Sol sol la sol
Gesualdo Ave dulcissima Maria G. Gabrieli O quam gloriosa Schutz Veni Sancta Spiritus Scheidt Courant dolorosa
Schutz O bone Jesu, fili Mariae Buxtehude Motet: Benedicam Dominum
Bruckner Motets: Ave Maria; Tota pulchra es; Christus factus est; Ecce sacerdos magnus Verdi Te Deum
by Patrick Carnegy
How far can one understand The Magic Flute without being a freemason, Don Giovanni without believing in damnation, or Tannhauser without reference to medieval morality?
PATRICK CARNEGY looks at the conflict between aesthetic and ethical attitudes to opera. He asks how far modern scepticism can engage dramatic works of which ancient beliefs are an Integral part. followed by an Interlude
Vauxhall and Ranelagh are two gardens of a kind unequalled in the whole world, wrote Leopold Mozart. This programme includes music by J. C. Bach , Arne, Handel, Purcell, Lawes and others, which could have been heard in these 18th-century public pleasure gardens of London. gramophone records
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