Programme Index

Discover 11,128,835 listings and 279,709 playable programmes from the BBC

Listeners' record requests Gounod Judex:Morset Vita
HALLE ORCHESTRA conductedby
MAURICE HANDFORD
7.9' Sibetius Luonnotar , Op 70
GWYNETH JONES (soprano) LONDONSYMPHONYORCHESTRA Conducted by ANTAL DORATf
7.18* MeszkewsM Piano ConcertoinEmajor, Op S9
MICHAEL FONT!
PHILHARMONIA HUNGtRICt conducted by HANS RICHARD STRACKt
8.0 News
8.5 Bach Fugue in c (awv 576)
PETER HURFORD (organ)
8.9* Britten Six
Metamorphoses after Ovid, Op 49
JANET CRAXTON (obOe)
8.23* Loewe Tom der Reimer
DtETRtCH FtSCHER-DtESKtU (baritone)
GERALD MOORE (pianO) S.29* Strauss Metamorphosen for
Strings
DRESDEN STATE ORCHESTRA conducted by RUDOLF KEMPE

Contributors

Unknown:
Morset Vita
Unknown:
Maurice Handford
Unknown:
Sibetius Luonnotar
Conducted By:
Antal Doratf
Conducted By:
Hans Richard Strackt
Unknown:
Peter Hurford
Oboe:
Janet Craxton
Baritone:
Dtetrtch Ftscher-Dtesktu
Piano:
Gerald Moore
Conducted By:
Rudolf Kempe

Donizetti
The closing scene of f.'pfisir d'amore (1832) with JOAN SUTHERLAND and MAniACASULA(sopranos) LUCtANO PAVAROTTI (tenor) DO.\uN;c cossA (baritone) srfRO MALAS (bass)
AMBROStAN OPERA CHORUS
ENGLISH CHAMBER
ORCHESTRA, conducted by RICHARD BONYNCE ornmophone records

Contributors

Unknown:
Joan Sutherland
Conducted By:
Richard Bonynce

William Langford (piano) Alan Bush (piano)

William Langford studied with Alan Bush, who was a composition pupil and friend of Ireland for some years. Their interpretations are guided by Alan Bush's reflections of the composer's style.

Prelude in E flat; Ballade; Moon-glade; Sarnia: Columbine (original version).

BBC Bristol

Contributors

Pianist:
William Langford
Pianist:
Alan Bush

A series of weekly recitals given by artists of the younger generation direct from
Broadcasting House, London
John Butterwerth (horn) Peter Hamburger (tuned percussion) tan Brown
(piano, celesta)
Jacques Detectuse
Drumsteel,for tuned percussion and piano (1967)
Thomas Pttnetd Sonata for marimba (1967)
Peter Anthony Monk Appeetkins, for horn and percussion (first performance)
Hindemith Sonata for horn and piano
Jacques Delecluse A la manierede....(1972), for percussion and piano Richard Gipson Prayer, for marimba
Rudy Starita Over the Sticks, for xylophone and piano (1938)
(Co'enbe/oreostudio attd!pnc'e; ticket-sauattable from theTicket Unit,
BBC, [address removed]

Contributors

Unknown:
Jacques Detectuse
Piano:
Thomas Pttnetd Sonata
Unknown:
Peter Anthony Monk
Hornandpiano:
Jacques Deiecluse
Unknown:
Rudy Starita

Different species of plants and of animals cannot normally breed with each other. This phenomenon is as perplexing today as it was to Darwin.
Biologists are currently trying to discover the evolutionary forces which gave rise to these reproductive barriers. Gabriel Dover, a geneticist at Cambridge University, is studying the evolution of DNA and chromosomes, and tells John Maddox about new discoveries which may solve this puzzle.

Contributors

Presenter:
John Maddox
Guest:
Gabriel Dover
Producer:
Brian Leira

(Original 1762 Vienna version)
Opera in three acts Music by Gluck Libretto by RANtERI CALZABtGI
(Sung in Italian: records)
HUNGARtAN STATE OPERA CHAMBER CHORUSAND
ORCHESTRA, conductedby ERVIN LUKASCS Acts 1 and 2

Contributors

Music By:
Gluck Libretto
Unknown:
Ranteri Calzabtgi
Unknown:
Ervin Lukascs
Orfeo:
Julia Hamar;
Euridice:
Veronika Kincses
AmOr:
Marta Zemplent

A short story by STEPHEN BUTLER
Read by Richard Vernon Work ts coming to an end. People still go to their omces. To drink eotfee.totalk.play chess; grow old.
Producer PETER KING

Contributors

Story By:
Stephen Butler
Read By:
Richard Vernon
Producer:
Peter King

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More