Programme Index

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Leader, Harold Fairhurst
Conductor, Richard Austin
Solo pianoforte, Lance Dossor from the Pavilion, Bournemouth (Soloist, LANCE DOSSOR> )
There was a time when to see a piano in a music-loving home was to see a volume of Grieg's piano pieces lying upon it. In the field of short, lyrical, tuneful, and fairly easy pieces Grieg had then no rival. His engaging harmonic newness, his rhythmic folk-music preferences, and his pleasing sentimentalities made a strong appeal to the musical amateur.
But there is much more to Grieg than that. He was not merely a composer of charming little piano pieces, nor of a number of strikingly individual and often very beautiful songs. He wrote a good deal of music on a much larger scale, and it is on his whole output that he must be judged.
4.27 Till Eulenspiegel's Merry Pranks
Richard Strauss

Contributors

Conductor:
Richard Austin
Pianoforte:
Lance Dossor
Soloist:
Lance Dossor>
Unknown:
Richard Strauss

R. A. Watson Watt
This is the first of two talks to be broadcast in connection with Radiolympia. The second will be heard on August 22, the day preceding the opening day of the Exhibition, the most important features of which will be described.
This evening's talk aims to show by means of ingeniously contrived records just how bad reception differs from good. Faulty reception is due generally to one of two causes. In the first place the listener may operate his controls carelessly, and in the second place parts of the set may stand in need of renewal. The records you will hear this evening have been made especially to illustrate these two points.

Contributors

Speaker:
R. A. Watson Watt

at Queen's Hall, London
(Sole Lessees, Messrs. Chappell and Co. Ltd.)
Sophie Wyss (soprano)
Solomon (pianoforte)
The BBC Symphony Orchestra
(ninety players)
Leader, Paul Beard
Conducted by SIR HENRY J. WOOD
Overture, The Bartered Bride
Smetana (First performance in London) SOPHIE WYSS (First performance in England) Solo pianoforte, SOLOMON
Edwin Evans introduces the new works by Britten and Bliss in a short article on page 12
Tickets can be obtained from the BBC, Queen's Hall, and the usual agents

Contributors

Soprano:
Sophie Wyss
Leader:
Paul Beard
Conducted By:
Sir Henry J. Wood
Introduces:
Edwin Evans

L. W. Brockington , K.C., LL.D.,
Chairman of the Canadian Broadcasting Corporation
L. W. Brockington , who has been in turn teacher, journalist, and lawyer, is now a distinguished K.C. at the Canadian Bar, and chairman of Canada's broadcasting system. He is home for the first time for twenty-seven years, and his home-coming has stirred up memories and reflections that are to be the substance of his talk tonight.

Contributors

Unknown:
L. W. Brockington
Unknown:
W. Brockington

A musical romance by Henrik Ege , based on an original story by Annette Mills and David Blake. Lyrics and music by Annette Mills. Orchestration by Jack rBeaver
A section of the BBC Men's Chorus and The augmented Variety Orchestra
Conducted by Louis Levy
Production by Douglas Moodie
Prologue-Vienna, 1914
The Play—Vienna, 1934. The subsequent action takes place two years later in London, and afterwards at a village in the Austrian Tyrol

Contributors

Unknown:
Henrik Ege
Story By:
Annette Mills
Story By:
David Blake.
Music By:
Annette Mills.
Unknown:
Jack Rbeaver
Conducted By:
Louis Levy
Production By:
Douglas Moodie
Carl, an opera singer:
Jan van Der Gucht
Jane:
Olivia Burleigh
John, her husband -:
Ivan Samson
Bobby Blair:
Hugh French
Freddy, a theatrical producer:
John Maberley
Wanda, a Continental star:
Ruth Feiner
Charles Fitzjames, Jane's brother:
Gibb McLaughlin
Sally, Jane's daughter:
Alma Vane
Bridget, her maid:
Mignon O'Docherty
A waiter:
H Brough- Robertson
Alfred, a stage- door keeper:
H Brough- Robertson
Herr Fiedler ):
Kaye Seeley
A ticket collector:
Kaye Seeley

National Programme Daventry

About National Programme

National Programme is a radio channel that started transmitting on the 9th March 1930 and ended on the 9th September 1939. It was replaced by BBC Home Service.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More