@ for Farmers and Shipping

Leader, FRANK THOMAS
MARGARET WILKINSON (soprano)

@ by EILEEN ANDJELKOVITCH

MACKENZIE LANG (tenor)

Oratorio and Other Chora! Works
The Choir of The Church of St.
Thomas, Leipzig, conducted by Carl Straube (unaccompanied) : Let everything that hath breath praise the Lord (Sing ye to the Lord) (Bach).
Elisabeth Schumann (soprano), with oboe obbligato by Leon Goossens , and Orchestra conducted by Karl Alwin : The End is come ; the pain is over (Cantata No. 159) (Bach, arr. Alwin)
Keith Falkner (baritone): How jovial is my laughter (Cantata No. 205) (Bach)
The Westminster Abbey Choir, conducted by Ernest Bullock (Organ, 0. H. Peasgood ) : Motet, Ave Verum Corpus
Hedwig von Debicka (soprano), with Orchestra conducted by Julius Priiwer : Alleluia (Mozart)
Gerhard Husch (baritone) with The
Berlin State Opera House Orchestra. conducted by Frieder Weissmann : Creation's Hymn (The Heavens are telling) (Beethoven)
The Royal Choral Society and The
London Philharmonic Orchestra, conducted by Malcolm Sargent : Achieved is the Glorious Work (The Creation) (Haydn)

Joan and Betty's Bible Story
By E. R. APPLETON
(West Regional Director)
'Bel and the Dragon'

' Congregationalists—Robert William
Dale'
By the Rev. EDWARD SHILLlTO

' Treasures of Old Testament Prose', by the Rev. A. C. DEANE , Canon of Windsor and Chaplain to H.M. the King

George Stratton (violin) ; Carl Taylor (violin) ; Watson Forbes (viola) :
John Moore (violoncello)
HERBERT HEYNER (baritone)

Excerpts from new Publications on a given Theme
New books, and good ones at that, come pouring from the press in such a spate that it is impossible for reviewers to keep pace with them. It is obvious that very few can be dealt with in the times available for broadcast talks on New Books. Partly with an idea of making up for this deficiency to some extent, and partly because the public wants to know what the books are like-not only what they are about and what can be said for or against them-it has been decided to broadcast excerpts from a number of new books on Sunday evenings.
These excerpts will not be taken haphazard, but will be linked together in theme or 'motif', whether they are taken from fiction, biography, science, history, or any other literary form. The link between excerpts will be of the slightest—the quotations will speak for themselves.

ALEXANDRA TRIANTI
(soprano)
FRANZ OSBORN
(pianoforte) Chopin did not invent the Nocturne.
The composer who did was John Field, who, in his youth, was a pupil of Clementi. An Irishman who spent much of his time in Russia, Field is always supposed to have Chopin considerably in his debt. He was certainly the originator of that type of music which Chopin developed with genius and made practically his own.

From The Studio
Conducted by the Very Rev. W. R. MATTHEWS , D.D., Dean of St. Paul's
Order of Service
Hymn, Come, 0 thou traveller unknown
(S.P. 476)
Reading, Ephesians iii, 8 to end
Hymn, Abide with me (S.P. 437)

Section 2, ' Does God speak ? ' Answers to Listeners' Questions
By the Very Rev. W. R. MATTHEWS ,
D.D., Dean of St. Paul's

Relayed from
The Grand Hotel, Eastbourne
When Leslie Jeffries took over this celebrated orchestra he determined, if possible, to enhance its reputation, and, to judge from the congratulatory letters from listeners, his policy to give the public what they want and to cater for all tastes has admirably succeeded. Varied programmes, tuneful music, bright Sunday nights.
Of the violin solos he has selected to play this evening, the slow 'melody in ' Zigeunerweisen ' (Gipsy Airs), by Sarasate, has become so popular that an English music publisher adapted it as a waltz that is now well known under the title of ' Gypsy Moon ', much in the same way as ' Poem ' by Fibich was adapted.
The Concerto in E minor, although composed in 1844, is still a great favourite on the concert platform, with players and public alike. It has all the facility and grace and polish of Mendelssohn, whilst ' Liebesfreud ' (Love's Joy), by Kreisler, is considered one of his most popular compositions. At the pianoforte, SYDNEY FFOULKES

with BRIAN LAWRENCE (All arrangements by Fred Hartley)