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An Orchestral Concert
Ecole Normale Chamber Orchestra of Paris, conducted by Cortot: Concert Dans ]a Gout Theatral (Suite for the Theatre) (Couperin) —I. Overture ; 2. Kitournelle ; 3. Air; 4. Air tendre; S. Air leger ; 6. Louvre ; 7. Air anime ; 8. Sarabande; 9. Air Leger ; 10. Air tendre ; 11. Air des Bacchantes.
The Orchcstre of the Société des
Concerts du Conservatoire, conducted by Piero Coppola ; Le Martyre de Saint Sebastien (The Martyrdom of St. Sebastian (Fragments Symphoniques) (Debussy)—Le cour de Lys, Prelude : Danse extatique (Ecstatic Dance): Finale, Act I
The Berlin State Opera Orchestra, conducted by Richard Strauss : Don Juan , Op. 20, Tone Poem (Strauss)

Contributors

Conducted By:
Richard Strauss
Conducted By:
Don Juan

The second of a new 'Songs from the Shows' series-a chronological survey of film songs from the silent picture theme song up to the present-day talkie hit.
Cast
ANONA WINN
REGINALD PURDELL
GORDON LITTLE
THE CARLYLE COUSINS
THE B.B.C. THEATRE ORCHESTRA and THE REVUE CHORUS, conducted by STANFORD ROBINSON
At the Pianos, HARRY S. PEPPER and DORIS ARNOLD
Orchestral arrangements by Wally Wallond
Arrangements for Chorus and Carlyle
Cousins by Doris Arnold
Compered and Produced by JOHN WATT

From 4.30 to 5.15, London National (261.1 m.) will radiate Television.

Programme on page 80

Contributors

Unknown:
Reginald Purdell
Conducted By:
Stanford Robinson
Unknown:
Doris Arnold
Arrangements By:
Wally Wallond
Unknown:
Doris Arnold
Produced By:
John Watt

There are few racing journalists more respected than Mr. Sidney Galtrey , for more than twenty years ' Hotspur ' of The Daily Telegraph. In a foreword to his interesting book ' Memoirs of a Racing Journalist', Lord Derby wrote: * Nobody is brought more into touch with all those who make up the great game of racing than a racing journalist. He is in close touch with owners, trainers, jockeys, and racecourse officials and nobody sees more from behind the scenes than he does'.
And in his talk this evening Mr.
Galtrey is to deal with those things less known to the general public than the actual racecourse in all its panoply of noise and colour and excitement whilst a meeting is on. The horse that is favourite today was perhaps a delicate foal three years ago; or possibly the cup won in a matter of two or three minutes might have gone to another stable but for preparations attended with anxiety for months beforehand. Stable secrets, trials and coups, stories of romantic purchases, amusing incidents, will all figure in this talk that should make good listening.

Contributors

Unknown:
Mr. Sidney Galtrey

Conducted by AYLMER BUESST
HUGHES MACKLIN (tenor)
Leoncavallo, the composer who is known to English. audiences by his Pagliacci and by very little else, wrote an opera called La Bohème, the libretto of which was taken from the same novel, by Henri Murger , as was Puccini's. The two operas, moreover, were being composed at the same time and the first productions in Italy were made within a few months of one another.
Leoncavallo's libretto was made by himself, and was at one time actually offered by him to Puccini who was looking for an operatic text to set. Puccini then refused it, so that when, a year or two later, Leoncavallo learned that he had nearly completed an opera to a similar libretto, written by somebody else, he was naturally furious-particularly as his own opera on precisely the same subject was about to be produced.
There was at first the inevitable rivalry between the two competing operas, but from the very beginning there was no doubt about the superiority of Puccini's.

Contributors

Conducted By:
Aylmer Buesst
Tenor:
Hughes MacKlin
Novel By:
Henri Murger

National Programme Daventry

About National Programme

National Programme is a radio channel that started transmitting on the 9th March 1930 and ended on the 9th September 1939. It was replaced by BBC Home Service.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More