and summary of today's programmes for the Forces
Records of Dick Powell, the musical-film star
Exercises for women
A thought for today
and summary of today's Home Service programmes
A talk about what to eat and how to cook it, by Bruce Blunt
Gramophone records of tunes we whistled and sang a year or two ago
Constance Bee (violin)
Helmar Femback (tenor)
A talk by Millicent Trimble
Leader, Jean Pougnet
Conductor, Leslie Bridgewater
from p. 17 of ' New Every Morning' and p. 12 of ' Each Returning Day
played by Frederic Curzon at the theatre organ
11.0 The Music Shop: 2: Tracking Down a Tune
A dramatised series for juniors planned by John Horton
11.20 Intermediate French
by Jean-Jacques Oberlin and Madeleine Pommier
'Le Corbeau et le Renard'
Scene dramatique d'apres la fable de La Fontaine
11.40 Senior geography: Making a new world: Term 1
British Africa and its development: Gold brings wealth to South Africa
J. Grenfell Williams
(Section B) leader Paul Beard
Conducted by Reginald Redman
interviewed and recorded in the country by the BBC Mobile Unit and set before you by A. G. Street
For the second of the ' English Countryman' series, presented by A. G. Street this afternoon, recordings have been made by a Herefordshire roadman, Tom Meredith , and by a Shropshire smallholder, Henry Nott , who has a local reputation for healing sick animals. A remarkable personality in the district is Harry Rogers , of Ironbridge. He is 'the Coracle Man '. When the Severn is in flood he paddles his coracle out and makes a big haul of the rabbits marooned on the islanded ground.
and his Orchestra with Evelyn Dall , Anne Shelton ,
Max Bacon , Jack Cooper
a five-minute talk on matters of urgent concern to the women behind the fighting line
2.0 Nature study
' Lapwings-the farmer's friends'—
A. Scott Kennedy
2.15 Interval music
2.20 Physical training (for use in classrooms)-Edith Dowling
2.35 Interval music
2.40 British history
Movements and Men, 1700-1800
' The English town in 1700', by Hugh Ross Williamson
played by The Entr'acte Players
played by Valerie Hamilton
An exchange of well-known numbers from musical comedies old and new
Operators: Josephine Healy , Robert Wilson , and Orchestra, conducted by Kemlo Stephen
Interruptions on the line by Harry Gordon
Supervisor, Alan Melville
with Ma Rattigan-Janet Chance
played by the BBC Orchestra
(Section C) led by Marie Wilson conducted by Clarence Raybould
(News and special announcements)
5.20 All the famous Toytown people meet again on the occasion of ' The conversion of Mr. Growser '
5.50 Some gramophone records presented by David
followed by National and Regional announcements
' What shall we do tonight ? '
No. 2-' Eugene Stratton '
Narrator, Naomi Jacob
The Variety Orchestra, under the direction of Charles Shadwell
Produced by Eric Fawcett
1-' What is wrong with the old world ? '
The first of a series of six talks by the Archbishop of York
Orchestra conducted by Gideon Fagan
The story of the struggle and achievement of the great Czechoslovak statesman, by Josef Schrich , and John Midgley with Cecil Trouncer as Thomas Masaryk
Produced by Robert Kemp
Thomas Masaryk was that rare combination, a statesman and a philosopher. Born in 1850, he was early noted for his championship of Czech independence, and in 1915 he became President of the Czech National
Council. He was recognised by the Allies in the last war and became first President of the Czech Republic in 1918.
Rear-Admiral E. B. C. Dicken
A romantic review of the British Empire in music, song, and story. Devised and produced by C. F. Meehan
Address by the Rev. Anthony Otter , Vicar of Lowdham, Nottinghamshire
with Anne Lenner and Fred Latham
A short story by Algernon Blackwood , read by the author
New love song waltzes sung by the BBC Singers
Conductor, Leslie Woodgate
At the piano, John Wills and Winifred Davey
Brahms's fifteen ' New love song waltzes' were composed in 1874, six years after the first set of ' Love Songs', which won immediate popularity. Like these, the words of the ' New love song waltzes ' are Daumer's translations and imitations of foreign folk poetry, Turkish, Russian, Polish, Spanish, Persian, Serbian, etc.
Despite Brahms's often expressed admiration for Strauss, these waltzes are modelled more on the old Landler or Country Dances than on the more sophisticated Viennese waltzes which evolved from them.
Presented by M. H. Allen