Today's story is "The Fisherman's Family" by Maryke Reesink illustrated by Georgette Apol

Reporting the world tonight Peter Woods and the reporters and correspondents, at home and abroad, of BBC News
and Weather

Gordon Wilkins covers the world of motor sport.

What does it take to win the 24-hour race at Le Mans? How big a part do speed, skill, and money play in the fastest sports car event in the world? Last weekend Alfa Romeo, Ferrari, Matra and Porsche battled for world honours in the big race. This is the story of who won, and why.

by Charlotte Bronte
A second chance to see this dramatisation in five parts by Lennox Phillips

Lucy has suffered a nervous collapse which has led to a reunion with her godmother, Mrs Bretton. Her feelings for Dr John make her resent his infatuation for
Ginevra.

Otto Klemperer conducts the complete cycle in sequence with the New Philharmonia Orchestra leader Emanuel Hurwitz
Tonight Symphony No 1, in c major and Symphony No 2, in D major

Otto Klemperer, 85 years old and the leading Beethoven conductor of our day, celebrates the bicentenary of the composer's birth with these performances, recorded at public concerts in the Royal Festival Hall.
These two symphonies were written in Vienna at the turn of the 18th and 19th centuries. Beethoven was still unrecognised as a composer and making his living as a pianist and teacher.
He was then 30 and only just becoming alarmed at the occasional weakness in his hearing that was later to become total deafness.

(Sunday, 21 June: Symphony No 3 (Eroica))
(Klemperer conducts Beethoven: p 13)

A masterly film by Kon Ichikawa director of Alone on the Pacific and Tokyo Olympiad on the magnificent former capital city of Japan.
The film is a remarkable interpretation of the indestructible elements of Japanese culture of which Kyoto is the spirit. Ichikawa records on film, for the first time in its entirety, the Imperial villa of Katsura, the famous moss gardens, and the monastic life of the Buddhist monk.
The music, by the famous Japanese composer Takemitsu is perfectly matched to the slow, restrained direction of Kon Ichikawa
'This film was an acute blend of specific detail and dewy impression, working through an accumulation of vision, texture, and pattern.' (New Statesman)

Tony Bilbow looks back over the week with William Rushton and other people, other views