Beethoven Overture: Leonora No 3
DRESDEN STATE ORCHESTRA conducted by KARL bohm
7.18* Mozart Non so piu
(The Marriage of Figaro) FREDERICA VON STADE (mezzo-soprano)
ROTTERDAM PHILHARMONIC ORCHESTRA, conducted by EDO DE WAART
7.21* Haydn Trumpet Concerto in E flat MAURICE ANDRE LONDON PHILHARMONIC
ORCHESTRA, conducted by JESUS LOPEZ COBOS
7.38. Britten The Young Person's Guide to the Orchestra:
LONDON SYMPHONY ORCHESTRA conducted by THE COMPOSER
8.0 News
8.5 Grieg Piano Concerto in A minor: RADU lupu LONDON SYMPHONY ORCHESTRA conducted by ANDRÊPREVIN
8.36* Copland Ballet Suite: Billy the Kid
NEW YORK PHILHARMONIC ORCHESTRA, conducted by LEONARD BERNSTEIN gramophone records
Schubert Before he was 20, he had already composed five symphonies, at least ten string quartets, four masses and more than 200 songs. This week's programmes concentrate on the music of those teenage years.
Gretchen am Spinnrade (D 118): ELLYAMELING(SOP) jorg DEMUS (piano)
S.10* String Quartet in E fiat (D 87): VIENNA
PHILHARMONIC QUARTET
9.30* Symphony No 1, in D (D 82): BERLIN
PHILHARMONIC ORCHESTRA conducted by KARL bohm gramophone records
leader DENNIS SIMONS conducted by GUIDO AJMONE-MARSAN PHILIP MARTIN (piano) Dvorak Scherzo capriccioso
Barber Piano Concerto
Stravinsky Divertimento (The Fairy's Kiss)
PETER SCHREIER (tenor) DEZSO RANKI (piano)
An die Hoffnung: Die Zufriedenheit; Das Veilchen: Komm, liebe
Zither: Die betrogene Welt; Das Lied der
Trennung; An Chloe;
Abendempfindung; Dans un bois solitaire; Eine kleine deutsche Kantate
(Part of a recital given in March 1980 in the Congress Hall of the Hungarian Academy of Sciences, Budapest) (Hungarian Radio recording)
leader MARTIN MILNER conducted by okko kamu ARVE TELLEFSEN (Violin) Part 1
Sallinen Symphony No 4 (first UK performance) Tchaikovsky Violin Concerto in D
Part 2 Bartok
Concerto for Orchestra (A public concert given last October in the Free Trade Hall, Manchester) BBC Manchester
Suite in c minor (1733) ROBERT WOOLLEY
(harpsichord)
Music from opposite ends of a tradition
Mozart String Quartet in c major (K 157)
Franz Schmidt String Quartet No 1, in A
FRANZ SCHUBERT STRING
QUARTET
Solomon
With recordings of music by Mozart, Beethoven,
Tchaikovsky and Brahms Jeremy Siepmann portrays the musician whose rare blend of classical and romantic values was served by a flawless technique.
John Jenkins , arr Peter Reeve Fantasia : Newark siege
PHILIP JONES BRASS ENSEMBLE Boccherini Guitar Quintet in D (G 440)
JOHN WILLIAMS LONDON STRING QUARTET
Liszt Die Lorelei
SYLVIA SASS (soprano) ANDRAS SCHIFF (piano)
Roussel Symphony No 4, in A, Op 53 (mono)
PHILHARMONIA ORCHESTRA conducted by HERBERT VON KARAJAN
As film critic for The
New Yorker since 1908,
Pauline Kael is America's most influential writer on cinema, with her every word collected, most recently in When the Lights Go Down. But she was in her mid-40s when she burst on to the national scene from
Californian obscurity with her first book I Lost it at the Movies. In conversation with PHILIP FRENCH she discusses her late-flowering career, the American cinema, her alleged anglophobia and her recent experience of film production in Hollywood. followed by an interlude
Oratorio by Handel Libretto by NEWBURGH Hamilton, based on Milton's Samson Agonistes Cast in order of singing:
LONDON VOICES
ENGLISH CHAMBER ORCHESTRA directed by RAYMOND LEPPARD (harpsichord) gramophone records Act 1
Perhaps bilingual dictionaries do not after all build bridges but only pit/ ferries between the two banks; the result is a sort of understanding, but it is not contact.
Gerald Long , Managing Director of Times Newspapers and a committed lexicophile, takes a suspicious look at some attempts to bridge the gap between linguistic islands. including the bilingual dictionaries of Randle. Cotgrave, Dr Albrecht Reum of Dresden and more recent issues from the large publishing houses.
Act 2
9.15* Interval Reading
9.25* Samson Act 3
Introduced by Charles Fox
EVAN PARKER
nicol.1i gedda (tenor) sings two arias from
Rimsky-Korsakov's opera BELGRADE PHILHARMONIC
ORCHESTRA, conducted by GIKA ZDRAVKOVIC gramophone record