Smetana
Overture: The Bartered Bride NEW YORK PHILHARMONIC
ORCHESTRA conducted by LEONARD BERNSTEIN
7.13* Symphony in E (Festival) CZECH PHILHARMONIC ORCHESTRA conducted by KAREL SEJNA gramophone records

Dittersdorf Double-bass Concerto in E
GEORGEHÖRTNAGEL georgHORTNAGEL
WÜRTTEMBERG CHAMBER ORCHESTRA conducted by JORG FAERBER
8.22* Carl Stamitz Quartet in e flat, for oboe, clarinet, horn and bassoon
BERLIN PHILHARMONIC
WIND ENSEMBLE
8.33* Haydn Symphony Ko 84, in E flat
PHILMARMONIA HUNGARICA conducted by ANTAL DORATI gramophone records

Phantasy Quartet, for oboe and string trio VITEZSLAV HANUS
MEMBERS OF THE JANACEK QUARTET
9.21* Les illuminations, for voice and string orchestra HEATHER HARPER (soprano) NORTHERN SINFONIA conducted by NEVILLE MARRINER gramophone records

Antony Hopkins discusses a work or theme of current interest.

A programme of 16th- and early 17th-century music for three and four lutes with voices and viols including some Italian street songs and dances.
THE CONSORT OF MUSICKE

MASUKO USHIODA (violin)
HEINZ MEDJIMOREC (pianO) LONDON MOZART PLAYERS leader ROBERT MASTERS conductor HARRY BLECH Part 1
Mozart Violin Concerto No 3, in G major (K 216)
Schubert Symphony No 3, in D major
12.5* Mozart and the Concerto An illustrated talk in which SIR JACK WESTRUP looks at some of the characteristics of Mozart's piano concertos.
(Sir Jack Westrup talks about Beethoven: Friday, 4.30)
12.25* Concert: part 2
Mozart Piano Concerto No 18, in B flat major (k 456)
(Part of a public concert given in the Royal Festival Hall, London, in March 1970)

Jane Manning
(soprano and reciter) Vesuvius Ensemble
Milhaud Machines agricoles, for voice and chamber ensemble
Stravinsky Three Japanese Lyrics, for soprano and chamber ensemble
Schoenberg Pierrot lunaire, Op 21, for reciter and chamber ensemble
(A series of public concerts from St John 's, Smith Square, London, SW1. Tickets 40p, obtainable at the door)

played by ERICA HAASE
Liszt Apres une lecture du Dante (Deuxieme annee de pelerinage)
Ravel A la manière de ... Chabrier: Paraphrase sur un air de Gounod; Borodin: Valse Ravel Menuet sur le nom d'Haydn; Menuet antique
Scriabin Sonata No 10, in C

Music from the repertory of the Royal Ballet
Introduced by CORMAC RIGBY
The Dream. Choreography by SIR FREDERICK ASHTON
Music by Mendelssohn, are Lanchbery
BBC CONCERT ORCHESTRA conductor ASHLEY LAWRENCE
With MEMBERS OF THE BBC CHORUS

played by GILLIAN WEIR
Jeffrey Lewis: Mutations II (first broadcast performance)
Bach: Chorale Preludes from Clavierübung (BWV 672-674)
James Brown: Scena (The Burning Bush) (1972) (first performance)
Bach: Chorale Preludes from Clavierübung (BWV 669-671) Hugh Wood Capriccio Op.8
(Part of a recital given in the Great Hall, Leeds University, on 6 February)

LEWISHAM CONCERT BAND conductor JOSEPH PROCTOR
Malcolm Lockyer March: Pathfinders
Vaughan Williams English Folk Song Suite
Holst Suite No 2, in r

Tales and Music for Younger Listeners with David Munrow
Producer ARTHUR JOHNSON gramophone records

played this week by LONDON STUDIO STRINGS conducted by JOHN CAREWE and ASHLEY LAWRENCE
BBC NORTHERN IRELAND ORCHESTRA conducted by KENNETH ALWYN and HAVELOCK NELSON with artists on records

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6.30 Starting German: Reiseburo Atlas: 19
30 lessons for beginners
(Books 1-3, 20p each: Records 1 and 2, £1.05 each; Books and records, £2.75: see p 63)

7.0 Tal como es: Programme 20
Second-year Spanish
(Books 1 and 2, 35p each; Records 1 and 2, £1.05 each; Books and records, £2.90: p 63)

conducted by GENNADI ROZHDESTVENSKY
Prokofiev Russian Overture
7.44* Rimsky-Korsakor Symphony No 3, in c gramophone records

5: Sign Languages and the Deaf
Aaron Cicourel in conversation with Vernon Reynolds
Professor Cicourel from the Department of Sociology, University of California. San Diego, has carried out research into deaf languages in Britain, the USA and elsewhere. He talks to Vernon Reynolds about the implications of this research for linguistic theory, and about the relationship between signs and verbal speech. Producer MICHAEL TOTTON followed by an interlude

When Heine wrote his Doktor Faust he declared in his preface that Goethe in his version a few years before ' had wrecked the original Marlovian vision.'
BASIL ASHMORE , who has translated Heine's little-known version into English, argues that Busoni in his opera treats the Faust legend exactly in a way Heine would have approved.

Last of a series of 12 programmes devised and introduced by RONALD STEVENSON Doktor Faust (1914-1924) Libretto by the COMPOSER
(sung in German: records)
' The plight of Busoni's Faust is that of modern man: he has sold his soul for diabolical skills.' (RONALD STEVENSON)
CHORUS AND ORCHESTRA OF BAVARIAN STATE RADIO conducted by FERDINAND LEITNER

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