Sonata No. 3. In C Sonata No. 9, in F played by Sylvia Marlowe (harpsichord) on gramophone records

Talk by Sir William Hamilton Fyfe
Sic William Hamilton Fyfe considers that the public schools will be faced in the future by economic problems that are obscured by their present prosperity. In this talk he describe* why he believes they should be preserved, and a means by which this might be effected. He has had experience of the public schools both as a headmaster and as a University tutor and Vice-Chancellor.

Quartet No. 5 played by the Martin String Quartet:
David Martin (violin)
Neville Marriner (violin)
Eileen Grainger (viola)
Bernard Richards (cello)

What is Demythologising?
A translation of a talk by Rudolf Bultmann
Read by the Rev. E. H. Robertson
A new word has entered into New Testament criticism since Bultmann began his exegests: Entmythologisierung, beet translated demythologising.' Bultmann claims that there are many passages in the Bible, especially those about God and his dealings with man, that have the form of mythological expressions; and if they are to be intelligible in the twentieth century they must be interpreted. Such interpretation does not eliminate the passages but gives them meaning for today. In this talk he explains what the process is.

by F. Scott Fitzgerald
Radio script and production by Donald McWhinnie

Jennifer Vyvyan (soprano)
Kathleen Joyce (contralto)
Alexander Young (tenor)
Hervey Alan (bass-baritone)
BBC Chorus
(Chorus-Master, Leslie Woodgate )
Charles Spinks (organ)
Royal Philharmonic Orchestra
(Leader, David McCallum )
Conducted by Charles Groves
Part 1
This is the fourth of a series of concerts including litanies and vespers by Mozart: there will be another performance tomorrow at 6.0 p.m. The next programme in the series, on February 23, will include Vesperae Solennes de Confessore (K.339).

Four illustrated talks by George Rylands
3-The Romantics
George Rylands discusses the problem of reading to an audience poetry that is an expression of personal emotion. The talk is illustrated with readings by Dame Edith Evans , John Gielgud , Stephen Murray , and Michael Redgrave.

Part 2
Roussel's setting of Psalm 80 (for tenor solo, mixed chorus. and large orchestra) was composed in 1928 and per;ormed for the first t.me the following year at the Paris Opera under Albert Wolff.Roussel set the Pialm in English, taking his text from theAuthor sed Version of the Bible, and this will be uoed tonight. For a French translation he drew on the Segond version of the French Bible.) The score bears a dedication to Queen Elisabeth at Belgium. D.C.

Talk by Stuart Hampshire

Fantasy, Op. 17 played by Clifford Curzon (piano)