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(Leader, Reginald Stead)
Conducted by Vilem Tausky

The symphony in this programme is the fourth of the nine written by Dvorak (though only the last five, numbered 1-5, are regularly heard). It was written in 1874, when he was thirty-three, and in that year the scherzo from it was played in Prague under Smetana. The whole symphony was first performed in 1892 at Dvorak's farewell concert before he left for America; though it was not published until 1912, after the composer s death. The four movements are marked respectively: Allegro, Andante e molto cantabile, Allegro feroce, and Allegro con brio. (H.R.)

Contributors

Musicians:
BBC Northern Orchestra
Leader:
Reginald Stead
Conductor:
Vilem Tausky

Four illustrated talks by George Rylands
I-The Voice of the Bard
George Rylands speaks about the difficulty of reading poetry to an audience. He begins by enquiring how the poets themselve met this challenge. The programme is illustrated with the recorded voices of W. B. Yeats , Sir Henry Newbolt , T. S. Eliot , and Walter de la Mare.
(The recorded broadcast of Sept. 3)

Contributors

Unknown:
George Rylands
Unknown:
Bard
Unknown:
George Rylands
Unknown:
W. B. Yeats
Unknown:
Sir Henry Newbolt
Unknown:
T. S. Eliot
Unknown:
Walter de la Mare.

John Dee
Talk by . I.R. F. Calder
The Great Conjuror of England was the phrase applied to John Dee by many of his contemporaries, and this picture of him has persisted ever once. The speaker, however, argues that far from being a conventional practitioner of * magic,' Dee. was an important link between medieval thinkers such as Roger Bacon and the • modern ' scientific movement inaugurated in the seventeenth century.
Mr. Calder is a Research Fellow at
Reading University and was formerly on the staff of the Warburg Institute. He has for some years been studying Dee's life and his contribution to science.

Contributors

Unknown:
John Dee
Talk By:
I.R. F. Calder

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More