by Glyn Jones and T. J. Morgan
A translation of part of the Uywarch Hen poems with a reconstructed narrative
Produced by Elwyn Evans
Oda Slobodskaya (soprano)
Frederick Stone (accompanist)
Raymond Cohen (violin)
Franz Reizenstein (piano)
Talk by T. T. Paterson
The speaker, who is Senior Lecturer in Industrial Relations in the University of Glasgow, comments on the book by K. G. J. C. Knowles recently publsihed under this title. He compares the historical approach -to strikes (followed in this book) and the functionalist approach, with particular reference to the unofficial strike.
An operetta in one act
Libretto by Léon Battu and Ludovic Halévy
Music by Bizet
Philharmonia Orchestra (Leader, Max Salpeter )
Conducted by Stanford Robinson
Produced by C. Denis Freeman
The action takes place in an Italian country town in the Middle Ages.
Four programmes devised and presented by Ernest Borneman with recordings made in the field by Arthur S. Alberts
2-The Arabic Influence
Classical Arab music has survived not only among the Mohammedan tribes of West Africa, but among their pagan neighbours. Ernest Borneman examines its effect on the indigenous patterns.
by Jean Anouilh
Translated by Lucienne Hill
Radio adaptation by John Richmond
Music by John Hotchkis
Production by Raymond Raikes
by Denis Vaughan
From Hampstead Parish Church
Talk by Maurice Cranston
‛ Words hate anything that stamps them wi.Th one meaning and confines them to one attitude.' With Virginia Woolft remark in mind, Maurice Cranston comments on some of the ambiguities in the history and contemporary usage of the word ' liberal.'