From page 89 of ' New Every Morning '

Gigli (tenor): Cielo e mar ! (La
Gioconda) (Ponchielli). Pieta Signore ! (Stradella). Voce 'e notte ! (in Neapolitan) (Curtis)

French for Older Pupils
' La Foire de Morlaix '
E. M. STEPHAN and CAMILLE VIÈRE

Leader, Philip Whiteway
Conducted by PETER MONTGOMERY
MARY JOHNSTON (soprano)
Julius Rontgen , although a Dutchman by ancestry, was born in Leipzig, where his father was leader of the Gewandhaus Orchestra, then in 1855, at the height of its fame as one of the world's foremost concert organisations. Since his twenty-second year, Rontgen lived in Amsterdam, taking a leading part in its musical life, as pianist, teacher, and conductor, and for some years as Principal of its great Conservatoire. He died two or three years ago.
Best known by his chamber music, he has composed much in the larger forms, including opera. None of his music is modern in the advanced sense of the word, although he was strongly influenced by the prevailing fashion for folk music. In his Suite of Old Dutch Dances he has collected a number of old folk tunes of the Netherlands and set them in the form of a very attractive orchestral suite.

Kings of Jazz—11
Ellington

Conductor, HARRY PELL from the Hippodrome Theatre,
Birmingham

Stories from World History
' A Citizen of Rome'
A Dramatic Interlude written by NAOMI MITCHISON
St. Paul said of himself, ' Of the Jews five times received I forty stripes save one ; thrice was I beaten with rods ; once was I stoned ; thrice I suffered shipwreck ; a night and a day have I been in the deep ; in journeying often ; in perils of waters; in perils of robbers ; in perils by the heathen ; in perils in the city ; in perils in the wilderness '.
Today listeners will hear about one of his adventures and about the great Roman Empire in the first century A.D. and the new Christian religion which was soon to spread all over it.

' Brain and Nerves'
R. C. GARRY , M.B., Ch.B., D.Sc.
Why do you have a brain and nerves ? What is happening in the nerves of your ears and in your brain as you listen ? And how do you make your muscles move when you speak and when you walk about ? Here is a clue from Professor Garry before he begins his talk : think of a telephone, of the telephone wires, and of the telephone exchange.

by MARY GRIERSON
(From Edinburgh)

from St. Paul's Cathedral
Order of Service
Psalms xii, xiii, xiv
Lesson, Isaiah viii, 16-ix, 7 Magnificat (Gray in G) Lesson, James ii, 14-end
Nunc Dimittis (Gray in G)
Anthem, Hosanna to the Son of David
(Weelkes)
Hymn, The Lord will come and not be slow (E.H. 492, S.P. 658)

Symphony Orchestra, conducted by Pedro Morales : El amor brujo (Love, the Magician) (Falla)—Introduction, In the Cave, The Ghost, Dance of Fear, Scene, Magic Circle, Midnight, Dance of the Fire Ritual, Pantomime, Love's Dance, Finale, Bells of Dawn

Directed by HENRY HALL

including Weather Forecast

DENIS SAURAT
(Professor of French Language and Literature, University of London)

at the BBC Theatre Organ

by ALFREDO CAMPOLI

with BEN LAKE
THE SISTERS MCCARTHY and THE SWINGTETTE
On October 7, in Jack Hylton 's first broadcast since his return from America and his first in this country since September, 1935. a goodly part of his programme was swing music. He did it, as he said, to illustrate a further advance in the progress of that which we once knew as Jazz. He got hundreds of telegrams andmessages of congratulation, but also hundreds of letters from his fans. ' Give us what we know you by. Give us the sweet music you played before you went away.'
So tonight and again on Saturday
Jack Hylton , though he will play a little swing music (which he still believes is the music of the future) will make the greater part of his programme ' sweet
It is good news that he intends to start his band again as a permanent concern in the new year. Many of the fine musicians to be heard tonight and on Saturday will be in his new orchestra.

from Queen's Hail, London
(Sole Lessees, Mean. Chappell and Co., Ltd.)
Fifth Concert
' The Dream of Gerontius '
(Elgar)
' MURIEL BRUNSKILL (contralto)
HEDDLE NASH (tenor)
HORACE STEVENS (bass)
THE BBC CHORAL SOCIETY
Chorus Master, LESLIE WOODGATE
THE BBC SYMPHONY
ORCHESTRA
Leader, PAUL BEARD
Conductor, ADRIAN BOULT
Part I
Gerontius, HEDDLE NASH
Assistants, CHORUS
The Priest, HORACE STEVENS
Prelude
Tenor solo, Jesu Maria , I am near to death
Chorus, Kyrie Eleison
Tenor solo, Rouse thee, my fainting soul Chorus, Be merciful, be gracious ; spare him, Lord
Tenor solo, Sanctus fortis, Sanctus
Deus
Tenor solo, I can no more
Chorus, Rescue him, 0 Lord, in this his evil hour
Tenor solo, Novissima hora est
Bass solo, Proficiscere anima Christiana Chorus , Go, in the name of Angels and Archangels

including Weather Forecast and Forecast for Shipping

Soul of Gerontius, HEDDLE NASH Angel, MURIEL BRUNSKILL
Angel of the Agony, HORACE STEVENS Demons, Angelicals and Souls, CHORUS
Introduction
Tenor solo, I went to sleep; and now I am refreshed
Mezzo-soprano solo, My work is done, my task is o'er
Dialogue, mezzo-soprano and tenor, AU hail, my child and brother, hail!
Chorus, Lowborn clods of brute earth Mezzo-soprano solo, It is the restless panting of their being
Chorus, The mind bold and independent
Dialogue, tenor and mezzo-soprano, I see not those false spirits
Chorus, Praise to the Holiest in the height
Tenor solo, The sound is like the rushing of the wind
Chorus, Glory to him
Mezzo-soprano solo, They sing of thy approaching agony
Tenor solo, But hark! a grand mysterious harmony
Mezzo-soprano solo, And now the threshold as we traverse it
Chorus, Praise to the Holiest in the height
Dialogue, mezzo-soprano and tenor,
Thy judgment now is near
Bass solo, Jesu! by that shuddering dread which fell en Thee
Chorus, Be merciful, be gracious, spare - him, Lord
Mezzo-soprano solo, Praise to His Name Tenor solo, Take me away
Chorus, Lord, Thou hast been our refuge
Mezzo-soprano solo, Softly and gently, dearly ransomed soul
Chorus, Lord, Thou hast been our refuge
Chorus, Praise to the Holiest
Tickets can be obtained from [address removed] and usual agents. Prices (including Entertainments Tax),
10s. to 2S.

played by EGON PETRI
Fantasia contrappuntistica
Preludio corale-Fuga I-Fuga II -Fuga III-Intermezzo — Variazione I-Variazione 2-Variazione 3 — Cadenza — Fuga IV — Corate — Stretta

from the Holborn Restaurant