From page 85 of ' New Every Morning'

Gracie Fields: Do you remember my first love song? (Queen of Hearts) (Davies). Laughing Irish Eves (Laughing Irish Eyes) (Mitchell, Stept)

Paul Robeson (bass): Lonely Road, The Black Emperor (Song of Freedom) (Arnell)

The Henderson Twins: Medley of Shirley Temple's Songs from Poor Little Rich Girl

Louis Levy and his Gaumont British Symphony: Everybody dance (Everybody Dance) (Gordon, Revel)

Jack Buchanan: Let's put some people to work (When Knights were Bold) (Sigler, Goodhart, and Hoffmann)

Ben Bernie and his Orchestra: San Francisco (San Francisco) (Kahn, Kaper, Jurman)

History in the Making

Conductor, SHFRIDAN GORDON from the Theatre Royal, Birmingham

Conductor, CLIFTON JONES
FRANK BRECKNELL (tenor) (soloist, J. R. DONBAVAND ) (soloist, CLIFTON JONES> )
(From Manchester)

(From Birmingham)

Round the Country-side
' Stoats and Weasels '
C. C. Gaddum
Seen flashing across the road or through the grass, a stoat and a weasel look very much alike. They are, as a fact, first cousins, both hunters, both lithe and long and short-footed, both white underneath, and nut-brown on top. Yet, as C. C. Gaddum is to point out today, there is no need to confuse them. The stoat is twice as long as the weasel. The weasel has a two-inch stub of tail, the stoat has five or six inches of tail, which is black-tipped. In winter the stoat's nut-brown turns to white, but the black tip to its tail remains, and it is known as an ermine. But in Britain the weasel's brown coat never whitens. They have another feature in common. These pertinacious little hunters love hunting on. their own, yet occasionally hunt in packs.
Mr. Gaddum will speak of the stoat's power of fascination over its victims and show how the weasel is the farmer's friend, inasmuch as in the course of a year it kills many hundreds of mice and rats.
2.25 Interlude
2.30 English Literature-2
Famous Writers
' Sir Walter Raleigh '
2.55 Interlude
3.0 Concert Lesson
' Minuet and Trio—The Oboe '
THOMAS Armstrong , D.Mus.
3.30 ' Interlude
3.35 Early Stages in French
Y. Salaun and YVETTE PARAY

Directed by PHILIP MARTELL from the Commodore Theatre,
Hammersmith

Arthur Rubinstein (pianoforte), and The London, Symphony Orchestra, conducted by John Barbirolli : Concerto No. z in F minor, Op. 21 (Chopin)-i. Allegro. 2. Larghetto. 3. Allegro vivace

Presented by FRANK STEWART

including Weather Forecast

Canzonets
BBC SINGERS (A)
Margaret Godley
Rosalind Rowsell
Gladys Winmill
Doris Owens
Bradbridge White
Martin Boddey
Stanley Riley Samuel Dyson
Conducted by TREVOR HARVEY
Doue hai tu Quel Sol, quel Sole istesso
Farfalletta semplicetta Colpo de bei

E. J. DENT
Professor Dent is the greatest authority in Europe on Busoni, whose personal friend he was and whose confidence he had for many years. He has translated Busoni's opera Doctor Faust, which is to be performed at a BBC Concert in March, 1937, and has written an outstanding life and study of Busoni, the man and his music.

at the BBC Theatre Organ

by FRANZ OSBORN

including Weather Forecast and Forecast for Shipping

David Brunt, B.Sc., Professor of Meteorology, Imperial College, South
Kensington
This evening Professor David Brunt, who has been Professor of Meteorology at the Imperial College, South Kensington, since 1934, is to talk about the science of weather forecasting and explain how forecasts are made. Professor Brunt was Superintendent of the Army Meteorological Services at the Air Ministry from 1919 to 1934, and is the author of "Combination of Observations," "Meteorlogy," and "Dynamical Meteorology" (published two years ago).

Acts I and II of the Opera by Mussorgsky
(Edited and Orchestrated by Tcherepnin)
THE BRITISH MUSIC DRAMA
OPERA COMPANY from the Royal Opera House,
Covent Garden
Act 1, Scene : The Fair
Act II, Scene : Tcherevik's Dwelling
Cast
Chorus of young men, girls, gypsies,
Cossacks, tradesmen, and Jews
Conductor, ALBERT COATES
Chorus Master, Norman Feasey
Producer, VLADIMIR Rosing

Act 2