From Page 90 of ' When Two or Three'

Leopold Godowsky (pianoforte) :
Nocturnes (Chopin) — Op. 72, No. 1, in E minor (posthumous) ; Op. 9, No. 1, in B flat minor; Op. 37, No. 2, in G
Mark Raphael (baritone), with Roger Quilter (pianoforte) : Go, lovely rose, Op. 24, No. 3 (Quilter) ; 0 the month of May, Op. 24, No. 4 (Quilter); (with instrumental trio) Come away, Death (Quilter)
Yehudi Menuhin (violin) and Hubert Giesen (pianoforte) : La Folia (Corelli)
Yehudi Menuhin (violin) and Louis Persinger (pianoforte) : La Romanesca (sixteenth-century melody) (harmonised Achron) ; Allegro (Fiocco)

by C. H. TREVOR
From the Concert Hall, Broadcasting
House
Prelude and Fugue in C minor
Mendelssohn
Six Pieces by early Spanish and Portuguese Composers :
Variations on popular tunes of the day
El Caballero (The Knight)
Antonio de Cabezon (1510-1566)
Guardame las vacas (Look after my
Cows)
Luis de Navarez (sixteenth century)
Tiento (Prelude)
Joan Cabinallas (1644-1712)
Fuga a 2 voces
Fray Tomds (c. 1500-1570)
Hymnus, Ave Maris Stella (Tune in the Soprano)
Manoel Coelho (1583-1623)
Ensalada (Pot-pourri)
Sebastian Aguilera (1570-16..) j Prelude on a Basque Lullaby. .Elduayen
Choral with Variations .... John Moren
During the sixteenth century Spanish organ music was much in advance of that of Germany. In view of the fact that the Netherlands were under Spanish rule, there was a considerable interchange of artistic ideas, with the result that the music of Spain and Portugal was enriched by the influence of the Netherland school of composition, which was then at its greatest. This afternoon's programme consists of pieces by outstanding Spanish and Portuguese composers of the sixteenth and seventeenth centuries.

Elsie Suddaby (soprano) : Cradle
Song (Schubert) ; Faith in Spring (Schubert); The Almond Tree (Schumann)
Fanny Davies (pianoforte) : Kinderscenen (Scenes from Childhood) (Schumann) ; From Foreign Parts ; A Curious Story; Catch me if you can; Entreating Child; Quite Happy; An Important Event; Dreaming ; By the Fireside ; Knight of the Hobby Horse ; Almost too solemn Frightening ;
The Child falling asleep; The Poet speaks
Heinrich' Schlusnus (baritone), with pianoforte : Sei mir gegriisst (Welcome) (Schubert); with Michael Raucheisen , pianoforte : Minnelied, Op. 71, No. (Brahms) ; with Franz Rupp , pianoforte: Adelaide, Op. 46 (Beethoven)

Harry Porter (tenor)
(From Birmingham)

The personnel of the Norris Stanley Sextet is, with one exception, the same as that of Pattison's Salon Orchestra. Founded by Norris Stanley, the violinist and director of the Salon Orchestra, it has been broadcasting for eight years, and a trio formed from it has also been heard in the Midland programmes frequently. Norris Stanley himself began playing the violin when six, and at sixteen he was a member of Beecham's Opera Orchestra. At Pattison's he succeeded Tom Jones, who went to the Grand Hotel, Eastbourne.

MARGOT MACGIBBON (violin)
FREDERICK JACKSON (pianoforte)

Conductor, J. W. Hughes

Directed by HENRY HALL

including Weather Forecast and Bulletin for Farmers

LISZT (1811-1886) COMMEMORATION
Under the direction of Bernard van Dieren
Songs sung by PARRY JONES (tenor)
Angiolin dal biondo crin (poem by Bocella)
Die Lorelei (poem by Heine)
Schwebe, schwebe blaues Auge (poem by Dingelstedt)

H. STAFFORD HATFIELD , Ph.D.
Inventions go on, and no one is free from their influence. In this series Dr. Hatfield is keeping listeners in touch with what is going on in the inventor's world, and what is most concerning the leaders of industrial progress today. He is describing in simple language the technical improvements of all kind that are taking place, how they arose, and what obstacles had to be overcome, and he will discuss their probable influence in the future. From time to time he will bring to the microphone those who are actively engaged in the work, and he will mention the technical journals and so forth where particular subjects are being dealt with.

HELEN SIMPSON

John Galsworthy
His Life and Work
ERIC GILLETT
In this evening's introductory talk Eric Gillett will discuss the life and work of John Galsworthy , the dramatist, whose sense of pity extended to all misfits and failures, and of whom it has been said that he blamed the system invariably rather than the man. In the subsequent eleven talks Eric Gillett will discuss Galsworthy's philosophy of life as seen through his plays.
In dignity and sincerity and human sympathy he was without a rival as a dramatist, and he had few superiors as a craftsman of plays. Every play from his pen dealt with some social problem. They are all worth reading, and they are all worth seeing, and they are all worth hearing about. Members of discussion groups will find it worth while to make a start with The Silver Box, which is to be the basis of Eric Gillett 's talk next Monday.

GERALDO AND HIS ORCHESTRA
(By permission of the Savoy Hotel, Ltd.) with THE ROMANTIC YOUNG LADIES
THE Top-HATTERS
WEBSTER BOOTH and ANGELA PARSELLES

including Weather Forecast and Forecast for Shipping

Gershom Parkington Trio:
Maurice Libowitch (violin); Gershom Parkington (violoncello) ; Wilfrid Parry
(pianoforte)
Reader, T. H. MARSHALL
The Gershom Parkington Trio are all members of Gershom Parkington's famous Quintet. Wilfrid Parry is the pianist. He studied at the Trinity College of Music where he won the Chappell Gold Medal and was awarded a Fellowship for solo playing at the age of seventeen, and later joined the staff as a professor. The violinist, Maurice Libowitch , was born in England of Russian parents. He first appeared in public at the age of six and studied under Miss Knocker at the Hampstead School of Music, and has since become well known as a soloist.

ROY FOX AND HIS BAND