Programme Index

Discover 11,128,835 listings and 279,660 playable programmes from the BBC

Louis Ganne Overture: Les Saltimbanques (mono) ORCHESTRA, conducted by JULES GRESSIER
di Chiara La Spagnola (mono)
BENIAMINO GlGLI (tenor)
ORCHESTRA, conducted by LAWRANCE COLLINGWOOD
William Hurlstonc Piano Concerto in D: ERIC PARKIN LONDON PHILHARMONIC
ORCHESTRA, conducted by NICHOLAS BRAITHWAITE
Smetana Blanik (Ma vlast) BOSTON SYMPHONY ORCHESTRA conducted by RAFAEL KUBELIK : records

Contributors

Conducted By:
Jules Gressier
Conducted By:
Di Chiara La Spagnola
Conducted By:
Lawrance Collingwood
Piano:
William Hurlstonc
Conducted By:
Nicholas Braithwaite
Conducted By:
Rafael Kubelik

Franz Xaver Richter Sinfonia in B flat CAMERATA BERN directed by THOMAS FORI
Schumann Symphony No 4: VIENNA PHILHARMONIC ORCHESTRA, conducted by KARL BÖHM: records

Contributors

Unknown:
Franz Xaver Richter
Unknown:
Camerata Bern
Directed By:
Thomas Fori

direct from the Royal Festival Hall, London BBC Singers director JOHN POOLE
English Chamber Orchestra, led by JOSEF FRÖHLlCH Introduced and conducted by Christopher Seaman
Handel Movements from Water Music: Suite No 1
Poulenc Two Christmas motets
Ravel Movements from Le Tombeau de Couperin Berlioz The Shepherds' Farewell (The Childhood of Christ)
Mozart Symphony No 41, in c (Jupiter) (K 551)

Contributors

Director:
John Poole
Conducted By:
Christopher Seaman

MORRIS MOTORS BAND conductor CLIFF EDMUNDS
Manuel Bilton Overture: Napoleon
Harry Bellstedt Napoli
Peter Yorke Suite: The Shipbuilders
William Rimmer March: Ravenswood followed by an interlude

Contributors

Conductor:
Cliff Edmunds
Conductor:
Manuel Bilton
Unknown:
Peter Yorke
Unknown:
William Rimmer

with Nicholas Kenyon John Dowland
IAN HARWOOD reviews the mammoth Decca recordings of the complete works, the final discs of which appear early in the New Year; followed by a selection from them. The Viola d'Amore
PETER HOLMAN traces the long history of this unique hybrid instrument.

Contributors

Unknown:
Nicholas Kenyon
Unknown:
John Dowland
Unknown:
Ian Harwood
Unknown:
Peter Holman

J. W. Lambert (in the Chair), talks with Richard Mayne , Eric Rhode and Clancy Sigal.
This week's subjects:
Mike Leigh 's TV play Grown-Ups on BBC2.
The National Theatre revival of Harold Pinter 's The Caretaker.
Max Beckmann : The Triptychs at the Whitechapel Art Gallery.
Two horror movies: John Carpenter 's The Fog and Roger Spottiswoode 's Terror Train.
Tennyson: The Unquiet Heart, a biography by Robert Bernard Martin.

Contributors

Unknown:
W. Lambert
Unknown:
Richard Mayne
Unknown:
Eric Rhode
Unknown:
Clancy Sigal.
Unknown:
Mike Leigh
Unknown:
Harold Pinter
Unknown:
Max Beckmann
Unknown:
John Carpenter
Unknown:
Roger Spottiswoode
Unknown:
Robert Bernard Martin.

A stage work with music, In two acts, by Ernst Krenek
Krenek completed his most important opera in Germany in 1933. By the time it was performed in Prague in 1938, he was a refugee from Nazism, living in America, his present home.
Karl V has the distinction of being the first full-length 12-tone opera. The Emperor is dying and, in a series of flash-backs into his past, analysing the reasons for his failure to establish a united world empire.
SYMPHONY ORCHESTRA AND CHORUS OF AUSTRIAN RADIO conducted byGERDALBRECHT (An EBU co-promotion given as part of this year's Salzburg Festival) Act 1

Contributors

Unknown:
Ernst Krenek
Unknown:
Karl V

The more I write history, the more I become conscious of the subjectivity of the whole enterprise.
Dr Theodore Zeldin stands at the present crossroads of the writing of history, and asks whether the French historian, Fernand Braudel , has lost his way.

Contributors

Unknown:
Dr Theodore Zeldin
Unknown:
Fernand Braudel

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More