Programme Index

Discover 11,128,835 listings and 280,510 playable programmes from the BBC

Byrd Ave verum corpus CHOIR OF KING'S COLLEGE
CAMBRIDGE, conducted by SIR DAVID WILLCOCKS
7.10* Mozart Church Sonata No 15, in c (k 328): DANIEL CHORZEMPA(Organ).GERMAN BACH SOLOISTS, conducted by HELMUT WINSCHERMANN
7.17* Elgar, orch Jacob Soliloquy: LÉON GOOSSENS (Oboe), BOURNEMOUTH SIN-PONIETTA, conducted by NORMAN DEL MAR
7.22* Weber Konzertstiick in F minor: ALFRED BRENDEL (piano), LONDON SYMPHONY ORCHESTRA, conducted by CLAUDIO ABBADO
7.39" Hoist Oriental Suite: Beni Mora LONDON PHILHARMONIC
ORCHESTRA, conducted by sirAdrianboult:records

Contributors

Conducted By:
Sir David Willcocks
Conducted By:
Helmut Winschermann
Conducted By:
Norman Del Mar
Conducted By:
Weber Konzertstiick
Piano:
Alfred Brendel
Conducted By:
Claudio Abbado

Mendelssohn Overture: Calm sea and Prosperous Voyage: VIENNA PHILHARMONIC ORCHESTRA, conducted by CHRISTOPH VON DOHNANYI
8.17* Hugh Aston , arr Howarth Hornpype
PHILIP JONES BRASS ENSEMBLE
8.21* Stanford Drake's Drum; Outward Bound: Devon, 0 Devon (Songs of the Sea): BENJAMIN LUXON (baritone)
CLIMAX MALE VOICE CHOIR DAVID WILLISON (piano)
8.30* Debussy La mer
AMSTERDAM CONCERTGEBOUW ORCHESTRA, conducted by BERNARD HAITINK : records

Contributors

Conducted By:
Christoph von Dohnanyi
Conducted By:
Hugh Aston
Unknown:
Howarth Hornpype
Unknown:
Philip Jones
Piano:
David Willison
Conducted By:
Bernard Haitink

Ludwig van Beethoven
Quintet in E flat, for horns, oboe and bassoon NETHERLANDS WIND ENSEMBLE Variations on a Russian air, Op 107 No 7
RICHARD ADENEY (flute) IAN BROWN (piano)
Die Trommel gerühret: Freudvoll und leidvoll (Egmont): ENGLISH CHAMBER ORCHESTRA, conducted by RAYMOND LEPPARD
Quintet in E fiat, for piano and wind
VLADIMIR ASHKENAZY. LONDON WIND SOLOISTS: records

Contributors

Unknown:
Ludwig van Beethoven
Piano:
Ian Brown
Conducted By:
Raymond Leppard
Unknown:
Vladimir Ashkenazy. London

DUNCAN ROBERTSON (tenor) PAUL HAMBURGER (piano)
Britten Canticle I (My beloved is mine, by Francis Quarles )
Gerald Finzi Song-cycle: Till Earth Outwears (to poems by Hardy)
Philip Cannon Three rivers (to poems by Jacqueline Laidlaw)

Contributors

Tenor:
Duncan Robertson
Unknown:
Francis Quarles
Unknown:
Gerald Finzi
Unknown:
Philip Cannon Three

HERMES KRIALES and JUAN luis JORDÁ (violins) PABLO CEBALLOS (viola) ENRIQUE CORREA (cello)
Gaetano Brunetti Trio in c for two violins and cello
Luis de Pablo String Trio (EBU commission: first performance)
2.30* Interval Reading
2.35* String Trios, Part 2 Roussel Trio
Beethoven Trio in D, Op 9 No 2 (Presented by Spanish Radio as part of the current International Concert Season of EBU)

Contributors

Viola:
Pablo Ceballos
Cello:
Enrique Correa
Cello:
Gaetano Brunetti Trio
Cello:
Luis de Pablo

This sixth of 11 programmes features the two chief conductors of the 1950s.
Humperdinck Overture: Hansel and Gretel (mono) (conducted by SIR MALCOLM SARGENT )
Dvorak Serenade in E (conducted by RUDOLF SCHWARZ ) Britten The Young Person's Guide to the Orchestra (conducted by SIR MALCOLM SARGENT ): records

Contributors

Conducted By:
Sir Malcolm Sargent
Conducted By:
Dvorak Serenade
Unknown:
Rudolf Schwarz
Unknown:
Malcolm Sargent

The word 'liberal', with no disrespect to David Steel, suggests Mr Gladstone and mutton-chop whiskers. Yet Galbraith intends to be as contemporary as a news-flash text.€
A.H. Halsey, the sociologist, reconsiders Annals of an Abiding Liberal by John Kenneth Galbraith, whom he calls the 'Mandarin Democrat'.

Contributors

Speaker:
A. H. Halsey

A portrait of the actor Wilfrid Lawson (1900-1966)
Compiled by Peter Cotes
Narrator Hugh Dickson
Many people remember Wilfrid Lawson for his definitive Doolittle in the 1938 film version of Bernard Shaw's Pygmalion. But it was as a stage actor that Lawson truly scaled the pinnacles of his art. In 1953 he ended a long absence from London's West End to appear in a production of Strindberg's The Father. His performance for those who saw it was the experience of a lifetime. The American film and theatre director Joseph Losey, who later worked with Lawson, recalls 'I was bowled over by this fabulous genius'. Other contributors include Bridget Boland, John Boulting, Keith Dewhurst, Grace Wyndham Goldie, Trevor Howard, Beatrix Lehmann, Joan Miller, Donald Pleasence and J.C. Trewin.

Contributors

Compiled by:
Peter Cotes
Narrator:
Hugh Dickson
Interviewee:
Bridget Boland
Interviewee:
John Boulting
Interviewee:
Keith Dewhurst
Interviewee:
Grace Wyndham Goldie
Interviewee:
Trevor Howard
Interviewee:
Beatrix Lehmann
Interviewee:
Joan Miller
Interviewee:
Donald Pleasence
Interviewee:
J.C. Trewin
Producer:
Alan Haydock

in Swan Song by ANTON CHEKHOV , with John Ruddock as Nikita Ivanych , the prompter
A second broadcast of a one-act play by Chekhov, originally broadcast in 1965. Directed by JOHN TYDEMAN

Contributors

Unknown:
Anton Chekhov
Unknown:
John Ruddock
Unknown:
Nikita Ivanych
Directed By:
John Tydeman

Arrangements and second thoughts, introduced by Clive Bennett
Johann Strauss , arr Webern Treasure Waltz (The Gypsy Baron): ENSEMBLE 13 OF BADEN-BADEN conducted by MANFRED REICHERT
Webern Five Movements, Op 5 (version for string orchestra)
Six Pieces for orchestra, Op 6 (1928 version for reduced orchestra)
LONDON SYMPHONY ORCHESTRA conducted by PIERRE BOULEZ gramophone records

Contributors

Introduced By:
Clive Bennett
Introduced By:
Johann Strauss
Conducted By:
Manfred Reichert
Conducted By:
Pierre Boulez

round off the evening, on the wing, with folk song arrangements by Philip Wilkinson and Grayston Ives on the subject of larks and swallows. Also 'I sowed the seeds of love', by Holst. Soloists PAULA BOTT (soprano)
NEIL MACKENZIE (tenor) conductor JOHN POOLE

Contributors

Arrangements By:
Philip Wilkinson
Arrangements By:
Grayston Ives
Tenor:
Neil MacKenzie
Conductor:
John Poole

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More