Suppé Overture: Pique Dame: VIENNA PHILHARMONIC ORCHESTRA. conducted by SIR GEORG SOLTI
Griffes The Fountain of the Acqua Paola
CAROL ROSENBERGER (piano) Weinberger Czech Rhapsody (mono)
NATIONAL SYMPHONY
ORCHESTRA OF AMERICA conducted by HANS KINDLER Nikolai Tcherepnin La chasse; Choeur dansé
NETHERLANDS HORN QUARTET Bruch Scottish Fantasia JASCUA HEIFETZ (violin)
NEW SYMPHONY ORCHESTRA OF LONDON, conducted by SIR MALCOLM SARGENT gramophone records

Albinoni Sonata in c minor, for string orchestra, Op 2 No 4: 1 SOLISTI VENETI , conducted by CLAUDIO SCIMONE
5.14* Schumann Lieder kreis. Op 39: ELLY AMELING isop), JÖRG DEMUS (piano)
9.42* Mozart Piano Trio in G (K 496)
BEAUX ARTS TRIO
10.8* Schubert, orch Joachim Symphony in c (Grand Duo. D 812) MUNICH PHILHARMONIC
ORCHESTRA, conducted by MARC ANDREAE : records

Yorkshire Imperial Band conducted by Denis Carr plays music by Philip Sparke , Robert Eaves , trad, arr Michael Brand , Kenneth Platts and Henry Geehl
(records)

Ballet music: William Tell: MONTE CARLO NATIONAL OPERA CHORUS AND ORCHESTRA, conducted by ANTONIO DE ALMEIDA gramophone record

A series in which guests are invited to introduce some favourite music. This week, the novelist Ronald Harwood : records

Introduced by Clive Bennett Early Music in New York In the United States early music is an expanding world of concerts, research and ever-improving standards. What are these performances like? What influences different from our own do they re-Bect? Nicholas Kenyon. music critic of The New Yorker, looks back over the season just ended and discusses these questions with leading musicians, including ALBERT FULLER , ALEXANDER BLACHLY, LA NOUE DAVENPORT and RICHARD TARUSKIN. With performances of a Brandenburg Concerto on original instruments and Ockeghem church music.

Stephen Plaistow introduces his selection of outstanding music broadcasts of the past week.

with Peter Clayton

Last of the current series. Philip Oaeis (in the Chair) talks with William Feaver , Hermione Lee and Christopher Ricks. This week's subjects: Jane Austen in Manhattan by Ruth Prawer Jhabvala, directed by James Ivory , on The South Bank Show; James Toback 's film Fingers; British Art 1940-1980 from the Arts Council Collection at the Hayward Gallery; the Stephen Sond heim musical thriller Sweeney Todd at the Theatre Royal, Drury Lane; The Return of Era Peron by V. S. Naipaul. Producer PHILIP FRENCH followed by an interlude

played and introduced by Peter Hurford
Organ of the Domkirchc, St Polten, Austria
Toccata and Fugue in D minor (Bwv 565); Trio in G major (bwv 586); Fugue in c minor (Legrenzi) (ewv 574); Canzona (bwv 588) (Recording facilities of Austrian Radio)

Ariadne auf Naxos
Opera in a prologue and one act. Music by Strauss Libretto by HUGO VON HOFMANNSTHAL
SUISSE ROMANDE ORCHESTRA conducted by JOHN PRITCHARD
Part 1: Prologue

Hugh Dalton kept a diary from 1916 for more than 40 years, during a career as soldier, writer. Labour back-bencher and postwar Chancellor of the Exchequer.
Ben Pimlott , of the LSE, is editing Hugh Dalton 's diaries for publication, and suggests they reveal far more than the private moods of a public man. Reader PETER BARKER

Part 2: The Opera
(Swiss Radio recording)

Salvador Dali and his Witnesses
"I am not businessman, not painter, not entertainer but perhaps the only living genius of today." (Dali)

A portrait presented by Edward Lucie-Smith
Readers Sean Barrett and Angel Garcia Gomel

"A stylish and controversial essay"Â (The Daily Telegraph)

(guitar) plays music by Bach, Turina and Villa-Lobos: records

Salvatormundi; Absterge. Domine; In manus tuas gramophone records