Programme Index

Discover 11,128,835 listings and 281,627 playable programmes from the BBC

Dvorak Overture: Amid Nature LONDON SYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ
Saint-Saëns Le rossignol et la rose: RITA STREICH (soprano)
BERLIN RADIO SYMPHONY ORCHESTRA conducted by KURT GAEBEL
Vaughan Williams The lark ascending
PINCHAS ZUKERMAN (Violin) ENGLISH CHAMBER ORCHESTRA conducted by DANIEL BARENBOIM Respighi Symphonic Poem: Pines of Rome: LONDON SYMPHONY ORCHESTRA, conducted by LAMBERTO GARDELL ): records

Contributors

Conducted By:
Istvan Kertesz
Soprano:
Rita Streich
Conducted By:
Kurt Gaebel
Conducted By:
Vaughan Williams
Violin:
Pinchas Zukerman
Conducted By:
Daniel Barenboim
Conducted By:
Lamberto Gardell

Edited and introduced by John Lade
Building a Library: Shostakovich's Tenth Symphony, by GEOFFREY NORRIS.
Recent choral and orchestral records, reviewed by EDWARD GREENFIELD
Producer ARTHUR JOHNSON

Contributors

Introduced By:
John Lade
Unknown:
Geoffrey Norris.
Reviewed By:
Edward Greenfield
Producer:
Arthur Johnson

'I 1 seem to have been listening to music since almost before I can remember.'
Today the writer and critic A. Alvarez looks back over the music in his life. which started with his father's collection of records, and introduces a selection of the pieces that mean most to him.

Contributors

Unknown:
A. Alvarez

Kodaly Dances from Galanta
Mozart Horn Concerto No 3, in E flat (K 447): HUNGARIAN STATE CONCERT ORCHESTRA, conducted by MARIO DI BONAVENTURA with FERENC TARJANI (horn)
(Hungarian Radio recording)
Mendelssohn Fugue iri E Hat, Op 81 No 4
GABRIEL] STRING QUARTET (record) Strauss Don Juan
HUNGARIAN STATE CONCERT ORCHESTRA. conducted by MARIO DI BONAVENTURA
(Hungarian Radio recording)
Haydn Quartet in G. Op 76 No 1 AMADEUS STRING QUARTET ( Rcptat) (Kodaly and Strauss repeats)

Contributors

Conducted By:
Mario Di Bonaventura
Horn:
Ferenc Tarjani
Unknown:
Strauss Don Juan
Conducted By:
Mario Di Bonaventura

A talk by Henry Loyn , Professor of History at Westfield College in the University of London and President of the Historical Association.
The murder of his half-brother at Corfe brought Ethelred the throne 1,000 years ago today. He died - a loser - at London waiting for Canute's ships to arrive Sad stories of massacre and treachery soured his memory. Was he - like some modern statesmen and politicians - only the victim of a 'bad press '? PROFESSOR LOYN looks more or less coldly at the evidence.

Contributors

Talk By:
Henry Loyn

Hallam Tennyson introduces songs from 13th- to 15th-century Tuscany. The songs have been recorded for the series For God and for Profit to be broadcast over the next three weeks.
SUSAN DENNIS (soprano) TIMOTHY PENROSE (counter-tenor) JOHN ELWES (tenor) ALAN JONES (baritone) AMBROSIAN SINGERS, WANDSWORTH SCHOOL CHOIR, PHILOMUSICA OF LONDON conducted by ELGAR HOWARTH

Much of this music has been unperformed since the Middle Ages and was found in Tuscan archives by Signora Poli-Rapp. The songs have been re-created from this manuscript material by Elisabeth Poston.

(For God and for Profit, Part 1: Monday 9.10 pm)

Contributors

Introduced By:
Hallam Tennyson
Soprano:
Susan Dennis
Counter-tenor:
Timothy Penrose
Tenor:
John Elwes
Baritone:
Alan Jones
Conducted By:
Elgar Howarth
Unknown:
Elisabeth Poston.

One of the most ambitious and fascinating ' fusion ' compositions for some time has come from the pen of the British saxophonist TONY COE. Using a substantial orchestra, many fine soloists and two singers, it has been acclaimed by, among others, Richard Rodney
Bennett Derek Jewell plays the second half of the work The Zeitgeist as the heart of tonight's programme, together with songs from GINO VANELLI, FLEETWOOD MAC and LITTLE FEAT: records

Contributors

Unknown:
Tony Coe.
Unknown:
Richard Rodney
Unknown:
Bennett Derek Jewell

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More