Time: GTS 8.0 am

Sacchini Overture: Oedipe a Colone
New Philharmonia Orchestra directed from the harpsichord by Raymond Leppard
8.11* Rossini Moderato (String Sonata No 1, in G)
I Solisti Veneti conducted by Claudio Scimone
8.17* Le Chevalier de Saint-Georges Symphonie Concertante
Malcolm Latchem (violin) Martin Jones (violin)
Concertante of St James's, Piccadilly directed by Nicholas Jackson
8.32* Claude Balbastre La Castelmore; La Courteille; La
Lamarck: William Lincoln Christie (harpsichord)
8.44* Scarlatti, arr Tommasini Ballet Suite: The Good-Humoured Ladies
Concert Arts Orchestra conducted by Robert Irving

(gramophone records)

Third of five programmes
Arias: Vado, ma dove? o Dei! (K 583); Alma grande e nobil core (K 578)
Piano Sonata in A (k 331) Rondo in A minor (K 511)
Symphony No 34, in c (E 338) JOANNA SIMON (soprano)
SALZBURG CAMERATA ACADEMICA conducted by GERHARD WIMBERGER
(Recordings from the 1971 Salzburg Festival made available by courtesy of Austrian Radio) ROSEMARIE WRIGHT (piano)

Excerpts from his comic opera Der geduldige Sokrates
Soloists and Chorus of the 1965 Hitzacker Summer Music Festival, conducted by GUNTHER WEISSENBORN gramophone records
Fourth of six programmes

Introduced by JOHN LADE
Building a Library: Saint-Saenss Symphony No 3, by STEPHEN WALSH
Recent opera records: reviewed by CHARLES OSBORNE

Stoika Milanova (violin)
BBC Scottish Symphony Orchestra conducted by John Pritchard

Rimsky-Korsakov Overture: The Tsar's Bride

12.26* Prokofiev Violin Concerto No 2, in G minor

1.5 Midday Concert: part 2
Tchaikovsky Symphony Ni, _, in B minor (Path^tique)

A personal choice of records presented by Humphrey Burton including at 2.5* Dukas's Sorcerer's Apprentice: at 2.17* GEORGE MALCOLM playing harpsichord pieces by Couperin and Daquin: at 2.25* LEONARD BERN-STEIN conducting Milhaud's La Creation du Monde; at 2.44* excerpts from Faure's Requiem, With SUZANNE DANCO and GERARD souzay; at 3.16* Sonata for trumpet, horn and trombone by Poulenc; at 3.38* part of The Naked Carmen, Jo Corig liano's version of Bizet's opera; and at 3.56* Judex crederis from Berlioz's Te Deum, conducted by COLIN DAVIS

Last Mondays BBC Lunchtime Concert given in St John 's, Smith Square, to celebrate his 70th birthday this month I
ROBERT TEAR (tenor and speaker) TIMOTHY WALKER guitar) LONDON SINFONIETTA conducted by Sir William Walton
Anon in love: six songs for tenor and guitar
Façade: an entertainment for speaker and instrumental ensemble
(Robert Tear broadcasts by permission of Covent Garden)

JOHN AMIS talks to artists concerned with the highlights of next week's broadcast music.

Introduced by PETER CLAYTON

Debussy La sérénade interrompue (Preludes, Book 1)
Ravel Alborada del gracioso (Miroirs)
Mompou Suite: Suburbis Albeniz El Albaicin; Navarra;
Feie-Dieu a Seville MALCOLM TROUP

In the second of two talks about 16th-century Rome PETER PARTNER talks about the poor and the labouring classes in Rome at the time of the Counter-Reformation. followed by an interlude

Opera in a prologue and 4 acts Text based on PUSHKIN'S dramatic chronicle and KARAMZIN'S History of the Russian Empire Words and music by Mussorgsky German version by MAX hube
(orchestrated by the composer)
CHORUS AND ORCHESTRA OF THE
BAVARIAN STATE OPERA conducted by RAFAEL KUBELIK
(Recording made available by courtesy of Bavarian Radio)
The action takes place between 1598 and 1605. Prologue; Acts 1 and 2

EDWARD DOWNES considers the number of operas by Russian composers based on their history. legend and literature. I

Acts 3 and 4

Cinema
Presented by CHRISTOPHER COOK Traditionalist or Innovator-where does the American film director stand now?
Peter Bogdanovich pays homage to the great Hollywood masters in The Last Picture Show. Robert Altman makes a radical break with them in McCabe and Mrs Miller. Robert Kaylor ignores both in Roller Derby. Which approach is the most fruitful?
DEREK MALCOLM and CLANCY SIGAL discuss these issues
Producer ROSEMARY HART

This week a chance to hear a wide range of Satie's music, as well as orchestrations of his works and original pieces by members of 'Les Six'
Meriel Dickinson (mezzo-sop) Peter Dickinson (piano) and on gramophone records: Alod Ciccolini (piano)
Jean-Christophe Benoit (bar)
Paris Conservatoire Orchestra, conducted by Georges Pretre
Ensemble Instrumental a Vent de Paris
Utah Symphony Orchestra, conducted by Maurice Abravanel