Time: GTS 7.0 am

Hoist St Paul 's Suite
ENGLISH CHAMBER ORCHESTRA conducted by IMOGEN HOLST
7.18* Kodaly Variations on a Hungarian folk song: The peacock
LONDON PHILHARMONIC ORCHESTRA conducted by GEORG SOLTI
7.41* Copland El Salon Mexico NEW YORK PHILHARMONIC
ORCHESTRA
Conducted by LEONARD BERNSTEIN
7.52* Grainger My Robin is to the greenwood gone MEMBERS OF THE
ENGLISH CHAMBER ORCHESTRA conducted by BENJAMIN BRITTEN gramophone records

Humperdinck Overture: Hansel and Gretel SADLER 'S WELLS ORCHESTRA conducted by MARIO BERNARDI
8.14* Strauss Oboe Concerto HEINZ HOLLIGER
NEW PHILHARMONIA ORCHESTRA conducted by EDO DE WAART
8.41* Bernstein Ballet: Facsimile: NEW YORK
PHILHARMONIC ORCHESTRA conducted by LEONARD BERNSTEIN gramophone records

Berlioz
Excerpts from his opera Beatrice and Benedict gramophone records

conducted by TERENCE LOVETT
Music by Ansell, Frank Bridge , Britten, Constant Lambert and Ernest Tomlinson

Poulenc Trio for oboe, bassoon, and piano
MEMBERS OF THE MELOS ENSEMBLE (gramophone record)
Bloch Suite for viola and piano
CECIL ARONOWITZ , CELIA ARIELI
Skalkottas Variations on a Greek folk tune, for piano trio
LONDON CZECH TRIO

by JOHN ROSE
Dupré In dulci jubilo
Franck Fantasia in A major
Barber Wondrous Love: Variations on a shape-note hymn
Reger Fantasia on the chorale Ein' feste Burg, Op 27
(From a public recital in Glasgow Cathedral, 22 July 1971)

DOUGLAS WHITTAKER (flute)
BBC NORTHERN SYMPHONY ORCHESTRA, conductor BRYDEN THOMSON Part 1
Britten Four Sea Interludes (Peter Grimes )
12.34* Mozart Flute Concerto in D major (K 314)

ALFRED BRENDEL talks about his career to JOHN AMIS
1.20 Midday Prom: part 2
Delius The Walk to the Paradise Garden (A Village Romeo and Juliet)
1.32* Strauss Symphonic Poem: Death and Transfiguration
(Before an invited audience in Salford University, by courtesy of the Vice-chancellor)

Part 1
Vivaldi Gloria in D
ELIZABETH VAUGHAN (soprano) JANET BAKER (mezzo-soprano)
CHOIR OF KING'S COLLEGE, CAM-BRIDGE, ACADEMY OF ST MARTIN-IN-THE-FIELDS conducted by DAVID WILLCOCKS

Professor Ronald Woodham University of Reading
Exploring Music: the basis of musical education

Part 2
Verdi Requiem
JOAN SUTHERLAND (soprano)
MARILYN HORNE (mezzo-soprano) LUCIANO PAVAROTTI (tenor) MARTTI TALVELA (bass)
VIENNA STATE OPERA CHORUS
VIENNA PHILHARMONIC ORCHESTRA conducted by GEORG SOLTI gramophone records

with David Munrow

played in the context of an orchestral concert MAX ROSTAL (violin)
BBC SYMPHONY ORCHESTRA conductor ANTAL DORATI
Beethoven Overture: The Consecration of the House Berg Violin Concerto
Prokofiev Symphony No 2

MARTIN COOPER looks at music in London and the South East during the coming midweek.
6.25 Programme News and Stock Market Report

6.30 Amici, buona serai
7.0 Musical Interpretation 3: The Clues
IAN BENT examines the clues to interpretation in examples of music from the 12th to the 20th centuries whose notation presents performers nowadays with problems. He stresses the ' distinction between notation which is imprecise in order to give the performer a good deal of licence in his interpretation, and notation whose enigmatic quality can be deciphered by the knowledge of rules and conventions of its time.'
Producer DAVID EPPS

STEPHEN OLIVER is 21 and has already written nine operas, five of which have been staged. When his latest, The Duchess of Malfi, was produced by the Oxford University Opera Club, it was enthusiastically received by the critics of several national newspapers.
He talks about his past, present and future compositions to ANDREW PORTER

An overture by Malcolm Arnold on the theme of the great working-class demonstrations of 1819. It was written to celebrate the centenary of the Trades Union Congress HALLE ORCHESTRA conducted by MAURICE HANDFORD

by Bertolt Brecht
Translated from the German by Richard Beckley
with Barry Foster and Mary Wimbush
[and] Kate Binchy, John Hollis, Elizabeth Proud

This is a second broadcast of Brecht's play which was given its first professional English production last year to mark the centenary of the Commune.

(Mary Wimbush is in 'Butley' at the Criterion Theatre, London)

The second of six programmes Part 1
Mozart Quartet in E flat (K 428) Haydn Quartet in B flat, Op 55 No 3

Anthropologist MARY DOUGLAS talks about Basil Bernstein , one of the most original and disturbing thinkers in sociology today, and about his recent book Class, Codes and Control.

Part 2 Beethoven
Quartet in E flat, Op 127
(A public concert in the Queen Elizabeth Hall : 14 Dec 1971)