Programme Index

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Vivaldi Concerto in F, for two horns and string orchestra (R Op 47 No 5)
GUSTAV NEUDECKER, ALOIS SPACE MUNICH CHAMBER ORCHESTRA conducted by HANS STADLMAIR
Bach Cantata No 205: Der zufriedengestellte Aolus (Zerreisset. zersprenget, zertriimmert die Gruft)
ELISABETH SPEISER (soprano)
MARGARETHE BENCE (contralto) JOHN VAN KESTEREN (tenor) JAKOB STAMPFLI (bass)
GEDACHTNISKIRCHE CHOIR and BACH COLLEGIUM, STUTTGART directed by HELMUTH RILLING gramophone records

Contributors

Conducted By:
Hans Stadlmair
Soprano:
Elisabeth Speiser
Contralto:
Margarethe Bence
Tenor:
John van Kesteren
Directed By:
Helmuth Rilling

A record request programme
Mussorgsky A Night on the Bare Mountain
CHICAGO SYMPHONY ORCHESTRA conducted by SEIJI OZAWA
10.12* Mahier Lieder eines fahrendeH
Gesellen YVONNE MINTON (contralto)
CHICAGO SYMPHONY ORCHESTRA conducted by GEORG SOLTI
10.30* Shostakovich Cantata: The Execution of Stepan Razin VITALY GROMADSKY (bass) RSFSR RUSSIAN CHORUS MOSCOW PHILHARMONIC SYMPHONY ORCHESTRA conducted by KYRIL KONDRASHIN

Contributors

Conducted By:
Seiji Ozawa
Contralto:
Gesellen Yvonne Minton
Conducted By:
Georg Solti
Unknown:
Stepan Razin
Bass:
Vitaly Gromadsky
Conducted By:
Kyril Kondrashin

Dame Eva Turner : a birthday greeting by PHILIP HOPE-WALLACE The English roots of Haydn's The Creation by EDWARD OLLESON Carl Ruggles (1876-1971), by NOËL GOODWIN
Playing the Harpsichord: book review by CHRISTOPHER HOGWOOD Edited by ANNA INSTONE and JULIAN HERBAGE

Contributors

Unknown:
Dame Eva Turner
Unknown:
Edward Olleson
Unknown:
Carl Ruggles
Review By:
Christopher Hogwood
Edited By:
Anna Instone
Edited By:
Julian Herbage

MARGARET PRICE (soprano) GERALD ENGLISH (tenor) NEVILLE TAWEEL (violin) FREDERICK RIDDLE (viola) MARTIN NEARY (organ)
THREE CHOIRS FESTIVAL CHORUS ROYAL PHILHARMONIC ORCHESTRA leader NEVILLE TAWEEL conducted by CHRISTOPHER ROBINSON and JOHN SANDERS Part 1
Mozart Sinfonia Concertante in E flat, for violin, viola and orchestra (k 364)
(conducted by Christopher Robinson )
12.35* During the Interval
ALUN HODDINOTT introduces the first performance of his The Tree of Life.
12.55* Three Choirs: part 2
Hoddinott The Tree of Lite (first performance)
(conducted by John Sanders )
(Given in Gloucester Cathedral last August)

Contributors

Viola:
Martin Neary
Leader:
Neville Taweel
Conducted By:
Christopher Robinson
Conducted By:
Christopher Robinson
Introduces:
Alun Hoddinott
Conducted By:
John Sanders

Part 1
Sweelinck Echo Fantasia
Buxtehude Prelude and Fugue in G minor; Fugue in c
Pachelbel Chaconne in F minor Couperin Chromhorne en taille; Offertoire sur les grands jeux (Messe pour les paroisses)
4.20* During the Interval
The Framlingham organ was built by Thamar of Peter-borough in 1674 for Pembroke College, Cambridge; it was given to Framlingham Church in 1708. MICHAEL GILLINGHAM talks about the organ and its recent restoration.
4.35* Lionel Rogg : part 2
Bach Trio-Sonata No 2, in c minor; Chorale Preludes: Wachet auf, ruft uns die Stimme (bwv 645); Nun freut euch, lieben Christen g'mein (bwv 734); Prelude and Fugue in A minor (bwv 543)
(A recital given in St Michael 's Church last June)

Contributors

Unknown:
Couperin Chromhorne
Talks:
Michael Gillingham
Unknown:
Lionel Rogg
Unknown:
St Michael

Ivan lllich talks to Richard Wollheim
' What I would like is a radical inversion in politics.... that will enforce an individual's right to do things for himself and for others rather than for the efficiency of institutions. I suspect that quite suddenly people will realise that increased productivity destroys conviviality.' (Ivan Illich )
Richard Wollheim is Grote Professor of the Philosophy of Mind and Logic in the University of London
Recorded during the Zeno Symposium, an international philosophical conference held in Cyprus last September,
(William Walsh reviews Ivan Illich 's Deschooling Society: Friday, 10.50 pm)

Contributors

Unknown:
Richard Wollheim
Unknown:
Ivan Illich
Unknown:
Richard Wollheim
Unknown:
William Walsh
Unknown:
Ivan Illich

Opera in one act by Richard Strauss Libretto by HUGO VON HOFMANNSTHAL (sung in German)
(gramophone records) with Birgit Nilsson
Marie Collier , Regina Resnik
Cast in order of singing: Five serving-women
HELEN WATTS (contralto)
MAUREEN LEHANE (contralto)
YVONNE MINTON (mezzo-soprano)
JANE COOK (soprano)
FELICIA WEATHERS (soprano)
The overseer
PAULINE TINSLEY (soprano)
Klytemnestra's daughters:
Elektra
BIRGIT NILSSON (soprano)
Chrysothemis
MARIE COLLIER (soprano)
Klytemnestra, widow of Agamemnon
REGINA RESNIK (mezzo-soprano) A young servant
GERHARD UNGER (tenor)
Orest, Klytemnestra's son
TOM KRAUSE (baritone)
Orest's tutor
TUGOMIR FRANC (bass)
Aegisth, Klytemnestra's lover
GERHARD STOLZE (tenor)
VIENNA PHILHARMONIC ORCHESTRA conducted by Georg Solti
The action takes places in Mycenae in ancient Greece
(Birgit Nilsson can be heard in Turandot: Thurs, 2.0 pm)

Contributors

Unknown:
Richard Strauss
Unknown:
Hugo von Hofmannsthal
Unknown:
Birgit Nilsson
Unknown:
Marie Collier
Unknown:
Regina Resnik
Contralto:
Helen Watts
Contralto:
Maureen Lehane
Mezzo-Soprano:
Yvonne Minton
Soprano:
Felicia Weathers
Soprano:
Pauline Tinsley
Soprano:
Birgit Nilsson
Soprano:
Marie Collier
Mezzo-Soprano:
Regina Resnik
Tenor:
Gerhard Unger
Baritone:
Tom Krause
Tenor:
Gerhard Stolze
Conducted By:
Georg Solti
Unknown:
Birgit Nilsson

'What is important? Your friendship with Colin? You know my opinion. Such relationships go against nature.'
'Nature didn't treat you so very kindly either. You're a dwarf. So why not go against nature?'
'Why not indeed. I suppose sexually one must remain true to one's feelings, those that one has.'

(Patrick Godfrey is a member of the Royal Shakespeare Company)

Contributors

Writer:
Peter Tegel
Producer:
Guy Vaesen
Colin:
David Timson
Thomas:
Geoffrey Beevers
Colin's mother:
Lala Lloyd
Thomas's mother:
Irene Prador
Thomas's stepfather:
Leonard Fenton
Hamburger:
Lewis Stringer
Mrs Hamburger:
Olwen Griffiths
Novotny:
Martin Friend
Mrs Novotny:
Lala Lloyd
Klein:
Patrick Godfrey

Debussy's writings on music are no less personal than the music itself. He began to write regular criticism before Pellias in 1901 and continued almost until the First World War. LESLIE STOKES introduces and reads a short selection he has himself made.

Contributors

Introduces:
Leslie Stokes

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More