Time: GTS 7.0 am

Michael Haydn Suite : Mythological Operetta
BUDAPEST PHILHARMONIC SOCIETY
CHAMBER ORCHESTRA conducted by MIKLOS ERDELYI
7.37* Haydn Lyra Concerto No 5, in F: HUGO RUF with a CHAMBER ENSEMBLE
7.50' Mozart Four German Dances (K 602): VIENNA
MOZART ENSEMBLE, directed by WILLI BOSKOVSKY (violin) gramophone records

Rossini String Sonata No 2, in A I SOLISTI VENETI conducted by CLAUDIO SCIMONE
8.17* Poulenc Concert champetre for harpsichord and orchestra: AIMÉE VAN DE WIELE
PARIS CONSERVATOIRE ORCHESTRA conducted by GEORGES PRÊTRE
8.43* Ravel Valses nobles et sentimentales
SUISSE ROMANDE ORCHESTRA conducted by ERNEST AMSERMET gramophone records

Monteverdi Laudate pueri
MICHAEL TURNER (treble) BENJAMIN ODOM (treble) PETER BUTS (tenor)
ROBERT BISHOP (tenor) GARETH KEENE (bass)
CHOIR OF ST JOHN 'S COLLEGE, CAMBRIDGE
STRINGS OF THE ACADEMY OF
ST MARTIN-IN-THE-FIELDS directed by GEORGE GUEST
9.13* Laudate pueri
LAUSANNE VOCAL ENSEMBLE conducted by MICHEL CORBOZ
9.20* Ut queant laxis
MICHAEL TURNER , BENJAMIN ODOM STRINGS OF THE ACADEMY OF ST MARTIN-IN-THE-FIELDS directed by GEORGE GUEST
9.24* Mass (1640): CHOIR OF ST JOHN'S COLLEGE, CAMBRIDGE directed by GEORGE GUEST gramophone records

conducted by MICHAEL MOORES
Music by Alan Boustead , Wilfred Josephs, Richard Rodney
Bennett and Lecocq

Bloch Violin Sonata No 2 (Poeme mystique)
Bloch Poems of the sea: a cycle for piano
Milhaud Violin Sonata No 2 YFRAH NEAMAN (violin) DAVID WILDE (piano) JOAN DAVIES (piano)
Fourth of five weekly programmes including music by Bloch
(Thursday, 23 March: Macbeth, an opera by Bloch)

played by Arthur WILLS
Scarlatti Two Sonatas in D major (Kk 287 and 288) Bach Toccata and Fugue in F (IWV 540)
Arthur Wills Elegy
Vierne Impromptu (Pieces de fantaisie)
Liszt Prelude and Fugue on BACH

of music by Walton MARTIN MILNER (violin)
BBC NORTHERN SYMPHONY ORCHESTRA conductor BRYDEN THOMSON Part 1
Capriccio burlesco
12.25* Violin Concerto

who celebrates his 70th birthday this month, talks about his work to JOHN AMIS.
Their conversation was recorded last month at Sir William's home in Ischia.

Part 2
Music for Children
1.34* Variations on a theme by Hindemith
(conducted by Sir William Walton )
(Before an invited audience In the University of Salford, by courtesy of the Vice-chancellor)

Part 1 Verdi Te Deum
JANET BAKER (mezzo-soprano) PHIUIARMONIA CHORUS AND ORCHESTRA, conducted by CARLO MARIA GIULINI

Professors of Music discuss musical education
Professor Robin Orr
University of Cambridge Tradition and the Future

Part 2 Elgar
The Dream of Gerontius JANET BAKER (mezzo-soprano)
RICHARD LEWIS (tenor)
KIM BORG (bass), HALLE CHOIR
SHEFFIELD PHILHARMONIC CHORUS
AMBROSIAN SINGERS halle orchestra, conducted by SIR JOHN BARBIROLLI gramophone records

with David Munrow
(Poster Competition: page 43)

played in the context of an orchestral concert
Berlioz Overture: Beatrice and Benedict Stravinsky Violin Concerto in D ERICH GRUENBERG (violin) BBC SYMPHONY ORCHESTRA conductor COLIN DAVIS Strauss Till Eulenspiegel PROMETHEUS ENSEMBLE
Beethoven Symphony No 5 BBC SYMPHONY ORCHESTRA conductor COLIN DAVIS

LEONARD PEARCEY looks at music in London and the South East during the coming midweek.

Market Report

6.30 Amici, buona seral
20: In un locale notturno
Written and presented by HUGH SHANKLAND and ERNESTO MUSSI , With SILVIA GAVUZZO and ALDO BEVACQUA
7.0 Musical Interpretation
5: The Classic Case
One of the most important aspects of interpretation in the art of singing is that of ornamentation.'
PETER WISHART and MAUREEN LEHANE show how and where the singer needs to add ornamentation in vocal music from Purcell to Rossini.
Producer DAVID epps

The fourth of six programmes Part 1
Mozart Quartet in G (K 387)
Haydn Quartet in c, Op 54 No 2

JOHN CHANDOS describes the history and significance of the medieval custom of choosing a boy bishop to say prayers, dispense blessings and preach sermons as part of the lighthearted merrymaking of the Christmas season. He introduces extracts from one of the last sermons preached by a boy bishop - at Gloucester Cathedral in 1558. The extracts are read by DAVID PEARSON

Part 2 Beethoven
Quartet in c sharp minor, Op 131
(A public concert given in the Queen Elizabeth Hall , London. on 19 December 1971)

A play for radio by JOHN MCGAHERN with Cyril Cusack as Boles and Norman Rodway as Gillespie
' No reason why we exist, Mr Boles , why we were born. What do we know? Nothing. Mr Boles. Simply nothing.' Producer RONALD MASON

The fifth of seven programmes JAMES BOWMAN (counter-tenor) MARTYN HILL (tenor) MONTEVERDI CHOIR
PHILIP JONES WIND ENSEMBLE
MALCOLM HICKS (chamber organ) CHRISTOPHER BOWERS-BROADBENT (chamber organ) conductor JOHN ELIOT GARDINER ‡ Giovanni Gabrieli Jubilate Deo:
Kyrie Bassano Dic nobis Maria Giovanni Gabrieli Surrexit Christus; Canzona primi toni;
Timor et tremor: Quem vidistis Bassano Hodie Christus natus est
Giovanni Gabrieli Audite principes
Monteverdi Exultent caeli

ANDOR FOLDES (piano)
Moments musicaux (D 780): c: A flat; F minor; c sharp minor; F minor: A flat
Impromptus (D 899): c minor; E flat; G flat; A flat