Programme Index

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by William Shakespeare Produced by William Hughes from Glen Byam Shaw 's production at tihe Shakespeare Memorial Theatre
Stratford-upon-Avon
Music composed by Clifton Parker
Characters in order of speaking:
(Continued in next column) with Jane Holland , Thomas Moore and Derek Hodgson

Contributors

Produced By:
William Hughes
Unknown:
Glen Byam Shaw
Composed By:
Clifton Parker
Unknown:
Jane Holland
Unknown:
Thomas Moore
Unknown:
Derek Hodgson
Orlando, son of Sir Rowland de Boys:
Keith Michell
Adam, servant to Oliver:
Kenneth Wynne
Oliver, eldest son of Sir Rowland:
Terence Longdon
Denmis, servant to Oliver:
John Nettleton
Charles, a wrestler:
John Turner
Celia, daughter to Duke Frederick:
Charmian Eyre
Rosalind, daughter to the banishedDuke:
Barbara Jefford
Touchstone, a clown:
Leo McKern
Le Beau, a courtier:
Derek Godfrey
Duke Frederick:
Raymond Weatwell
Duke, living in banishment:
Jack Gwillim
Amiens:
Eric Lander
Lords, attending on the banished Duke Peter Halliday and John Nettleton Lords, attending on Duke Frederick Geoffrey Curtis and Ian Mullins Corin, a shepherd:
Edward Atienza
Silvius, a young shepherd:
Ian Bannen
Jaques:
Anthony Quayle
Audrey, a country wench:
Joan MacArthur
Sir Oliver Martext:
Derek Godfrey
Phe be a shepherdess:
Zena Walker
William:
James Grout
Jaques de Boys:
Peter Jackson

Jean-Jacques Rousseau
Second of six weekly lectures by Isaiah Berlin
Fellow of All Souls College, Oxford
In theselectures Isaiah Berlin discusses the ideas of some social and political thinkers before and after the French Revolution which, in his view, have had a greater influence both for good and evil in the twentieth century than in their own time and are now more important than ever.
In this lecture Mr. Berlin speaks about
Rousseau's central doctrine and shows how, in Dostoevsky's words, ' Beginning with unlimited freedom one concludes with unlimited despotism. There is no other solution.'

Contributors

Unknown:
Jean-Jacques Rousseau
Unknown:
Isaiah Berlin

Third Programme

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More