Programme Index

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Talk by D. J. Gordon
The speaker traces the history of the tegend that has grown up round the name and personality of Leonardo da Vinci. He examines the different forms this legend has taken from generation to generation and discusses their significance. D. J. Gordon , who is Professor of English in the University of Reading, has for many years been a student of the literature and thought of the Italian Renaissance.

Contributors

Talk By:
D. J. Gordon
Unknown:
Leonardo Da Vinci.
Unknown:
D. J. Gordon

BBC Singers: Margaret Godley, Margaret Rees, Maude Baker, Margaret Rolfe, Bradshaw MacMillan, Emlyn Bebb, Stanley Riley, Denis Weatherley
Conductor, Leslie Woodgate
Richard Dering

Ardenti miei sospiri; Ardor felic'e caro; In questo muto: Quern vidistis pastores?
Hence vain affections; Cease thy affections; When fond desires
Mirando la mia Dea; Lagrime; Rosa d'amor

First of a series of madrigal programmes. This is the first of a series of programmes of madrigals, motets, canzonets, and balletts by English, French, and Italian composers.

Richard Dering, the composer represented tonight, was born in England towards the end of the sixteenth century but spent much of his life abroad. He studied in Italy, and after working in London for a time became organist to the convent of English nuns in Brussels. In 1625, five years before his death, he returned to London as one of the musicians of Charles I. (H.R.)

Contributors

Singers:
Margaret Godley
Singers:
Margaret Rees
Singers:
Maude Baker
Unknown:
Margaret Rolfe
Unknown:
Bradshaw MacMillan
Unknown:
Emlyn Bebb
Unknown:
Stanley Riley
Conductor:
Denis Weatherley
Conductor:
Leslie Woodgate
Conductor:
Richard Dering
Unknown:
Richard Dering

by Bernard Shaw
Introduced by St. John Ervine
The play produced by Esme Percy
Cast in order of Bpeaking:
During the interval (9.20-9.30 app.):
Mozart
String Quartet in C (K.A.211) played by the Dessauer Quartet on gramophone records

Contributors

Unknown:
Bernard Shaw
Introduced By:
St. John Ervine
Produced By:
Esme Percy
Dolly Clandon:
Dorothy Gordon
Valentine:
David Markham
Parlour maid:
Margaret Ward
Philip Clandon:
David Peel
Mrs Clandon:
Enid Sass
Gloria Clandon:
Cecile Chevreau
Fergus Crampton:
D A Clarke-Smith
Finch McComas:
Eliot Makeham
Waiter:
Harcourt Williams
Walter Bohun:
Howieson Culff

Gareth Morris (flute)
Denis Matthews and Howard Ferguson (piano duet)
The Carter String Trio:
Mary Carter (violin) Anatole Mines (viola) Antonia Butler (cello)
Arnold Cooke 's String Trio was written two years ago and is dedicated to the Carter String Trio, who performed it for the first time in London last January.
The suite for unaccompanied flute by Egon Wellesz was written in 1937. John Joubert , who was born in Cape
Town in 1927, was awarded a Performing Right Society Scholarship in 1946, and studied at the Royal Academy of Music, London, under Theodore Holland and Howard Ferguson ; he is at present a lecturer in music at University College, Hull. His Symphonic Study in B minor was broadcast in May. The Divertimento, written during 1950-51, is dedicated to Howard Ferguson ; it is in five movements.
D.C.

Contributors

Flute:
Gareth Morris
Flute:
Denis Matthews
Piano:
Howard Ferguson
Violin:
Mary Carter
Viola:
Anatole Mines
Cello:
Antonia Butler
Unknown:
Arnold Cooke
Unknown:
Egon Wellesz
Unknown:
John Joubert
Unknown:
Theodore Holland
Unknown:
Howard Ferguson
Unknown:
Howard Ferguson

Dichterliebe, Op. 48
Im wunderschonen Monat Mai; Aus meinen Tranen; Die Rose, die Lilie; Wenn ich in deine Augen seh ': Ich will meine Seele tauchen; Im Rhein. im heiligen Strome; Ich grolle nicht: Und wtlssten's die Blumen; Das 1st ein Floten und' Geigen: Hor ich das Liedchen klingen; Ein Jungling liebt ein Madchen; Am leuchtenden Sommermorgen; Ich hab' im Traum geweinet; Allnachtlich im Traume seh' ich dich; Aus alten Marchen; Die alten, bosen Lieder sung by Bruce Boyce (baritone) with Clifton Helliwell (piano)

Contributors

Unknown:
Ein Jungling
Baritone:
Bruce Boyce
Piano:
Clifton Helliwell

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More