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A story by Nikolai S. Leskov
Translated from the Russian by David Magarshack and read by Carleton Hobbs
Ivan Yakovlevich , the ' saint ' in this story, spent many years in a Moscow lunatic asylum and in the eighteen-fifties and -sixties enioyed a reputation as an oracle and miracle-worker.

Contributors

Story By:
Nikolai S. Leskov
Unknown:
David Magarshack
Read By:
Carleton Hobbs
Read By:
Ivan Yakovlevich

Octet in F, Op. 166 played by Frederick Thurston (clarinet)
John Alexandra (bassoon)
Dennis Brain (horn)
The New London Quartet:
Erich Gruenberg (violin)
Lionel Bentley (violin) Keith Cummings (viola) Douglas Cameron (cello)
Roy Watson (double-bass)

Contributors

Clarinet:
Frederick Thurston
Bassoon:
John Alexandra
Horn:
Dennis Brain
Violin:
Erich Gruenberg
Violin:
Lionel Bentley
Viola:
Keith Cummings
Cello:
Douglas Cameron
Double-Bass:
Roy Watson

Nancy Evans (mezzo-soprano)
Alfred Deller (counter-tenor)
Max Worthley (tenor)
Hervey Alan (bass-baritone)
Maurice Durufle (organ)
City of Birmingham Choir City of Birmingham Symphony Orchestra
(Leader, Norris Stanley )
Conducted by David Willcocks
Given before an invited audience in the Town Hall, Birmingham
Part 1

Contributors

Mezzo-Soprano:
Nancy Evans
Mezzo-Soprano:
Alfred Deller
Tenor:
Max Worthley
Bass-Baritone:
Hervey Alan
Bass-Baritone:
Maurice Durufle
Unknown:
Birmingham Choir City
Leader:
Norris Stanley
Conducted By:
David Willcocks

Gordon Clinton (baritone) Maurice Bevan (baritone) Norman Platt (baritone)
London Consort of Viols:
Harry Danks (treble viol)
Stanley Wootton (treble viol)
Jacqueline Townshend (tenor viol)
Desmond Dupre (tenor viol)
Henry Revell (bass viol)
George Malcolm (harpsichord)
Programme arranged by Elizabeth Cole

Contributors

Baritone:
Gordon Clinton
Baritone:
Maurice Bevan
Baritone:
Norman Platt
Unknown:
Harry Danks
Unknown:
Stanley Wootton
Tenor:
Jacqueline Townshend
Tenor:
Desmond Dupre
Bass:
Henry Revell
Harpsichord:
George Malcolm
Arranged By:
Elizabeth Cole

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More