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played by PETER HURFORD on the organ of Knox Grammar School, Sydney, Australia.
Concerto in A minor (BWV 593);
Sonata No 2 in c minor (bwv 526); Prelude and fugue in A (Bwv 536) (R)

Contributors

Played By:
Peter Hurford

Johann Stamitz Clarinet Concerto in B flat
HANS RUDOLF STALDER (clarinet) CAPELLA CLEMENTINA /
HELMUT MULLER BRUHL
Bach, arr Busoni Chaconne ARTUR RUBINSTEIN (piano)
Elgar Suite: King Arthur BOURNEMOUTH SINFONIETTA/
GEORGE HURST
Mozart Concert aria: Ch'io mi scordi di te
JOAN SUTHERLAND (soprano)
NATIONAL PO/RICHARD BONYNGE Cavalli Messa concertata
MUNICH VOCAL SOLOISTS
BAVARIAN STATE ORCHESTRA
CHAMBER ENSEMBLE/
HANS LUDWIG HIRSCH. Records

Contributors

Clarinet:
Johann Stamitz
Clarinet:
Capella Clementina

led by JAMES CLARK conducted by RICHARD HICKOX Berlioz Overture: Roman Carnival
Barber Adagio for strings Chabrier Espana
Dvorak Two Slavonic Dances: Op 46 No 1 in c, and Op 72 No 2 in E minor
Tchaikovsky Marche slave (Given on 11 February in the Brangwyn Hall, Swansea)

Contributors

Unknown:
James Clark
Conducted By:
Richard Hickox

The fourth in a Lenten series of seven oratorios by Handel. Jephtha
Libretto by THOMAS MORELL. (tenor)(baritone)(contralto) (soprano) (counter-tenor) (soprano)
LONDON BAROQUE
LONDON BAROQUE CHOIR directed by CHARLES MEDLAM Parti
2.30* Duncan Chisholm presents readings from Handel's English contemporaries which contribute to the debate about whether Jephtha actually sacrificed his daughter or not.
2.35* Parts 2 and 3 (R)

Contributors

Tenor:
Thomas Morell.
Directed By:
Charles Medlam
Unknown:
Duncan Chisholm
Jephtha:
Howard Crook
Zebul:
Stephen Varcoe
Storge:
Mary Nichols
Iphis:
Emma Kirkby
Hamor:
Christopher Robson
Angel:
Deborah Roberts

PETER SERKIN (piano)
Bach Prelude and Fughetta in G (Bwv902)
Stefan Wolpe Form IV (Broken Sequence)
Takemitsu Rain Tree Sketch Messiaen Canteyodjaya
5.05* Interval Reading
5.10* Beethoven 33 Variations on a Waltz by Diabelli, Op 120 (R)

Contributors

Unknown:
Stefan Wolpe
Unknown:
Messiaen Canteyodjaya

'He's a moral force,' says Byron Dobell , Tom Wolfe 's editor at Esquire magazine, 'he's a puritan dressed as a cavalier'.
On the other hand, critic Hilton Kramer has said that 'Wolfe's whole outlook on life, art and literature is the quintessence of Philistinism'. Russell Davies talks to friends and associates of Tom Wolfe to learn more about the man in the white suit. Producer NOAH RICHLER

Contributors

Unknown:
Byron Dobell
Unknown:
Tom Wolfe
Unknown:
Hilton Kramer
Talks:
Russell Davies
Unknown:
Tom Wolfe

The first of two programmes. Chamber Music from Athelhampton
WISSAM BOUSTANY (flute) IEUAN JONES (harp)
Handel Sonata in F, Op 1 No 11 Donizetti Sonata for flute and harp
Robert Dick Afterlight, for flute solo
Debussy Syrinx, for flute solo Briccialdi Variations on the Carnival of Venice, Op 77

Contributors

Flute:
Wissam Boustany
Harp:
Ieuan Jones
Harp:
Robert Dick

recorded in Gloucester Cathedral
Introit: Hide not thou thy face (Farrant)
Responses: Shephard
Psalm 27 (Attwood, Kelway) Lessons (NEB): 1 Kings 19, vv 1-18; 2 Peter 1, vv 1-19 Canticles: Wesley in E
Anthem: The Lord is my shepherd (Stanford)
Hymn (AMNS 502): 0 raise your eyes on high
Organ voluntary: Sonata No 4 in A minor (Rheinberger)
Organist and Master of the Choristers JOHN SANDERS Assistant Organist
MARK BLATCHLY. BBC Pebble Mill

Contributors

Organist:
Mark Blatchly.

A nocturnal sequence with mary KING (mezzo-soprano) JAMES MEEK (baritone) and IAIN BURNSIDE (piano)
Brahms Sommerabend ; Mondenschein
Hindemith The
Moon Bellini Vaga luna che inargenti F.G.Scott Moonstruck
Schubert Der Wanderer an den Mond; An den Mond Lalo Ballade a la lune Faure Diane , Selene
(L'Horizon chimerique)

Contributors

Piano:
Brahms Sommerabend
Unknown:
Moon Bellini Vaga
Unknown:
Scott Moonstruck
Unknown:
Schubert Der Wanderer
Unknown:
Mond Lalo Ballade
Unknown:
Faure Diane

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More