Programme Index

Discover 11,128,835 listings and 280,507 playable programmes from the BBC

played by PETER HURFORD on the organ of the Domkirche, St Polten, Austria.
Prelude and fugue in c minor (BWV 546)
Fugue in G minor (Bwv 578)
Toccata and fugue in D minor (Dorian) (bwv 538) (R)

Contributors

Played By:
Peter Hurford

Pergolesi Stabat Mater
ILEANA COTRUBAS (soprano) LUCIA VALENTINI TERRANI (contralto)
I SOUSTI VENETI/SCIMONE
Mozart Piano Concerto No 24 in c minor (K 491)
DENIS MATTHEWS (piano)
VIENNA STATE OPERA ORCHESTRA/
HANSSWAROWSKY
Glazunov Suite: From the Middle Ages
MOSCOW RADIO SO/FEDOSEYEV
Brahms Alto Rhapsody, Op 53 KATHLEEN FERRIER (contralto) LPO AND CHORUS/KRAUSS. Records

Contributors

Unknown:
Pergolesi Stabat Mater
Soprano:
Ileana Cotrubas
Contralto:
Lucia Valentini Terrani
Piano:
Denis Matthews
Contralto:
Kathleen Ferrier

with Michael Oliver.
Great Musicianship and Passionate Enthusiasm: Michael Hall charts
Anton Webem 's chequered career as a conductor.
A Peep into Heaven: David Byers looks at the life and times of an 'amiable, elderly contrapuntist'. Reader GARARD GREEN.
Schubert and the Dance: Misha Donat reflects. Producer ANDREW LYLE

Contributors

Unknown:
Michael Oliver.
Unknown:
Michael Hall
Unknown:
Anton Webem
Unknown:
David Byers
Unknown:
Misha Donat
Producer:
Andrew Lyle

The third in a Lenten series of oratorios by Handel. Deborah
Libretto by SAMUEL HUMPHREYS. (soprano) (soprano) (soprano) (mezzo-soprano) (tenor)(bass)
TAVERNER CHOIR
TAVERNER PLAYERS directed by ANDREW PARROTT Act
2.45* Duncan Chisholm presents readings from
Handel's contemporaries in which the Biblical heroine
Deborah is compared to Queen Caroline and the morality of the story is discussed.
2.50* Acts 2 and 3

Contributors

Soprano:
Samuel Humphreys.
Directed By:
Andrew Parrott
Deborah:
Nancy Argenta
Jael:
Judith Rees
Israelite woman:
Emily van Evera
Barak:
Eirian James
Sisera:
Neil Jenkins
Abinoam:
David Thomas

In the last few years the study of chaos has become one of the most fashionable disciplines in physics. Weather forecasting, aerodynamics, planetary orbits, fluctuating insect populations and even beating hearts, all seem to be afflicted by the phenomenon of chaos.
Paul Davies , Professor of Theoretical Physics at
Newcastle University, peers into the maelstrom of new ideas emerging from this subject and considers some of the philosophical implications of unpredictability in science. Producer JULIAN BROWN (R)

Contributors

Unknown:
Paul Davies
Producer:
Julian Brown

ANJA VAN WlJK (soprano) RUDOLF JANSEN (piano)
Schubert Schafers Klagelied (D 121); Die Forelle; Romanze (Rosamunde); Fischerweise; Gott im Friihling
Roussel Le Bachelier de Salamanque; Le Jardin mouille;
A unjeune gentilhomme
Faure Le papillon et la fleur; Au bord de l'eau;
Dans la foret de Septembre; Clair de lune; Aurore;
Mai; Spleen; Accompagnement BBC Birmingham (R)

Contributors

Soprano:
Anja van Wljk
Piano:
Rudolf Jansen

recorded in Liverpool Metropolitan Cathedral.

Organ: Prelude in D (Vol 12) (Crotch)
Introit: Beati mundo corde (Byrd)
Responses: Duffy
Office hymn: The glory of these 40 days (Plainsong mode ii)
Psalms: 109 (110) (Hopkins); 110 (111) (Smart)
New Testament Canticle: 1 Peter 2, vv 21-24 (Goss/Clarke)
Anthem: Ne reminiscaris, Domine (Philips)
Magnificat: Second Service (Byrd)
Anthem: Ave, regina coelorum (Philips)
Organ voluntary: Fantasia in C (Byrd)

(BBC Manchester)

Contributors

Master of the Music:
Philip Duffy
Organist:
Terence Duffy

GERALDINE ALLEN (clarinet) GAVIN MOLE (piano)
Niels Gade Fantasiestucke , Op 43
Erik Bergman Three Fantasies, Op 42
Crusell Introduction and variations on a Swedish Air BBC Pebble Mill

Contributors

Clarinet:
Geraldine Allen
Piano:
Niels Gade Fantasiestucke
Unknown:
Erik Bergman

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More