Programme Index

Discover 11,128,835 listings and 281,544 playable programmes from the BBC

Rossini Variations for oboe and small orchestra HEINZ HOLLIGER
CONCERTGEBOUW ORCHESTRA conducted by DAVID ZINMAN Beethoven Symphony No 3, in E flat (Eroica)
LOS ANGELES PHILHARMONIC ORCHESTRA, conducted by CARLO MARIA GIULINI gramophone records

Contributors

Conducted By:
David Zinman
Conducted By:
Carlo Maria Giulini

LONDONCOLLEGIATE BAND conductor EDWARD GREGSON Edward Gregson Patterns Philip Sparke Fantasy for euphonium and band John McCabe Images

Contributors

Conductor:
Edward Gregson
Conductor:
Edward Gregson
Unknown:
Philip Sparke
Unknown:
John McCabe

cellist and conductor
Glinka Overture: Ruslan and Ludmilla
THE PARIS ORCHESTRA
Saint-Saens Cello Concerto No 1, in A minor (mono) PHILHARMONIA ORCHESTRA conducted by SIR MALCOLM SARGENT
Villa-Lobos Aria (Bachianas Brasileiras No 5) (mono): GALINA VISHNEV-SKAYA (soprano), BOLSHOI THEATRE ORCHESTRA, COnducted by MELIK PASHAYEV Debussy Cello Sonata BENJAMIN BRITTEN (piano) Tchaikovsky Music from Swan Lake
BFRLIN PHILHARMONIC ORCHESTRA: records

Contributors

Conducted By:
Sir Malcolm Sargent

guest leader HARRY CAWOOD conductor WALTER WELLER with the SCHUBERT QUARTET OF V IENNA Part 1
Schubert Symphony No 8, in B minor (Unfinished)
Spohr Concerto for string quartet and orchestra
3.1* Interval Reading
3.5* Royal Liverpool
Philharmonic Orchestra Part 2 Beethoven
Symphony No 6, in F major (Pastoral)
(A public concert given ill Philharmonic Hall, Liverpool, on 27 January) BBC Manchester

Contributors

Conductor:
Harry Cawood
Conductor:
Walter Weller

Robert Mann (violin) Earl Carlyss (violin)
Samuel Rhodes (viola) Joel Krosnick (cello)
Haydn Quartet in D, Op 20 No 4
Schoenberg String Quartet No 2, in F sharp minor, Op 10 with BENITA VALENTE (soprano) gramophone records

Contributors

Violin:
Robert Mann
Viola:
Samuel Rhodes
Cello:
Joel Krosnick
Soprano:
Benita Valente

A weekly discussion on cinema, theatre, books, broadcasting and the visual arts.
This week: Alexander Walker (in the Chair), talks with John Elsom. Christopher Ricks and Marina Vaizey.
Producer PHILIP FRENCH

Contributors

Unknown:
Alexander Walker
Unknown:
John Elsom.
Unknown:
Christopher Ricks
Unknown:
Marina Vaizey.

R. A. Hodgkin. formerly Lecturer in Educational Studies at Oxford University, compares F. A., Hayek's concept of 'spontaneous order ' with that of Michael Polanyi. He argues that Hayek's theories are of importance not only to conservatives and economists, but also to left-wing political theorists, scientists and educators. followed by an interlude

by FREDERICK HARRISON with Angela Pleasence and Derek Seaton
A young soldier on ceremonial sentry duty alone with his thoughts is watched by a girl in whom he has triggered memories.
Directed by RONALD MASON

Contributors

Unknown:
Frederick Harrison
Unknown:
Angela Pleasence
Unknown:
Derek Seaton
Directed By:
Ronald Mason

Mosco earner examines a famous musical polemic Of the 1920s which engaged Pfitzner and Alban Berg. For Pfitzner. inspiration was something completely spontaneous and was incapable of being dissected or analysed, Its quality could be intuitively felt but not demonstrated. Berg attacked this in an article called The Musical Impotence of Hans Pfitzner 's ' New Aesthetics

Contributors

Unknown:
Alban Berg.
Unknown:
Hans Pfitzner

Monteverdi Madrigals: Zefiro torna (Book 6): Era I'anima mia (Book 5); Ohime se tanto amate (Book 4)
MONTEVERDI CHOIR
Rameau Acte de ballet: La danse (Les fetes d'Hébé, 1739) .JILL GOMEZ
ANNE-MARIE RODDE (sop,
JEAN-CLAUDE ORLIAC (tenor) .
MONTEVERDI CHOIR
AND ORCHESTRA conducted by JOHN ELIOT GARDINER gramophone records

Contributors

Conducted By:
John Eliot Gardiner

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More