Time: Big Ben 8.0 am

Italian Dances:
Giacomo Gorzani Balletto anon
Italiana SIEGFRIED BEHREND (guitar) SIEGFRIED FINK (percussion)
8.7* anon, arr Munrow Italian carnival songs and dances EARLY MUSIC CONSORT
OF LONDON, directed by DAVID MUNROW (woodwind)
8.19* Geminiani Ballet-pantomime: The enchanted forest MAURICE ANDRE (trumpet) I SOLISTI VENETI conducted by CLAUDIO SCIMONE

Second of nine programmes MARTINDALE SIBWELL CHOIR ALISTAIR Ross (organ) conductor MARTINDALE SIDWELL SYMPHONIAE SACRAE BRASS ENSEMBLE, directed by CHRISTOPHER SEAMAN
Giovanni Gabrieli Eight-part Canzona (1597)
Crocc Missa sexti toni
Giovanni Gabrieli Eight-part Canzona septimi toni (1597)
Zarlino Misereris omnium
Domine Giovanni Gabrieli Seven-part Canzona (1615)
Croce In spiritu humilitatis; Incipite Domino; Buccinate in Neomenia tuba
(This Week's Sounds: page 12)

A record request programme Dvorak Scherzo capriccioso AMSTERDAM CONCERTGEBOUW ORCHESTRA conducted by BERNARD HAITINK
10.13* Mozart Bassoon Concerto in B flat (K 191) GEORGE ZUKERMAN
WURTTEMBERG CHAMBER
ORCHESTRA conducted by jorg FAERBER
10.37* Beethoven Fantasia in c minor
DANIEL BARENBOIM (piano) JOHN ALLDIS CHOIR
NEW PHILHARMONIA ORCHESTRA conducted by OTTO KLEMPERER

Edmund Rubbra (born 23 May 1901): by Maurice Jacobson
(Birthday Concert: 9.30 pm)
Hoffmann and Music: by Mark Lubbock
Musical Profile: Emil Gilels, by Edward Greenfield
The Beethoven Companion: book review by Stanley Sadie
Edited by Anna Instone and Julian Herbage
Introduced by Julian Herbage

Continuing the Haydn quartet series, the first of two programmes in which the other work is by Bartok Haydn Quartet in D major, Op 20 No 4
Bartok Quartet No 3
PRAGUE STRING QUARTET

ROYAL PHILHARMONIC ORCHESTRA leader ALAN LOVEDAY conducted by HUGO RIGNOLD Part 1
Mozart Overture: Don Giovanni
12.58. Rcoer Variations and Fugue on a theme of Mozart
1.35* during the interval Bruckner's Fourth Symphony
An illustrated talk by Mosco CARNER.
1.45* Concert Part 2 Bruckner
Symphony No 4, in E flat (Romantic) (first definitive version)

Opera in two acts Music by Benjamin Britten Libretto by MYFANWY PIPER based on the story by HENRY JAMES
(gramophone records)
WANDSWORTH SCHOOL BOYS' CHOIR ENGLISH CHAMBER ORCHESTRA conducted by THE COMPOSER
The action takes place during the late 19th century, at Para-more, the Wingrave family seat: at the Coyles' establishment in Bayswater; at Miss Wingrave's lodgings; and in Hyde Park. Act 1
4.5* during the interval
JOHN amis discusses the new opera with the cast of Owen Wingrave.
4.20* Owen Wingrave Act 2
(Copies of the libretto can be obtained from [address removed], price 44p including postage.)

ANTONY HOPKINS discusses a work or theme of current interest.
Produced by DENNIS SIMMONS (Repeated: Monday, 9.45 am)

Emanuel Hurwitz (violin) Nona Liddell (violin) Charles Spinks (harpsichord continuo)
Terence Weil (cello continuo)
Handel Trio-Sonata in E major, Op 5 No 1
Legrenzi Trio-Sonata in D minor (La brembata); Trio-Sonata in G minor (La secca soarda); Trio-Sonata in D major (La benaglia)
Handel Trio-Sonata in D major, Op 5 No 2

BBC Scottish Symphony Orchestra, leader Tom Rowlette, conductor James Loughran

Berlioz Overture: King Lear

6.30* Schubert Symphony No 9

A play for radio by PHILIP CALLOW
' I thought we were agreed about this. He's going this afternoon. Right? It's all arranged, so shut up about it. All this drivel about brothers, it makes me sick. I don'want to hear it. He's an imbecile, he's round our necks, he's been round our necks for years, and we're getting rid of him.'
Produced by BENNETT MAXWELL

Fantasia in F minor (o 940) PAUL BADURA-SKODA and JÖRG DEMUS (piano duet) gramophone record

An investigation in seven programmes into the developing relationship between art and its publics.
4: The Artist is Obsolete
A critical enquiry by FRANK KERMODE , Professor of Modern English Literature at London University with contributions from JOHN CAGE, J. G. BALLARD, WILLIAM BURROUGHS, MICHAEL KUSTOW. RICHARD WOLLHEIM , JULIA KRISTEVA Produced by Richard KEEN
(29 May: New Publics for New Art)

IAN PARTRIDGE (tenor) WILLIAM PLEETH (cello)
TILFORD BACH FESTIVAL CHOIB TILFORD BACH FESTIVAL ORCHESTRA leader TREVOR WILLIAMS conductor DENYS DARLOW A Tribute
9.44* The Dark Night of the Soul
S.49* Soliloquy, for cello and orchestra
10.6* Cantata di camera (Crucifixus pro nobis)
(This year there will be seven programmes containing all Rubbra's symphonies. Nos 1 and 2: 3.1 May)

Drawing on the repertoire of recordings made between 1913 and 1939, ROBERT PHILIP discusses some of the characteristics of orchestral style shown by the great European and American orchestras of the period.
In this second talk he discusses the pre-war approach to Bach, Haydn and Mozart,

Sonata in G major, Op 78 played by JOSEF SUK (violin)
JAN PANENKA (piano)