Time: GTs 7.0 am

Mozart Overture: La clemenza di Tito
VIENNA STATE OPERA ORCHESTRA conducted by ISTVAN KERTESZ
7.10* Beethoven Piano Concerto No 3, in c minor
ALFRED BRENDEL VIENNA PRO MUSICA ORCHESTRA conducted by HEINZ WALLBERG
7.45* Haydn Symphony No 3, in G
LITTLE ORCHESTRA OF LONDON conducted by LESLIE JONES gramophone records

A record request programme
Mozart Symphony No 28, in c (K200): CLEVELAND ORCHESTRA conducted by GEORGE SZELL
8.24* Ravel Piano Concerto in G
MONIQUE HAAS PARIS NATIONAL ORCHESTRA conducted by PAUL PARAY
8.45* Delius In a summer garden: HALLE ORCHESTRA conducted by SIR JOHN BARBIROLLI

Obrecht, Josquin des Pris and Lassus
9.23* Josquin des Prés Chansons
9.32* Lassus Mass: Bell' amfitrit' aitera gramophone records

by ARTHUR WILLS from Corpus Christi College Chapel, Cambridge
Bach Two Chorale Preludes from The Little Organ Book: Christ lag in Todesbanden (s 625); Heut' triumphieret Gottes Sohn (s 630)
Reger Benedictus, Op 59 No 9 Hindemith Sonata No 1

leader MAURICE CAVANAGH conducted by HAVELOCK NELSON Leo Norman Overture to a Comic Opera
Francaix Serenade
Prokofiev, arr Berlin Two Dances (Romeo and Juliet)
David Morgan Music for children: Out for a stroll; Pony trap; Sweet dreams; Rustic Dance
Delius Intermezzo and Serenade (Hassan) arr Grtin Suite: Homage to Smetana: Farmyard frolic; Slavonic lullaby; Moravian memory; Village hop-hop

A series of programmes containing works by 20th-century British composers
Mozart Quartet in F major (K 590)
11.27* Chagrin Four English Songs, for contralto, flute, oboe d'amore, and string quintet (first broadcast performance)
11.36* George Butterworth Song.cycle: Love blows as the wind blows, for contralto and string quartet
11.49* Beethoven Quartet in F minor, Op 95
SYBIL MICHELOW (contralto)
CHRISTOPHER HYDE-SMITH (flute) JENNIFER PAULL (oboe d'amore) ENGLISH STRING QUARTET
FRANCIS BAINES (double-bass)

ION BROWN (violin)
SCOTTISH NATIONAL ORCHESTRA conducted by BRYDEN THOMSON Part 1
Beethoven Overture: Leonora No 2
12.31* Mendelssohn Violin Concerto in E minor

HUGH OTTAWAY talks about Shostakovich's three wartime symphonies, with particular reference to the Ninth.

Part 2 Shostakovich Symphony No 9

Seventh of ten programmes Rachmaninov Cello Sonata in G minor, Op 19
Schumann Piano Trio in F, Op 80
AMARYLLIS FLEMING (Cello) GEOFFREY PARSONS (piano) DUMKA TRIO

conducted by MICHAEL ROSE Ravel Suite: Ma Mere l'Oye
3.20* Brahms Symphony No 3

for the Eve of the Ascension from King's College. Cambridge Introit: Psallite Domino (Byrd) Responses (Humphrey Clucas) Psalms 97, 98, 99, 100 (Duputs, Robinson, Attwood, Battishill) Lessons: Song of Solomon 2, vv 10-17; Luke 24. vv 36-49
Office Hymn: Rejoice, 0 land (EH 475)
Canticles: (Rootham in E minor)
Anthem: Omnes gentes, plaudite manibus (Tye)
Hymn: The head that once was crowned with thorns (EH 147: St Magnus)
Director of Music DAVID WILLCOCKS
Organ Scholar IAN HARE

A-level Choice (1971)
The first of two programmes in which CHRISTOPHER HOGWOOD discusses and plays some of this year's GCE set works, Purcell Fantasias for viols
Bach Gamba Sonata No 1, in a Mozart Quintet in E flat, for wind and piano (K 452) gramophone records

Present-day jazz on records Introduced by CHARLES FOX

NORMAN CARRELL looks at some musical events in the Midlands, East Anglia, and Wales during the next seven days.

A course of 40 lessons for beginners or near-beginners written by Brian Dutton and Angel Garcia de Paredes
Presented by Jacinta Castillejo and Pablo Soto, with Cristina Roura and Fernando Agos
(For books and records see p 13)

ANDREW MCGEE (violin) BBC SCOTTISH SYMPHONY ORCHESTRA leader TOM ROWLETTE conducted bv ANDREW DAVIS Mozart Symphony No 27, in G major (K 199)
7.45* Kodaly Variations on a Hungarian folk song: The peacock
8.14* Sibelius Violin Concerto in D minor

by GORDON rupp. Principal of' Weslev House, Cambridge
The performance of Bach s Ascension Day Cantata will be broadcast tomorrow as far as possible in its original liturgical and historical setting. Dr Rupp discusses the background of this performance in relation to the citv of Leipzig in the 18th century, to Bach's activity as Cantor in the Church of St Thomas, and in the context of the Lutheran tradition.

played by VALDA AVELING
Frcxcobaldi Toccata prima (1637 Collection); Aria delta La Frescobalda
Giovanni Picchi Ballo detto
Pichi; Ballo detto 11 Steffanin; Ballo alia Polacha; Ballo Ongaro: Todesca
Bach Aria variata alia mamera italiana

PETER PEARS (tenor)
JOHN SHIRLEY-QUIRK (baritone) BENJAMIN BRITTEN (piano)
Glaiibe, Hoffnung und Liebe (D 955); Herbst (D 945)
Liebesbotschaft: Kriegers Ahnung- Standchen: Fruhlingssehrisucht: Aufenthalt; In der Ferne: Abschied
(Schwanengesang, D 95<)

MICHAEL ELLIOTT was the last artistic director of the Old Vic. He has just finished work on the building committee for the new National Theatre. He believes that most theatre design is an uneasv compromise between the past and the future: and that the problems involved are different from those of building anything else, with the possible exception of a church. +

Part 2
Die Sterne (D 939)
Der Winterabend (0938)
Das Fischermadchen: Der Atlas; lhr Bild: Die Stadt: Am Meer; Der Doppelganger; Die Taubenpost
(Schwanengesang. n 957) i From an Aldeburgh Festival Concert given in the Maltings, Shape, last June)