Programme Index

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Haydn Symphony No 51, in B flat: PHILHARMONIA HUNCARICA conducted by ANTAL DORATI
Anton ' Rubinstein Piano Concerto No 4, in D minor MICHAEL PONTI
PHILHARMONIA HUNGARICA conducted by OTHMAR MAGA

Contributors

Conducted By:
Antal Dorati
Conducted By:
Othmar Maga

First of nine programmes
CHRISTOPHER BOWERS-BROADBENT (organ.)
CANTORES IN ECCLESIA conductor MICHAEL HOWARD
Willaert Motet : Praeter rerum seriem
Meruto Canzona No 8 (La Rolanda); -Four verses on the Kyrie: Toccata on the third tone (Book 3)
Cipriano de Rore Mass: Praeter rerum seriem

Contributors

Conductor:
Michael Howard
Conductor:
Willaert Motet

A record request programme
Weber Clarinet Concerto No 2, in E flat: GERVASE DE PEYER LONDON SYMPHONY ORCHESTRA conducted by COLIN DAVIS
10.23* Handel Aria: Tornami a vagheggiar (Alcina)
JOAN SUTHERLAND (SOpranO) PHILOMUSICA OF LONDON conducted by ANTHONY LEWIS
10.29* Cimarosa, orr Benjamin Oboe Concerto in c
HEINZ HOLLIGER BAMBERG SYMPHONY ORCHESTRA conducted by PETER MAAG
10.40* Haydn Symphony No 65 in A: PHILHARMONIA HUNGARICA conducted by ANTAL DORATI

Contributors

Conducted By:
Colin Davis
Soprano:
Joan Sutherland
Conducted By:
Anthony Lewis
Unknown:
Heinz Holliger Bamberg
Conducted By:
Peter Maag
Conducted By:
Antal Dorati

Britten's
Owen Wingrave by ERIC WALTER WHITE
The first performance is on BBC2 tonight, 8.15. A gramophone recording next Sunday. Radio 3, 3.0 pm. See pp 52-54.
Harold Craxton (1885-1971): by DENIS MATTHEWS
Schubert's last songs: by MARTIN COOPER
Two books on modern music reviewed by ROBERT HENDERSON Edited bv ANNA INSTONE and JULIAN HERBAGE
Introduced by JULIAN HERBAGE

Contributors

Unknown:
Owen Wingrave
Unknown:
Eric Walter White
Unknown:
Harold Craxton
Unknown:
Denis Matthews
Songs By:
Martin Cooper
Reviewed By:
Robert Henderson
Reviewed By:
Julian Herbage
Introduced By:
Julian Herbage

JOHN LILL (piano) ROYAL LIVERPOOL
PHILHARMONIC ORCHESTRA conducted by ANDREW DAVIS Part 1 Beethoven
Piano Concerto No 5, in E flat major (Emperor)
1.35* during the interval MOSCO CARNERdiscusses the autobiographical element in Bartok's works, with special relation to his Concerto for Orchestra, and examines the influence on it of eastern folk music,
1.50* Concert Part 2 Bartok
Concerto for Orchestra

Contributors

Piano:
John Lill
Conducted By:
Andrew Davis

Opera in three acts by PENDERECKI based on JOHN WHITING 'S dramatisation of ALDOUS HUXLEY 'S book in the German translation by ERICH FRIED
(gramophone records)
Cast in order of singing:
CHORUS AND ORCHESTRA OF THE HAMBURG STATE OPERA conducted by MAREK JANOWSKI The action takes place in Loudun, near Poitiers, in 1634. Act 1

Contributors

Unknown:
John Whiting
Unknown:
Aldous Huxley
Translation By:
Erich Fried
Conducted By:
Marek Janowski

by Richard PETERS , Professor of the Philosophy of Education, University of London Institute of Education
Specialist secondary teachers are scarce. In his recently published book Resources for Learning, L. c. TAYLOR evaluates new methods to make teaching capacity ..stretch further, and plumps mainly for teaching by ' packages.' In Professor Peters's view, this is to start at the wrong end. Problems of organisation should not be allowed to shape the concept of education,

Contributors

Unknown:
Richard Peters
Unknown:
L. C. Taylor

by DAVID CAUTE with and Derek Seaton Patricia Gallimore
Clivc Merrison , Sean Barrett
Shifting between illusion and reality the play concerns political action as a form of theatre, and theatre as a form of political action. It also poses a confrontation between Steven Bright , a drama professor wedded to his theory and art. and a new generation of students dedicated to direct action.
Produced by RICHARD WORTLEY

Contributors

Unknown:
David Caute
Unknown:
Derek Seaton
Unknown:
Patricia Gallimore
Unknown:
Clivc Merrison
Unknown:
Sean Barrett
Unknown:
Steven Bright
Produced By:
Richard Wortley
Steven Bright:
Peter Jeffrey
Max:
Derek Seaton
Ann:
Patricia Gallimore
Frank:
Clive Merrison
Tom:
Sean Barrett
May:
Jane Knowles
Dean:
Rolf Lefebvre
Assistant Dean:
Jeffrey Segal
Women's Dean:
Diana Olsson
Cross:
James Thomason
Aston:
Clifford Norgate
Sally JO:
Manning Wilson
Guerrilla:
Peter Pacey
Pedro:
Alaric Cotter
Shane:
Peter Marinker
Garfield:
Hugh Dickson
President:
Norman Shelley
Dott:
John Dearth
A Student:
Brian Hewlett
Dooley:
Ronald Forfar
A student:
Sean Arnold

Seven programmes investigating the developing relationship between art and its publics.
2: Popular and Pop by FRANK KERMODE , Professor of Modern English Literature at London University with contributions from
J. G. BALLARD , WILLIAM BURROUGHS, JOE TILSON , JOE BOYD, STUART MONTGOMERY, RICHARD HOLMES, TONY GARNETT
The nature of 'pop' in music and the visual arts: its influence on other forms: the public for it: its relationship to fine art and to popularity. Produced by RICHARD KEEN
(Thursday, 8.35 pm: 3 - Is There an American Elite? 23 May: a second enquiry by Frank Kermode )

Contributors

Unknown:
Frank Kermode
Unknown:
J. G. Ballard
Unknown:
William Burroughs
Unknown:
Joe Tilson
Unknown:
Joe Boyd
Unknown:
Stuart Montgomery
Unknown:
Richard Holmes
Unknown:
Tony Garnett
Produced By:
Richard Keen
Unknown:
Frank Kermode

Mozart Concert Aria: Ch'io mi scordi di te (k 505)
ELISABETH SCHWARZKOPF (soprano) ALFRED BRENDEL (piano)
LONDON SYMPHONY ORCHESTRA conducted by GEORGE SZELL
10.34* Haydn Symphony No 102, in 8 flat iThe Miracle) NEW PHILHARMONIA ORCHESTRA conducted by OTTO KLEMPERER
11.0* Mozart Piano Concerto No 24, in c minor (K 491)
CLIFFORD CURZON LONDONSYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ gramophone records

Contributors

Piano:
Alfred Brendel
Conducted By:
George Szell
Conducted By:
Otto Klemperer
Unknown:
Clifford Curzon
Conducted By:
Istvan Kertesz

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More