Today's time: GTS 7.0 am
ZAGREB SOLOISTS conducted by ANTONIO JANIGRO with ALFRED BRENDEL (piano) Boyce Symphony No 6, in F
7.11* Mozart Piano Concerto No 9, in E flat major (K 271)
7.35* Rossini String Sonata No 5, in B flat major gramophone records
Greiry Overture: Le jugement de Midas: NEW PHILHARMONIA ORCHESTRA directed by RAYMOND LEPPARD (harpsichord)
8.10* Bruch Violin Concerto No 1, in G minor
ARTHUR GRUMIAUX ; AMSTERDAM CONCERTGEBOUW ORCHESTRA conducted by BERNARD HAITINK
8.34* Schubert Symphony No 3 VIENNA PHILHARMONIC ORCHESTRA conducted by KARL MÜNCHINGER gramophone records
Schumann
Quintet in E flat major, Op 44 GUARNERI QUARTET with ARTUR RUBINSTEIN (piano) gramophone record
21 programmes of Purcell's major works
PAUL ESSWOOD (counter-tenor) IAN PARTRIDGE (tenor)
BENJAMIN LUXON (baritone) NIGEL WICKENS (bass) STAFFORD DEAN (bass) THAMES CHAMBER CHOIR HAROLD LESTER
(harpsichord continuo)
THAMES CHAMBER ORCHESTRA conducted by LOUIS HALSEY BASIL LAM ENSEMBLE
Song for St Cecilia's Day: Welcome to all the pleasures
10.2* Sonata No 2, in B flat major (Set of 12) 10.10* Cantata: When night her purple veil hath softly spread (attrib.)
10.28* Sonata No 8, in G minor (Set of 10) 10.37* Birthday Song for Queen Mary: Now does the glorious day appear
(Stafford Dean broadcasts by permission of Sadler's Wells Opera Company)
played by Jeffrey Siegel
Schubert Sonata in A minor (D 784)
11.17* Schumann Novelettes, Op 21, Nos 1, 2, and 8 11.38* Brahms Variations and Fugue on a theme of Handel
(The seventh of 14 programmes)
BBC WELSH ORCHESTRA leader JOHN BACON conductor JOHN CAREWE
Part 1
Mendelssohn Symphony No 3, in A minor (Scottish)
A selected item from last Sunday's programme
Mozart Divertimento in D major, for string orchestra (K 136)
1.34* Sibelius Suite: King Christian II
ORCHESTRA leader MAURICE BRETT conducted by VILEM TAUSKY
HILVERSUM PROMENADE ORCHESTRA conducted by FRANZ ALLERS
NORWEGIAN BROADCASTING ORCHESTRA conducted by ØIVIND BERGH
Seventh recital in the series
Duparc Au pays ou se fait la guerre; Phidyle
Fauré Song-cycle: Le jardin clos (1915-18)
SHEILA ARMSTRONG (soprano) MARTIN ISEPP (piano)
HALINA LUKOMSKA (soprano) HANS CHRISTIAN (narrator)
AUSTRIAN RADIO MEN'S CHORUS VIENNA SYMPHONY ORCHESTRA conducted by CLAUDIO ABBADO Webern Five Pieces, Op 10
3.40* Berg Symphonic Pieces (Lulu)
4.15* Berg Altenberg-Lieder
4.26 Schoenberg A survivor from Warsaw, for narrator, chorus, and orchestra
(Recording made available by courtesy of Austrian Radio)
Records chosen by the under-20s. introduced by CHRISTOPHER HOGWOOD
The programme includes:
Beethoven Piano Sonata in » major. Op 10 No 2
Berlioz Movements from Symphony: Harold in Italy
Mozart Symphony No 29, in A major (K 201)
The best' of present-day jazz, on gramophone records, introduced by CHARLES FOX
STEWART DEAS takes a look at some musical events in the North in the next seven days
10: Frans Hats and Titian at the National Gallery
FRANCIS HOYLAND on Frans Hals 's Family Group in a Landscape ; DAVID PIPER on The Vendramin Family by Titian Produced by HELEN RAPP
(A revised version of broadcasts in Painting of the Month)
6: The Machine - Servant or Master?
For this last programme, THEO BARKER introduces a discussion on the administration of the welfare state. Those taking part include PROFESSOR DAVID MARSH , author of The Future of the Welfare State, and TIMOTHY RAISON , formerly editor of New Society.
Written in about the year 1612 by John Webster, arranged for broadcasting by Raymond Raikes
Music composed by Marcus Dods
with Maxine Audley, Tony Britton, Charles Gray and John Justin
Scene: Rome, then Padua. About the year 1585
The Hamilton Orchestra conducted by Marcus Dods
ACCADEMIA MONTEVERDIAN1 JAYE CONSORT OF VIOLS AMBROSIAN SINGERS
Introduced and conducted by DENIS STEVENS
Kyrie (Mass: Transeunte Domino)
Felice piume
Cara la vita mia
Ecco ch'un altra volta
Hoc est praeceptum meum
Canzonette: J'ai trouvé ce matin; De que serven ojos morenos; Tis pyri pyr; Donna, tu sei si bella
Misera! non credea
Dialogue: In qual parte
RONALD SMITH talks about Alkan's work and assesses some of the claims made for his originality. He shows Alkan's individual way of writing for the keyboard and discusses his harmonic language.
18.50 Interlude
