Programme Index

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A radio guide to mobile holidays Introduced by LEONARD MAGUIRE 2: Why Do You Go?
The appeal of camping and caravanning and the development of tourist sites
Taking part: DEE MACLEAN
GEORGE CUBITT , SYBILLE CLAYTON LEONARD LICKORISII ROBERT THOHSBRO
STANLEY MAXTON , ALISTAIR GARDNER
Produced by Allan Rogers
Broadcast on March 7 (Scottish)

Contributors

Introduced By:
Leonard Maguire
Unknown:
Dee MacLean
Unknown:
George Cubitt
Unknown:
Sybille Clayton
Unknown:
Leonard Lickorisii
Unknown:
Robert Thohsbro
Unknown:
Stanley Maxton
Unknown:
Alistair Gardner
Produced By:
Allan Rogers

LONDON STUDIO PLAYERS
Leader, Reginald Leopold
Conducted by REGINALD KILBEY ROSEMARY BRETT DAVIES and MARIE COOPER (two pianos)
Introduced by Roy WILLIAMSON

Contributors

Leader:
Reginald Leopold
Conducted By:
Reginald Kilbey
Conducted By:
Rosemary Brett Davies
Conducted By:
Marie Cooper
Introduced By:
Roy Williamson

3: The Petition by Len Rush
For Harry it means tradition and a link with the past, even though it's only a gents' convenience.
Produced by ALFRED BRADLEY

Contributors

Unknown:
Len Rush
Produced By:
Alfred Bradley
Henry:
Henry Livings
Harry:
Harry Markham
Inspector:
James Beck
Mr Hardcastle:
David Jackson
Posh lady:
Ella Atkinson
Policeman:
Geoffrey Wheeler
Drunk:
Geoffrey Wheeler

Albury '34
A play adapted from his book The Great Air Race by Arthur Swinson
In October 1934 twenty aircraft of six nations, flown by some of the world's greatest pilots, took part in a race from England to Australia as part of the Melbourne centenary celebrations. The play focuses on the Douglas D.C.2 airliner entered by K.L.M. and carrying three passengers.
Principal characters:
Produced by JOE BURROUGHS

Contributors

Unknown:
Arthur Swinson
Produced By:
Joe Burroughs
Koene Parmentier, Captain of the aircraft:
Rolf Lefebvre
Jan Moll, co pilot:
Alexander John
Cornelis Van Brugge, radio operator:
Antony Viccars
Flight Lt Armstrong, R A A F:
Anthony Jackson
Alf Waugh, Mayor Albury:
Russell Napier
Mary, his secretary:
Betty Hardy
Helen Jackson:
Gwenda Wilson
Bowden Fletcher:
Keith Alexander
George:
Haydn Jones
Radio commentator:
Nigel Graham
Peter Shand:
Anthony Brothers
Narrator:
Duncan McIntyre

from Bath Abbey
Introit: Thou knowest, Lord
(Purcell)
Responses (William Smith ) Psalms 54 and 55 Numbers 21, vv. 4-9; St. John 16, vv. 16-27
Canticles (Noble in B minor)
Anthem: Praise to thee. Lord
Jesus (Schutz)
The royal banners forward go
(A. and M. Rev. 96)
Organist and Master of the Choristers, J. DUDLEY HOLROYD
Assistant Organist, Raymond Jones

Contributors

Unknown:
William Smith
Unknown:
J. Dudley Holroyd
Organist:
Raymond Jones

A family magazine introduced by KEN SYKORA
Leading Lady: EDITH DAY, star of many musical shows, including The Desert Song, talks to Derek Parker
Sixpence in the Slot:
LESLIE SMITH reviews the automatic vending revolution
The Open Road: CORLA Mos-
SELLER of Michigan talks to Peggy Archer about her 1,400-mile trek through Britain in a gypsy caravan

Contributors

Introduced By:
Ken Sykora
Unknown:
Derek Parker
Unknown:
Leslie Smith
Unknown:
Peggy Archer

The Tower of London
The novel by Harrison Ainsworth freely adapted in thirteen parts by TONY VAN DEN BERGH
5: To Lose the Crown Jane has sent the Lordfrom London; Cuthbert Protector has escaped from his cell; Dudley has broken down Nightgall: Rcnard has put before Jane her Deed of Abdication
Jan Edwards , Norma Griffin
Produced by R. D. SMITH

Contributors

Novel By:
Harrison Ainsworth
Unknown:
Tony van Den Bergh
Unknown:
Jan Edwards
Unknown:
Norma Griffin
Produced By:
R. D. Smith
Queen Jane:
Gudrun Ure
Simon Renard:
Malcolm Hayes
Cicely:
Beth Boyd
Mistress Ellen:
Marjorie Westbury
Gunnora:
Phyllis Montefiore
Cuthbert:
Christopher Bidmead
Suffolk:
Peter Williams
Lord Guilford Dudley:
Michael Harbour
Arundel:
John Wyse
Nightgall:
Peter Baldwin
Ribald:
Leigh Crutculey
Magog:
Francis de Wolff
Dame Potentia:
Lynn Carson
Xit:
Nigel Anthony

Sally Trench at twenty-two has already given four years of her life to service of the most arduous and taxing kind: as a teenager she went to live among, and care for, those ultimate outcasts of the Welfare State who are rejected even by most other social workers-the meths drinkers who live and often die, on London bomb-sites.
In this conversation she talks to LESLIE SMITH about her experiences

Contributors

Unknown:
Leslie Smith

New light on Henry Irving and Ellen Terry 's relationship has been shed by a collection of letters sold recently at Sotheby's.
ROGER MANVELL , whose biography of Ellen Terry was published on Monday, read the letters before they left for America.

Contributors

Unknown:
Henry Irving
Unknown:
Ellen Terry
Unknown:
Roger Manvell
Unknown:
Ellen Terry

This was one of the scores commissioned by Serge Koussevitzky for the fiftieth anniversary of the Boston Symphony Orchestra in 1930. Aiming at a work with great contrapuntal development, Stravinsky chose a choral and instrumental ensemble in which the two elements were on an equal footing. A choir implied words and, being a religious person, it was natural that he should think of the Psalms. Eschewing conventional symphonic form, he also decided against a normal orchestra. And so he came to write his Symphony of Psalms for choir, woodwind, brass, drums, harp, two pianos, cellos, and basses-a masterpiece as moving as it is austere. Felix Aprahamian

Contributors

Unknown:
Serge Koussevitzky
Unknown:
Felix Aprahamian

Leon Quartermaine
1876-1967
A tribute by Sir John Gielgud who introduces recordings made by Leon Quartermaine during his long association with the BBC
Produced by Denys Gueroult
See page 38

Contributors

Unknown:
Leon Quartermaine
Unknown:
Sir John Gielgud
Unknown:
Leon Quartermaine
Produced By:
Denys Gueroult

BBC Radio 4 FM

About BBC Radio 4

Intelligent speech, the most insightful journalism, the wittiest comedy, the most fascinating features and the most compelling drama and readings anywhere in UK radio.

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About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More