Studies in African anthropology by Max Gluckman
Professor of Social Anthropology in the University of Manchester
3-The Estrangements of Kinship By custom, among the Tallensi of the Gold Coast, a man and his eldest son may not cat together; similarly, among the Tsonga of Mozambique, youths and maidens must not discuss their marital affairs with their parents. ' The details of custom and taboo may vary,' says the speaker. ' but there is this constant general difference between African domestic relations and our own-in Africa there is a whole seri-s of rules to regularise relations within the family.'
' It is striking,' he goes on, ' that while on the one hand the members of the family are brought together by these rules, on the other hand they are forced apart and estranged from one another.' In this lecture Professor Gluckman shows how these estrangements within the family are related to the cohesion of the larger society.

Sonata in C minor, Op. 30 No. 2 Sonata in G, Op. 30 No. 3 played by Szymon Goldberg (violin) and Ernest Lush (piano)
This ii the first of a series of programmes including all Beethoven's sonatas for violin and piano.

A dramatic script by E. J. King Bull from
' A Story-Teller's Holiday' by George Moore
(Continued in next column)
* with Kathleen Michael and Kenneth Connor. Maureen Pryor
Allan McClelland , Pat Magee May Carey. Dorothy Gordon
Beth Boyd. Doreen Keogh
Edward Lexy , Manning Wilson
The Fiddler: Jim Coleman
Production by E. J. King Bull

Cantata No. 205
Der zufriedengestellte
Aeolus Ilse Wolf (soprano)
Nancy Thomas (contralto)
David Galliver (tenor) Bruce Boyce (baritone)
James Maddocks (viola d'amore)
Ambrose Gauntlett (viola da gamba)
John Shinebourne (cello continuo)
Charles Spinks (harpsichord)
London Chamber Singers
London Chamber Orchestra
(Leader. Thomas Carter)
Conductor, Anthony Bernard

4 De Inearnationc *
Selected extracts from a translation made for broadcasting by E. V. Rieu, C.B.E., Litt.D.
Read by Carleton Hobbs
This treatise by the fourth-century champion of orthodoxy was written at the age of nineteen. It remains one of the classical definitions of the Person of Christ and his work.

played by André Marchal
Introduced by Felix Aprahamian
From St. Peter's
Eaton Square. London