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Sonatina; Sonatina seconds played by Philip Levi (piano)
This is the first of three recitals devoted to Busoni's six piano sonatinas, which were written during the decade
1910-20. The first, which dates from
1910, is dedicated to the Swiss pianist Rudolph Ganz. The second, composed two years later, is dedicated to Mark Hambourg ; Busoni later made use of some of the material from it in his opera Doktor Faust. D.C.

Contributors

Played By:
Philip Levi
Pianist:
Rudolph Ganz.
Unknown:
Mark Hambourg

Francis Loring (baritone)
Ernest Lush (piano)
Am Fenster- Die Taubenpost; Der
Wanderer an den Mond; Das ZUgenglOcklein (Seidl)
Die Sterne (Schlegel)
An Schwager Kronos; Prometheus
(Goethe)
A series of Schubent leder recitals devised by Richard Capeli.

Contributors

Baritone:
Francis Loring
Piano:
Ernest Lush
Unknown:
Richard Capeli.

Illustrated talk by Helena Shire
The speaker has discovered that one of the seventeenth-century manuscript music-books in the possession of Lord Dalhousie contains material that scholars had thought lost for ever. There are two songs whose existence was known only from their parodies, several unknown lyrics, a telling in the vernacular of a great European ballad, and much else to cast light on seventeenth-century poetry in Scotland.
Readers:
Molly Rankin and Duncan Mclntyre

Contributors

Talk By:
Helena Shire
Readers:
Molly Rankin
Readers:
Duncan McLntyre

by Charles Vildrac in an English version by Harold Bowen
Scene: A French dockside restaurant, 1919
Produced by Peter Watts

Contributors

Unknown:
Charles Vildrac
Unknown:
Harold Bowen
Produced By:
Peter Watts
Hidoux an elderly loafer:
George Hayes
Madame Cordier, proprietor of a dockside restaurant.:
Molly Rankin
Therese, the waitress:
Marjorie Westbury
Bastien:
Valentine Dyall
Ségard:
Roger Delgado
A Canadian sailor:
Barry Lowe
Labourers and sailors:
Rupert Davies
Labourers and sailors:
Peter Goss
Labourers and sailors:
George Hagan
Labourers and sailors:
Ronald Sidney
Labourers and sailors:
Michael Turner
Labourers and sailors:
Middleton Woods

Illustrated talk by Peter Stadlen
The metronome, though not invented by Maelzel, was developed by him during Beethoven's ' second period.' Beethoven welcomed it as a device for establishing tempo with certainty. Peter Stadlen discusses the advantages of adhering to Beethoven's metronome marks even in those movements where they are generally ignored in modern performances

Contributors

Talk By:
Peter Stadlen
Unknown:
Peter Stadlen

Cantatas:
Erbarm dlch mein, o Herre Gott
Furwahr, er trug unsere Krankheit Margot Guilleaume (soprano)
Ernst Max Ltthr (bass)
Musikrunde Chorus, Hamburg
(Director, Ruth Muller )
Instrumental Ensemble of the Bach Anniversary, Hamburg
Directed by Marie-Luise Bechert (organ) on gramophone records

Contributors

Unknown:
Herre Gott
Soprano:
Margot Guilleaume
Bass:
Ernst Max Ltthr
Unknown:
Ruth Muller
Directed By:
Marie-Luise Bechert

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More