Piano Quartet in D, Op. 23 played by the Robert Masters Piano Quartet:
Robert Masters (violin) Nannie Jamieson (viola)
Muriel Taylor (cello)
Kinloch Anderson (piano)

A group of discussions about the human implications of technical change in the ' under-developed' countries of the world
2-Men and the Land
Contact with Western agricultural techniques and markets has fundamentally affected the way. of life of the mitlions of peasants and smallholders of these countries, and changed their relationship to the land. The social changes that follow agricultural and economic reorganisation are discussed by: Raymond Firth
Professor of Anthropology,
London School of Economics and Political Science
Peter Bauer
Lecturer in Economics,
University of Cambridge and J. W. Purseglove
Lecturer in Tropical Agriculture,
University of Cambridge

Richard Holm (tenor)
Frederick Stone (piano)
Drang in die Ferne: Das Weinen: Vor meirrw Wiege: Der Wallensteiner Lenzknecht beim Trunk: Der Kreuzzug: Des Fischers Liebesgluck ; Der Winterabend: Die Sterne (Leitner)
A series of Schubert lieder recitals devised by Richard Capell.

Talk by Terence Prittie
Manchester Guardian correspondent in Germany

by Herman Melville
Arranged for broadcasting and produced by Leslie Stokes with Preston Lockwood as Bartleby Other parts played by Hugh David
Harry Hutchinson , Alan Keith Norman Shelley , Victor Wood
Bartleby, first published as a short story in Putnam's Monthly in 1853, is a tale of a mysterious scrivener, or law-copyist, employed by a lawyer whose office is in Wall Street. The lawyer tells the story, in the course of which we learn more about him than about his subject. Although the story does not solve the mystery of Bartleby it reaches a climax of considerable pathos.

An oratorio in three parts with text by Gottfried Benn
Annelies Kupper (soprano)
Helmut Krebs (tenor)
Karl Schmitt-Walter (baritone)
Max Proebstl (bass)
Chorus and Orchestra of Bayerischer Rundfunk
(Chorus-Master, Josef Kugler )
Boys' Choir of Wittelsbacher High School (Chorus-Master. Franz Moser )
Conducted by Jan Koetsier
In the text the poet contrasts all that is transitory (including, in his conception, Science, Progress, Art, and the Gods) with what he calls the unending ' or ' perpetual' — the supreme powers within the eternal flux which alone, in the hearts of ' the lonelv ones, the silent,' are fruitful for the future. The oratorio is in three parts: the first sets forth the idea of transitoriness, the second describes the things that are transitory, and the last hymns the powers of the ' unending.' D.C.

Carmen Blacker speaks about this . most influential of Japanese thinkers' who, in the last century, was able to teach a still feudal Japan that Western civilisation was not a matter of battle-ships.

Suite No. 5. in C minor for unaccompanied cello
Prelude:' Allemande; Courante; Saraband: Gavotte 1 and 2; Jig played by Andre Navarra