(1690-1760)
Concerto Grosso in D, Op. 3 No. 10 played by the Lamoureux Chamber Orchesitra Conducted by Pierre Colombo Ruggero Gerlin (harpsichord) on gramophone records
by Anton Chekhov
Adapted for broadcasting by Cynitihia Pughe from the translation by Constance Garnett Characters in order of speaking!
(Continued in next column)
Cicely Hoye (piano)
Eleanor Warren (cello)
Alexis Chesnakov (guitar)
Produced by Mary Hope Allen
Chekhov was twenty-seven when he wrote Ivanov. He had written several other plays, but Ivanov was the first to be performed. He wrote it in the autumn of 1887 at the request of Fyodor Korsh, a Moscow theatrical manager. T'he subject occurred to Chekhov while going to bed one night, and he finished its first version (altogether seven versions of the play are extant) in ten days. It was first performed at Korsh's Theatre on November 19, 1887.
D.M.
Clifford Curzon (piano)
Sonata in D minor, Op. 31 No. 2
Beethoven
Ninth of twelve programmes
This recital and the next on March 2 (consisting of Schubert's Impromptus Op. 142) have been recorded by Clifford Curzon in the studio at his house, on « piano made about 1820 by the London firm of Stodairt. Although the instrument naturally betrays its age in a certain unevenness of action, it makes possible tfhe use of effects that are characteristic of the piano music of Beethoven and Schubert.
H. R.
Talk by G. Spencer Brown
Research Lecturer in Philosophy at Christ Church, Oxford
The speaker has made a study of the recent attempt to demonstrate telepathy and allied phenomena by statistical methods. In this talk he questions the validity of some of the tes'ts used and suggests a possible reinterpretation of the evidence obtained in typical experiments.
Quartet No. 3 played by the Griller String Quartet
Sidney Griller (violin) Jack O'Brien (violin) Philip Burton (viola) Colin Hampton (cello)
Four illustrated talks by Maud Karpeles
2-Some Characteristics of English Folk Music
Illustrations by Isla Cameron (soprano)
Patrick Shuldham-Shaw (baritone)
Elsie Avril (violin)
Stanislaus Joyce speaks about experiences shared with his brother James which the writer later used in his volume of short stories
(edited by Leo Schrade )
Margaret Field-Hyde (soprano)
Margaret Ritchie (soprano)
Richard Lewis (tenor)
Alexander Young (tenor)
John Cameron (bass-baritone)
The Ambrosian Singers
Philharmonia Orchestra
(Leader, Manoug Parikian )
Thurston Dart (harpsichord)
Geraint Jones (organ)
Conducted by Anthony Lewis
Part 1
Domine ad adiuvandum; Dixit Dominus; Nigra sum; Laudate pueri Dominum; Putchra es; Laetatus sum; Duo Seraphim; Nisi Dominus; Audi coelum; Lauda Jerusalem
Lope de Vega and the Spanish Theatre
Talk by E. M. Wilson
Professor of Spanish at Cambridge University
Fourth of a group of talks
Part 2
Sonata sopra Sancta Maria; Ave maris Stella; Magnificat
A monthly magazine of new poetry and prose, edited and introduced by Ludovic Kennedy
. Contributions from
George Moor. Keith Johnstone Donald Davie , H. A. C. Evans
Anthony Rhodes (read by the author)
Norman Cusack , Leonard Sourbutts
Dorian Cooke , Burns Singer Harry C. Haines , Ian Forse
Patrick Galvin (read by the author)
Vernon Scannell Isabel Seed S.Thomas Ansell , R. F. Willetts
Barbara Manning , Paul West
Readers: Peter Augustine
Heather Black , Hugh Burden
Felix Felton , Gerik Schjelderup
Fifth of a new series of programmes
The Melos Ensemble:
Peter Graeme (oboe)
Gervase de Peyer (clarinet)
Eli Goren (violin)
Leonard Friedman (violin)
Cecil Aronowitz (viola)
Terence Weil (cello)