Rhapsody; February's child;
Aubade: Sonatina played by Leonard Cassini (piano)
Laat of four programmes
Race and Religion in the Spanish Empire Talk by C. R. Boxer
C R Boxer , Camotne Professor of Portuguese .t King'. College, London University, speaks of the controversies that arose out of the conflict of race and religion in the days when the Spanish Empire spread round the world.
(The recorded broadcast of Jan. 16)
Kyrie in F (K.33)
Te Deum laudamus (K.141)
Grand Fantasia in F minor (K.608) Missa Brevis in G (K.49)
Adrienne Cole (soprano)
Anne Wood (contralto) Wilfred Brown (tenor)
George Pizzey (baritone)
BBC Chorus
Martindale Sidwell (organ)
The Boyd Neel Orchestra
(Leader. Granville Jones)
Conducted by Leslie Woodgate
From Hampstead Parish Church
The first of a series of concerts of lesser-known choral works by Mozart
Jacques Prevert in a selection of his poems spoken to an extempore guitar accompaniment by Henri Crolla
Grand Bal du Printemps; Quartier libre; Chanson des Sardinieres; L'Ecole des Beaux-Arts; Vainement; Ma petite Lionne; Pour faire le Portrait d'un Oiseau; Le Lezard; Lime-house; Chant Song: Cochon; Cable confidentielle; Eros; Les Bas-fonds de la Tamise; Le Cimetiere
Henry Hoist (violin)
BBC Symphony Orchestra
(Leader, Paul Beard )
Conductor, Sir Malcolm Sargent
Talk by R. F. Trehame
It is no coincidence that in the thirteenth century, when English civilisation came nearer to perfection than at any other time in the Middle Ages, the English nation-state was born. But for the last fifty years, though historians and students of art, literature, and thought have broadened and deepened our knowledge of this climacteric century, no one has attempted an interpretative synthesis. Such a syntihesis is now offered by Sir Maurice Powicke in the recently published fourth volume of the Oxford History of England: The Thirteenth Century, 1216-1307. In this .talk Dr. Treharne, who is Professor of History in the University College of Wales, Aberystwyth, comments on Sir Maurice Powickt 's interpretation.
A radio play by Charles Bertin
Translated by Henry Van Hoof Edited by Frederick Bradnum
Music by Jacques Stehman conducted by Patrick Savill
Production by Frederick Bradnum
Piano Trio in G minor, Op. 16: played by Alexander Plocek (violin), Milos Sadlo (celloi, Josef Palenicek (piano) on gramophone records